In a Glass Darkly - J. Sheridan Le Fanu (great reads txt) 📗

“For a few moments I had stood petrified. I now sprang forward, with my sword in my hand. The black creature suddenly contracted toward the foot of the bed, glided over it, and, standing on the floor about a yard below the foot of the bed, with a glare of skulking ferocity and horror fixed on me, I saw Millarca. Speculating I know not what, I struck at her instantly with my sword; but I saw her standing near the door, unscathed. Horrified, I pursued, and struck again. She was gone; and my sword flew to shivers against the door.

“I can’t describe to you all that passed on that horrible night. The whole house was up and stirring. The spectre Millarca was gone. But her victim was sinking fast, and before the morning dawned, she died.”

The old General was agitated. We did not speak to him. My father walked to some little distance, and began reading the inscriptions on the tombstones; and thus occupied, he strolled into the door of a side-chapel to prosecute his researches. The General leaned against the wall, dried his eyes, and sighed heavily. I was relieved on hearing the voices of Carmilla and Madame, who were at that moment approaching. The voices died away.

In this solitude, having just listened to so strange a story, connected, as it was, with the great and titled dead, whose monuments were mouldering among the dust and ivy round us, and every incident of which bore so awfully upon my own mysterious case⁠—in this haunted spot, darkened by the towering foliage that rose on every side, dense and high above its noiseless walls⁠—a horror began to steal over me, and my heart sank as I thought that my friends were, after all, not about to enter and disturb this triste and ominous scene.

The old General’s eyes were fixed on the ground, as he leaned with his hand upon the basement of a shattered monument.

Under a narrow, arched doorway, surmounted by one of those demoniacal grotesques in which the cynical and ghastly fancy of old Gothic carving delights, I saw very gladly the beautiful face and figure of Carmilla enter the shadowy chapel.

I was just about to rise and speak, and nodded smiling, in answer to her peculiarly engaging smile; when with a cry, the old man by my side caught up the woodman’s hatchet, and started forward. On seeing him a brutalised change came over her features. It was an instantaneous and horrible transformation, as she made a crouching step backwards. Before I could utter a scream, he struck at her with all his force, but she dived under his blow, and unscathed, caught him in her tiny grasp by the wrist. He struggled for a moment to release his arm, but his hand opened, the axe fell to the ground, and the girl was gone.

He staggered against the wall. His grey hair stood upon his head, and a moisture shone over his face, as if he were at the point of death.

The frightful scene had passed in a moment. The first thing I recollect after, is Madame standing before me, and impatiently repeating again and again, the question, “Where is Mademoiselle Carmilla?”

I answered at length, “I don’t know⁠—I can’t tell⁠—she went there,” and I pointed to the door through which Madame had just entered; “only a minute or two since.”

“But I have been standing there, in the passage, ever since Mademoiselle Carmilla entered; and she did not return.”

She then began to call “Carmilla,” through every door and passage and from the windows, but no answer came.

“She called herself Carmilla?” asked the General, still agitated.

“Carmilla, yes,” I answered.

“Aye,” he said; “that is Millarca. That is the same person who long ago was called Mircalla, Countess Karnstein. Depart from this accursed ground, my poor child, as quickly as you can. Drive to the clergyman’s house, and stay there till we come. Begone! May you never behold Carmilla more; you will not find her here.”

As he spoke one of the strangest looking men I ever beheld, entered the chapel at the door through which Carmilla had made her entrance and her exit. He was tall, narrow-chested, stooping, with high shoulders, and dressed in black. His face was brown and dried in with deep furrows; he wore an oddly-shaped hat with a broad leaf. His hair, long and grizzled, hung on his shoulders. He wore a pair of gold spectacles, and walked slowly, with an odd shambling gait, with his face sometimes turned up to the sky, and sometimes bowed down toward the ground, seemed to wear a perpetual smile; his long thin arms were swinging, and his lank hands, in old black gloves ever so much too wide for them, waving and gesticulating in utter abstraction.

“The very man!” exclaimed the General, advancing with manifest delight. “My dear Baron, how happy I am to see you, I had no hope of meeting you so soon.” He signed to my father, who had by this time returned, and leading the fantastic old gentleman, whom he called the Baron, to meet him. He introduced him formally, and they at once entered into earnest conversation. The stranger took a roll of paper from his pocket, and spread it on the worn surface of a tomb that stood by. He had a pencil case in his fingers, with which he traced imaginary lines from point to point on the paper, which from their often glancing from it, together, at certain points of the building, I concluded to be a plan of the chapel. He accompanied, what I may term, his lecture, with occasional readings from a dirty little book, whose yellow leaves were closely written over.

They sauntered together down the side aisle, opposite to the spot where I was standing, conversing as they went; then they begun measuring distances by paces, and finally they all stood together, facing a piece of the sidewall, which they began to examine with great