Ways of Wood Folk - William J. Long (portable ebook reader .txt) 📗

off with the handle, so that the ring was complete. Altogether it was just the thing for the purpose—bright, and not too heavy, and most convenient for a crow to seize and carry. Once well gripped, it would take a good deal of worrying to make him drop it.

Who first was "it," as children say in games? Was it a special privilege of the crow who first found the talisman, or do the crows have some way of counting out for the first leader? There is a school-house down that same old dusty road. Sometimes, when at play there, I used to notice the crows stealing silently from tree to tree in the woods beyond, watching our play, I have no doubt, as I now had watched theirs. Only we have grown older, and forgotten how to play; and they are as much boys as ever. Did they learn their game from watching us at tag, I wonder? And do they know coram, and leave-stocks, and prisoners' base, and bull-in-the-ring as well? One could easily believe their wise little black heads to be capable of any imitation, especially if one had watched them a few times, at work and play, when they had no idea they were being spied upon.

VIII. ONE TOUCH OF NATURE.

The cheery whistle of a quail recalls to most New England people a vision of breezy upland pastures and a mottled brown bird calling melodiously from the topmost slanting rail of an old sheep-fence. Farmers say he foretells the weather, calling, More-wet—much-more-wet! Boys say he only proclaims his name, Bob White! I'm Bob White! But whether he prognosticates or introduces himself, his voice is always a welcome one. Those who know the call listen with pleasure, and speedily come to love the bird that makes it.

Bob White has another call, more beautiful than his boyish whistle, which comparatively few have heard. It is a soft liquid yodeling, which the male bird uses to call the scattered flock together. One who walks in the woods at sunset sometimes hears it from a tangle of grapevine and bullbrier. If he has the patience to push his way carefully through the underbrush, he may see the beautiful Bob on a rock or stump, uttering the softest and most musical of whistles. He is telling his flock that here is a nice place he has found, where they can spend the night and be safe from owls and prowling foxes.

If the visitor be very patient, and lie still, he will presently hear the pattering of tiny feet on the leaves, and see the brown birds come running in from every direction. Once in a lifetime, perhaps, he may see them gather in a close circle—tails together, heads out, like the spokes of a wheel, and so go to sleep for the night. Their soft whistlings and chirpings at such times form the most delightful sound one ever hears in the woods.

This call of the male bird is not difficult to imitate. Hunters who know the birds will occasionally use it to call a scattered covey together, or to locate the male birds, which generally answer the leader's call. I have frequently called a flock of the birds into a thicket at sunset, and caught running glimpses of them as they hurried about, looking for the bugler who called taps.

All this occurred to me late one afternoon in the great Zoological Gardens at Antwerp. I was watching a yard of birds—three or four hundred representatives of the pheasant family from all over the earth that were running about among the rocks and artificial copses. Some were almost as wild as if in their native woods, especially the smaller birds in the trees; others had grown tame from being constantly fed by visitors.

It was rather confusing to a bird lover, familiar only with home birds, to see all the strange forms and colors in the grass, and to hear a chorus of unknown notes from trees and underbrush. But suddenly there was a touch of naturalness. That beautiful brown bird with the shapely body and the quick, nervous run! No one could mistake him; it was Bob White. And with him came a flash of the dear New England landscape three thousand miles away. Another and another showed himself and was gone. Then I thought of the woods at sunset, and began to call softly.

The carnivora were being fed not far away; a frightful uproar came from the cages. The coughing roar of a male lion made the air shiver. Cockatoos screamed; noisy parrots squawked hideously. Children were playing and shouting near by. In the yard itself fifty birds were singing or crying strange notes. Besides all this, the quail I had seen had been hatched far from home, under a strange mother. So I had little hope of success.

But as the call grew louder and louder, a liquid yodel came like an electric shock from a clump of bushes on the left. There he was, looking, listening. Another call, and he came running toward me. Others appeared from every direction, and soon a score of quail were running about, just inside the screen, with soft gurglings like a hidden brook, doubly delightful to an ear that had longed to hear them.

City, gardens, beasts, strangers,—all vanished in an instant. I was a boy in the fields again. The rough New England hillside grew tender and beautiful in sunset light; the hollows were rich in autumn glory. The pasture brook sang on its way to the river; a robin called from a crimson maple; and all around was the dear low, thrilling whistle, and the patter of welcome feet on leaves, as Bob White came running again to meet his countryman.

