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saw the clerk busy folding up a moth-eaten velvet pall⁠—not a sight for Christmas Day.

I dined soon after this, and then, feeling disinclined to go out, took my seat by the fire in the parlour, with the last number of Pickwick, which I had been saving up for some days. I thought I could be sure of keeping awake over this, but I turned out as bad as our friend Smith. I suppose it was half-past two when I was roused by a piercing whistle and laughing and talking voices outside in the marketplace. It was a Punch and Judy⁠—I had no doubt the one that my bagman had seen at W⁠⸺. I was half delighted, half not⁠—the latter because my unpleasant dream came back to me so vividly; but, anyhow, I determined to see it through, and I sent Eliza out with a crown-piece to the performers and a request that they would face my window if they could manage it.

The show was a very smart new one; the names of the proprietors, I need hardly tell you, were Italian, Foresta and Calpigi. The Toby dog was there, as I had been led to expect. All B⁠⸺ turned out, but did not obstruct my view, for I was at the large first-floor window and not ten yards away.

The play began on the stroke of a quarter to three by the church clock. Certainly it was very good; and I was soon relieved to find that the disgust my dream had given me for Punch’s onslaughts on his ill-starred visitors was only transient. I laughed at the demise of the Turncock, the Foreigner, the Beadle, and even the baby. The only drawback was the Toby dog’s developing a tendency to howl in the wrong place. Something had occurred, I suppose, to upset him, and something considerable: for, I forget exactly at what point, he gave a most lamentable cry, leapt off the foot board, and shot away across the marketplace and down a side street. There was a stage-wait, but only a brief one. I suppose the men decided that it was no good going after him, and that he was likely to turn up again at night.

We went on. Punch dealt faithfully with Judy, and in fact with all comers; and then came the moment when the gallows was erected, and the great scene with Mr. Ketch was to be enacted. It was now that something happened of which I can certainly not yet see the import fully. You have witnessed an execution, and know what the criminal’s head looks like with the cap on. If you are like me, you never wish to think of it again, and I do not willingly remind you of it. It was just such a head as that, that I, from my somewhat higher post, saw in the inside of the show-box; but at first the audience did not see it. I expected it to emerge into their view, but instead of that there slowly rose for a few seconds an uncovered face, with an expression of terror upon it, of which I have never imagined the like. It seemed as if the man, whoever he was, was being forcibly lifted, with his arms somehow pinioned or held back, towards the little gibbet on the stage. I could just see the nightcapped head behind him. Then there was a cry and a crash. The whole show-box fell over backwards; kicking legs were seen among the ruins, and then two figures⁠—as some said; I can only answer for one⁠—were visible running at top speed across the square and disappearing in a lane which leads to the fields.

Of course everybody gave chase. I followed; but the pace was killing, and very few were in, literally, at the death. It happened in a chalk pit: the man went over the edge quite blindly and broke his neck. They searched everywhere for the other, until it occurred to me to ask whether he had ever left the marketplace. At first everyone was sure that he had; but when we came to look, he was there, under the show-box, dead too.

But in the chalk pit it was that poor Uncle Henry’s body was found, with a sack over the head, the throat horribly mangled. It was a peaked corner of the sack sticking out of the soil that attracted attention. I cannot bring myself to write in greater detail.

I forgot to say the men’s real names were Kidman and Gallop. I feel sure I have heard them, but no one here seems to know anything about them.

I am coming to you as soon as I can after the funeral. I must tell you when we meet what I think of it all.

Two Doctors

It is a very common thing, in my experience, to find papers shut up in old books; but one of the rarest things to come across any such that are at all interesting. Still it does happen, and one should never destroy them unlooked at. Now it was a practice of mine before the war occasionally to buy old ledgers of which the paper was good, and which possessed a good many blank leaves, and to extract these and use them for my own notes and writings. One such I purchased for a small sum in 1911. It was tightly clasped, and its boards were warped by having for years been obliged to embrace a number of extraneous sheets. Three-quarters of this inserted matter had lost all vestige of importance for any living human being: one bundle had not. That it belonged to a lawyer is certain, for it is endorsed: The strangest case I have yet met, and bears initials, and an address in Gray’s Inn. It is only materials for a case, and consists of statements by possible witnesses. The man who would have been the defendant or prisoner seems never to have appeared. The dossier is not

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