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and both comely! Jongejuffrouw Katharina van den Poele, the only child of the wealthy shipowner, member of the Dutch East India Company, a solid burgher both physically and financially, and one of the props of his country’s overseas commerce. His daughter, in rich brocade, with stiff stomacher that vainly strove to compress her ample proportions, splashed through the mud on her high pattens beside the Stadtholder, her heavily be-ringed hands clinging to the folds of her gown, so as to save them from being soiled. Stolid and complacent, she heard with a satisfied smile the many compliments that rose from out the crowd on her dazzling complexion, her smoothly brushed hair and magnificent jewelry. The fair Katharina beamed with good-nature and looked the picture of happiness, despite the fact that her bridegroom, who walked immediately behind her, appeared somewhat moody, considering the occasion.

Nicolaes Beresteyn, the Burgomaster’s only son, had in truth, no reason for surliness. His bride excited universal admiration, his own private fortune would be more than doubled by the dowry which the good Kaatje brought him along with her plump person, and all the disagreements between himself and his father, all the treachery and the deceit of the past three months, had been amply forgiven. It was all the more strange, therefore, that on this day his face alone should appear as a reflection of the Stadtholder’s silent mood, and more than one comment was made thereon as he passed.

Of the other bride and bridegroom it is perhaps more difficult to speak. We all know the beautiful picture of Gilda Beresteyn which Frans Hals made of her some three months previously. That incomparable master of portraiture has rendered that indescribable air of force, coupled with extreme youthfulness, which was her greatest charm. Often she hath been called etherial, yet I do not see how that description could apply to one who was so essentially alive as Gilda Beresteyn. Her blue eyes always sparkled with vitality, and whenever she was moved⁠—which was often enough⁠—they became as dark as sloes. Probably the word came to be applied to her because there was always a little something mysterious about her⁠—an enigmatic little smile, which suggested merriment that came from within rather than in response to an outside joke. Many have remarked that her smile was the gentle reflex of her lover’s sparkling gaiety.

Him⁠—that ardent lover, sobered bridegroom now⁠—you cannot forget, not whilst Frans Hals’ immortal work, whom he hath called The Laughing Cavalier, depicts him in all is irrepressible joyousness, and gladdens the eye with its exhilaration and its magnificent gaité de coeur⁠—a veritable nepenthe for jaded seek-sorrows.

For once in his life, as he walks gravely behind his bride, there is a look of seriousness not unmixed with impatience in his laughing eyes. A frown, too, between his brows. The crowd have at once taken him to its heart⁠—especially the women. Those who have no sons wish for one at once, who would grow up just like him: tall and stately as a young sapling, with an air of breeding seldom seen in the sons of the Low Countries, and wearing his magnificent bridal attire as if he had never worn leather jerkin or worsted doublet in his life. The women admire the richly wrought doublet, the priceless lace at neck and wrists, the plumed hat that frames a face alike youthful and determined. But everyone marvels why a bridegroom should go to church in high riding-boots and spurred at this hour. Many whispered comments are exchanged as he goes by.

“A stranger, so they say.”

“Though he has fought in the Netherlands.”

“Ah, but he really comes from England.”

“A romantic story. Never knew his father until recently.”

Some said the bridegroom’s name was really Blakeney, and that his father was a very rich and very great gentleman over in England. But there were others who remembered him well when he was just a penniless soldier of fortune who went by the name of Diogenes. No one knew him then by any other, and no one but Frans Hals, the painter over in Haarlem, knew whence he had come and what was his parentage. In those days his merry laughter would rouse the echoes of the old city where he and his two boon companions⁠—such a quaint pair of loons!⁠—were wont to dwell in the intervals of selling their swords to the highest bidders.

Ay, Jongejuffrouw Beresteyn’s stranger bridegroom had fought in France and in Flanders, in Groningen and Brabant and ’twas said that recently he had saved the life of the Stadtholder at great risk of his own. Many more tales were whispered about him, which would take too long to relate, while the crowd stood agape all down the quay and up the Korte Gracht as far as the St. Maria Kerk.

III

Indeed, Mynheer Beresteyn had not done things by halves. He had chosen that the happy double event should take place at the old house at Amersfoort, where his children had been born, and where he had spent the few happy years of his married life, rather than at Haarlem, which was his business and official residence. He wished, for the occasion, to be just a happy father rather than the distinguished functionary, the head of the Guild of Armourers, one of the most important burghers of the Province, and second only in the council chamber to the Stadtholder.

The religious ceremony was over by noon. It was now mid-afternoon, and the wedding guests had assembled in the stately home on the quay for a gargantuan feast. The Stadtholder sat at a magnificently decked-out table at the far end of the panelled room, on a raised dais surmounted by a canopy of Flemish tapestry, all specially erected for the occasion. Around this privileged board sat the wedding party; Mynheer Beresteyn, grave and sedate, a man who had seen much of life, had suffered a great deal, and even now scarcely dared to give his sense

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