IX. MOOSE CALLING.

Midnight in the wilderness. The belated moon wheels slowly above the eastern ridge, where for a few minutes past a mighty pine and hundreds of pointed spruce tops have been standing out in inky blackness against the gray and brightening background. The silver light steals swiftly down the evergreen tops, sending long black shadows creeping before it, and falls glistening and shimmering across the sleeping waters of a forest lake. No ripple breaks its polished surface; no plash of musquash or leaping trout sends its vibrations up into the still, frosty air; no sound of beast or bird awakens the echoes of the silent forest. Nature seems dying, her life frozen out of her by the chill of the October night; and no voice tells of her suffering.

A moment ago the little lake lay all black and uniform, like a great well among the hills, with only glimmering star-points to reveal its surface. Now, down in a bay below a grassy point, where the dark shadows of the eastern shore reach almost across, a dark object is lying silent and motionless on the lake. Its side seems gray and uncertain above the water; at either end is a dark mass, that in the increasing light takes the form of human head and shoulders. A bark canoe with two occupants is before us; but so still, so lifeless apparently, that till now we thought it part of the shore beyond.

There is a movement in the stern; the profound stillness is suddenly broken by a frightful roar: M-wah-úh! M-waah-úh! M-w-wã-a-ã-ã-a! The echoes rouse themselves swiftly, and rush away confused and broken, to and fro across the lake. As they die away among the hills there is a sound from the canoe as if an animal were walking in shallow water, splash, splash, splash, klop! then silence again, that is not dead, but listening.

A half-hour passes; but not for an instant does the listening tension of the lake relax. Then the loud bellow rings out again, startling us and the echoes, though we were listening for it. This time the tension increases an hundredfold; every nerve is strained; every muscle ready. Hardly have the echoes been lost when from far up the ridges comes a deep, sudden, ugly roar that penetrates the woods like a rifle-shot. Again it comes, and nearer! Down in the canoe a paddle blade touches the water noiselessly from the stern; and over the bow there is the glint of moonlight on a rifle barrel. The roar is now continuous on the summit of the last low ridge. Twigs crackle, and branches snap. There is the thrashing of mighty antlers among the underbrush, the pounding of heavy hoofs upon the earth; and straight down the great bull rushes like a tempest, nearer, nearer, till he bursts with tremendous crash through the last fringe of alders out onto the grassy point.—And then the heavy boom of a rifle rolling across the startled lake.

Such is moose calling, in one of its phases—the most exciting, the most disappointing, the most trying way of hunting this noble game.

The call of the cow moose, which the hunter always uses at first, is a low, sudden bellow, quite impossible to describe accurately. Before ever hearing it, I had frequently asked Indians and hunters what it was like. The answers were rather unsatisfactory. "Like a tree falling," said one. "Like the sudden swell of a cataract or the rapids at night," said another. "Like a rifle-shot, or a man shouting hoarsely," said a third; and so on till like a menagerie at feeding time was my idea of it.

One night as I sat with my friend at the door of our bark tent, eating our belated supper in tired silence, while the rush of the salmon pool near and the sigh of the night wind in the spruces were lulling us to sleep as we ate, a sound suddenly filled the forest, and was gone. Strangely enough, we pronounced the word moose together, though neither of us had ever heard the sound before. 'Like a gun in a fog' would describe the sound to me better than anything else, though after hearing it many times the simile is not at all accurate. This first indefinite sound is heard early in the season. Later it is prolonged and more definite, and often repeated as I have given it.

The answer of the bull varies but little. It is a short, hoarse, grunting roar, frightfully ugly when close at hand, and leaving no doubt as to the mood he is in. Sometimes when a bull is shy, and the hunter thinks he is near and listening, though no sound gives any idea of his whereabouts, he follows the bellow of the cow by the short roar of the bull, at the same time snapping the sticks under his feet, and thrashing the bushes with a club. Then, if the bull answers, look out. Jealous, and fighting mad, he hurls himself out of his concealment and rushes straight in to meet his rival. Once aroused in this way he heeds no danger, and the eye must be clear and the muscles steady to stop him surely ere he reaches the thicket where the hunter is concealed. Moonlight is poor stuff to shoot by at best, and an enraged bull moose is a very big and a very ugly customer. It is a poor thicket, therefore, that does not have at least one good tree with conveniently low branches. As a rule, however, you may trust your Indian, who is an arrant coward, to look out for this very carefully.

The trumpet with which the calling is done is simply a piece of birch bark, rolled up cone-shaped with the smooth side within. It is fifteen or sixteen inches long, about four inches in diameter at the larger, and one inch at the smaller end. The right hand is folded round the smaller end for a