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infinitely more incisive in expression, than that of the drunken cook. The language that she had used about her lover⁠—calling him always “that oaf” or “that beast”!⁠—had seemed literally to pain the girl internally, as if it had caused so many fallings away of internal supports at each two or three words. She had hardly been able to walk home through the darkness from the rectory.

And she had never heard what had become of Mrs. Duchemin’s baby. Next day Mrs. Duchemin had been as suave, as circumspect, and as collected as ever. Never a word more had passed between them on the subject. This left in Valentine Wannop’s mind a dark patch⁠—as it were of murder⁠—at which she must never look. And across the darkened world of her sexual tumult there flitted continually the quick suspicion that Tietjens might have been the lover of her friend. It was a matter of the simplest analogy. Mrs. Duchemin had appeared a bright being: so had Tietjens. But Mrs. Duchemin was a foul whore.⁠ ⁠… How much more then must Tietjens, who was a man, with the larger sexual necessities of the male⁠ ⁠… Her mind always refused to complete the thought.

Its suggestion wasn’t to be combated by the idea of Vincent Macmaster himself: he was, she felt, the sort of man that it was almost a necessity for either mistress or comrade to betray. He seemed to ask for it. Besides, she once put it to herself, how could any woman, given the choice and the opportunity⁠—and God knows there was opportunity enough⁠—choose that shadowy, dried leaf, if there were the splendid masculinity of Tietjens in whose arms to lie. She so regarded these two men. And that shadowy conviction was at once fortified and appeased when, a little later, Mrs. Duchemin herself began to apply to Tietjens the epithets of “oaf” and “beast”⁠—the very ones that she had used to designate the father of her putative child!

But then Tietjens must have abandoned Mrs. Duchemin; and, if he had abandoned Mrs. Duchemin, he must be available for her, Valentine Wannop! The feeling, she considered, made her ignoble; but it came from depths of her being that she could not control and, existing, it soothed her. Then, with the coming of the war, the whole problem died out, and between the opening of hostilities and what she had known to be the inevitable departure of her lover, she had surrendered herself to what she thought to be the pure physical desire for him. Amongst the terrible, crashing anguishes of that time, there had been nothing for it but surrender! With the unceasing⁠—the never ceasing⁠—thought of suffering; with the never ceasing idea that her lover, too, must soon be so suffering, there was in the world no other refuge. No other!

She surrendered. She waited for him to speak the word, or look the look that should unite them. She was finished. Chastity: napoo finny! Like everything else!

Of the physical side of love she had neither image nor conception. In the old days when she had been with him, if he had come into the room in which she was, or if he had merely been known to be coming down to the village, she had hummed all day under her breath and had felt warmer, little currents passing along her skin. She had read somewhere that to take alcohol was to send the blood into the surface vessels of the body, thus engendering a feeling of warmth. She had never taken alcohol, or not enough to produce recognisably that effect; but she imagined that it was thus love worked upon the body⁠—and that it would stop forever at that!

But, in these later days, much greater convulsions had overwhelmed her. It sufficed for Tietjens to approach her to make her feel as if her whole body was drawn towards him as, being near a terrible height, you are drawn towards it. Great waves of blood rushed across her being as if physical forces as yet undiscovered or invented attracted the very fluid itself. The moon so draws the tides.

Once before, for a fraction of a second, after the long, warm night of their drive, she had felt that impulsion. Now, years after, she was to know it all the time, waking or half waking; and it would drive her from her bed. She would stand all night at the open window till the stars paled above a world turned grey. It could convulse her with joy; it could shake her with sobs and cut through her breast like a knife.

The day of her long interview with Tietjens, amongst the amassed beauties of Macmaster furnishings, she marked in the calendar of her mind as her great love scene. That had been two years ago: he had been going into the army. Now he was going out again. From that she knew what a love scene was. It passed without any mention of the word “love”; it passed in impulses; warmths; rigors of the skin. Yet with every word they had said to each other they had confessed their love; in that way, when you listen to the nightingale you hear the expressed craving of your lover beating upon your heart.

Every word that he had spoken amongst the amassed beauties of Macmaster furnishings had been a link in a love-speech. It was not merely that he had confessed to her as he would have to no other soul in the world⁠—“To no other soul in the world,” he had said!⁠—his doubts, his misgivings and his fears: it was that every word he uttered and that came to her, during the lasting of that magic, had sung of passion. If he had uttered the word “Come” she would have followed him to the bitter ends of the earth; if he had said, “There is no hope,” she would have known the finality of despair. Having said neither he said, she knew: “This is our condition; so we must continue!” And she knew, too, that he was telling

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