The Race by Clive Cussler (red white royal blue .txt) 📗

a fresh cartridge into the chamber, and squeezed the trigger. His calling card flew from the bale.

“Now you’re getting the hang of it,” Hodge said. “Keep it up you could be a pretty good shot, young feller.”

Bell dug the bullet out of the bale and wrapped it in a handkerchief along with the slug he had pulled from tree. He walked to the post office and mailed them to the Van Dorn laboratory in Chicago, requesting examination under a microscope to determine whether the bullet he had test-fired revealed rifling marks that resembled those on the bullet in the tree.

“Is anyone living out at Frost’s camp?” he asked Hodge.

“No one you’d want to meet. About the only thing still going is the creamery. They send milk into town to sell. Cook, maids, butler, gardeners, and gatekeeper, they all left when Mrs. Frost did.”

Bell rented a Ford auto at the livery stable, and followed directions for several miles to the Frost camp. The first he saw of it was the gatehouse, an elaborate structure built of boulders and a grillwork of massive logs under its steep roof that gave the lie to the term “camp,” an Adirondack affectation similar to dubbing a Newport mansion a “cottage.” The gatekeeper’s living quarters, a large, handsome bungalow, was attached to it. No one came when he called and pounded on the door.

He drove under the stone arch and onto a broad carriage drive. The drive was surfaced with crushed slate and graded in a manner far superior to the muddy, potholed public road from town. Piercing mile after mile of forest, the level roadbed gouged through hillsides and was carried across countless streams and brooks on hand-hewn stone culverts and bridges ornamented in the Arts and Crafts style.

Bell drove through five miles of Harry Frost’s land before he finally saw the lake. Across the water stood a sprawling house of timbers, shingles, and stone. Large cottages and outbuildings surrounded the house, and in the distance were the barns and silos of the creamery. As the smooth slate drive skirted the lake and drew closer to the compound, he saw numerous outbuildings: blacksmith shop, smokehouse, laundry, and, at the far end of a broad lawn, an aeroplane hangar—a large, wide shed recognizable by the front elevators of a biplane poking out the gable end.

Isaac Bell stopped the Ford under the porte-cochere of the main house, accelerated the motor slightly, and opened the coil switch. The place seemed deserted. With the motor off, the only sounds he could hear were the faint ticking of hot metal and the soft sigh of a cool breeze blowing off the lake.

He knocked on the front door. No one answered. He tried the door. It was unlocked, a massive affair.

“Hello!” Bell called loudly. “Is anyone home?”

No one answered.

He stepped inside. The foyer opened into a great hall, an immense chamber brightly lighted by tall windows. Twenty-foot-tall stone fireplaces dominated each end. Rustic chairs and couches clustered on woven carpets. Gloomy European oil paintings were hung in gold frames that glittered. Timbers soared high overhead. The walls and ceiling were papered with birch bark.

The tall detective stalked from opulent room to opulent room.

Anger began to heat his breast. Scion of a Boston banking family, and bequeathed a personal fortune by his grandfather, Isaac Bell was accustomed to the accoutrements of great wealth and no stranger to privilege. But this so-called camp had been paid for with riches founded on the suffering of innocent men, women, and children. Harry Frost had committed so many crimes forging his empire that it would be difficult to single one out were it not for a Chicago depot bombing he had engineered to destroy a rival distributor. Frost’s dynamite had killed three newsboys waiting for their papers. The oldest had been twelve.

Bell’s boot heels echoed though an empty corridor and down a stairway.

At the foot of the stairs hulked a heavy oak door, studded with nailheads.

Bell jimmied the lock and discovered a vast wine cellar carved from the living stone. He strode among the racks, noting excellent vintages from the last twenty years, a large number of the fine ’69 and ’71 clarets and some astonishingly rare bottles of 1848 Lafite, laid down nearly twenty years before Baron Rothschild bought the Médoc estate. Frost had even purchased a long row of Château d’Yquem bottles of the 1811 Comet Vintage. Although, based on the low quality of the art hanging upstairs, Bell suspected a crooked wine merchant’s variant on fake Academy paintings.

Upon leaving the wine cellar, he stopped suddenly, arrested by the sight of a wedding photograph on a center table. Harry Frost, dressed up in top hat and morning coat, glowered truculently at the camera. Expensive tailoring could not hide his bulk, and the top hat made him appear even wider. Bell studied the photograph closely. Frost, he realized, was not the fat man a first glance might suggest. There was something lithe and long-legged about his stance, a man poised to spring. Violent as a longhorn, Joe Van Dorn had characterized him. Quick as one, too, Bell suspected. And as strong.

Josephine stood like a child beside him, her youthful face expressing bravery, Bell thought, and something more—a sense of adventure as if she were embarking into the unknown and hoping for the best.

Arrayed stiffly behind the couple was a family of what looked like farm folk dressed for church. Bell recognized the stone fireplace behind them. They had been married here at the camp in this vast, echoing room. A strong resemblance in all the faces, but Frost’s told Bell that no one but Josephine’s own family had attended.

He went outside. He circled the house and inspected the outbuildings. A carriage house had been converted to a firing range, with an arsenal of pistols and rifles locked in a glass case. Similar cases held collections of swords, cutlasses, flick-knives, and daggers.

The garage contained expensive automobiles—a Packard limousine, a Palmer-Singer Skimabout, a Lancia Torpedo—and several motorcycles.