Table-Talk - William Hazlitt (tohfa e dulha read online TXT) 📗

glimmering, almost annihilated speck in the distance that rivets our attention and “hangs upon the beatings of our hearts”: it is the interval that separates us from it, and of which it is the trembling boundary, that excites all this coil and mighty pudder in the breast. Into that great gap in our being “come thronging soft desires” and infinite regrets. It is the contrast, the change from what we then were, that arms the half-extinguished recollection with its giant strength, and lifts the fabric of the affections from its shadowy base. In contemplating its utmost verge, we overlook the map of our existence, and retread, in apprehension, the journey of life. So it is that in early youth we strain our eager sight after the pursuits of manhood; and, as we are sliding off the stage, strive to gather up the toys and flowers that pleased our thoughtless childhood.

When I was quite a boy my father used to take me to the Montpelier Tea Gardens at Walworth. Do I go there now? No; the place is deserted, and its borders and its beds o’erturned. Is there, then, nothing that can

“Bring back the hour
Of glory in the grass, of splendour in the flower?”

Oh! yes. I unlock the casket of memory, and draw back the warders of the brain; and there this scene of my infant wanderings still lives unfaded, or with fresher dyes. A new sense comes upon me, as in a dream; a richer perfume, brighter colours start out; my eyes dazzle; my heart heaves with its new load of bliss, and I am a child again. My sensations are all glossy, spruce, voluptuous, and fine: they wear a candied coat, and are in holiday trim. I see the beds of larkspur with purple eyes; tall hollyhocks, red or yellow; the broad sunflowers, caked in gold, with bees buzzing round them; wildernesses of pinks, and hot glowing peonies; poppies run to seed; the sugared lily, and faint mignonette, all ranged in order, and as thick as they can grow; the box-tree borders, the gravel-walks, the painted alcove, the confectionery, the clotted cream:⁠—I think I see them now with sparkling looks; or have they vanished while I have been writing this description of them? No matter; they will return again when I least think of them. All that I have observed since, of flowers and plants, and grass-plots, and of suburb delights, seems to me borrowed from “that first garden of my innocence”⁠—to be slips and scions stolen from that bed of memory. In this manner the darlings of our childhood burnish out in the eye of after years, and derive their sweetest perfume from the first heartfelt sigh of pleasure breathed upon them,

“Like the sweet south,
That breathes upon a bank of violets,
Stealing and giving odour!”

If I have pleasure in a flower-garden, I have in a kitchen-garden too, and for the same reason. If I see a row of cabbage-plants, or of peas or beans coming up, I immediately think of those which I used so carefully to water of an evening at Wem, when my day’s tasks were done, and of the pain with which I saw them droop and hang down their leaves in the morning’s sun. Again, I never see a child’s kite in the air but it seems to pull at my heart. It is to me “a thing of life.” I feel the twinge at my elbow, the flutter and palpitation, with which I used to let go the string of my own, as it rose in the air, and towered among the clouds. My little cargo of hopes and fears ascended with it; and as it made a part of my own consciousness then, it does so still, and appears “like some gay creature of the element,” my playmate when life was young, and twin-born with my earliest recollections. I could enlarge on this subject of childish amusements, but Mr. Leigh Hunt has treated it so well, in a paper in the Indicator, on the productions of the toy-shops of the metropolis, that if I were to insist more on it I should only pass for an imitator of that ingenious and agreeable writer, and for an indifferent one into the bargain.

Sounds, smells, and sometimes tastes, are remembered longer than visible objects, and serve, perhaps, better for links in the chain of association. The reason seems to be this: they are in their nature intermittent, and comparatively rare; whereas objects of sight are always before us, and, by their continuous succession, drive one another out. The eye is always open; and between any given impression and its recurrence a second time, fifty thousand other impressions have, in all likelihood, been stamped upon the sense and on the brain. The other senses are not so active or vigilant. They are but seldom called into play. The ear, for example, is oftener courted by silence than noise; and the sounds that break that silence sink deeper and more durably into the mind. I have a more present and lively recollection of certain scents, tastes, and sounds, for this reason, than I have of mere visible images, because they are more original, and less worn by frequent repetition. Where there is nothing interposed between any two impressions, whatever the distance of time that parts them, they naturally seem to touch; and the renewed impression recalls the former one in full force, without distraction or competitor. The taste of barberries, which have hung out in the snow during the severity of a North American winter, I have in my mouth still, after an interval of thirty years; for I have met with no other taste in all that time at all like it. It remains by itself, almost like the impression of a sixth sense. But the colour is mixed up indiscriminately with the colours of many other berries, nor should I be able to distinguish it among them. The smell of a brickkiln carries the