Conversation - Mary Greer Conklin (best english novels to read txt) 📗

On the whole, then, the very best social intercourse is possible only when there is equality. Hazlitt in one of his delightful essays has said that, "In general, wit shines only by reflection. You must take your cue from your company—must rise as they rise, and sink as they fall. You must see that your good things, your knowing allusions, are not flung away, like the pearls in the adage. What a check it is to be asked a foolish question; to find that the first principles are not understood! You are thrown on your back immediately; the conversation is stopt like a country-dance by those who do not know the figure. But when a set of adepts, of illuminati, get about a question, it is worth while to hear them talk."

If we are to have a rising generation of good talkers, by our own choice and deliberate aim social intercourse should be freed from the barbarisms which so often hamper it. Conversation at its highest is the most delightful of intellectual stimulants; at its lowest the most deadening to intellect. Better be as silent as a deaf-mute than to indulge carelessly in imperturbable glibness which impedes rather than encourages good conversation. Really clever people dislike to compete in a race with talkers who rarely speak from the abundance of their hearts and often from the emptiness of their heads. On the other hand, one can easily imagine a sage like Emerson the victim of conceited prigs, listening to their vapid conversational performances, and can readily understand why he considered conversation between two congenial souls the only really good talk.

Marked conversational powers are in some measure natural and in some acquired; "and to maintain," says Mr. Mahaffy, "that they depend entirely upon natural gifts is one of the commonest and most widely-spread popular errors.... It is based on the mistake that art is opposed to nature; that natural means merely what is spontaneous and unprepared, and artistic what is manifestly studied and artificial.... Ask any child of five or six years old, anywhere over Europe, to draw you the figure of a man, and it will always produce very much the same kind of thing. You might therefore assert that this was the natural way for a child to draw a man, and yet how remote from nature it is. If one or two children out of a thousand made a fair attempt, you would attribute this either to special genius or special training—and why? because the child had really approached nature." Just as a child, either with talent for drawing or without it, can draw a better picture of a man after he has been trained, than before, so can those not endowed by nature with ready speech polish and amend their natural defects. Neither need there be artificiality or affectation in talk that is consciously cultivated; no more indeed than it is affectation to eat with a fork because one knows that it is preferable to eating with a knife.

The faculty of talking is too seldom regarded in the light of a talent to be polished and variously improved. It is so freely employed in all sorts of trivialities that, like the dyer's hand, it becomes subdued to that it works in. Canon Ainger has declared positively that "Conversation might be improved if only people would take pains and have a few lessons." Nearly two hundred years before Canon Ainger came to this decision, Dean Swift contended that "Conversation might be reduced to perfection; for here we are only to avoid a multitude of errors, which, altho a matter of some difficulty, may be in every man's power. Therefore it seems that the truest way to understand conversation is to know the faults and errors to which it is subject, and from thence every man to form maxims to himself whereby it may be regulated, because it requires few talents to which most men are not born, or at least may not acquire, without any great genius or study. For nature has left every man a capacity for being agreeable, tho not of shining in company; and there are hundreds of people sufficiently qualified for both, who, by a very few faults that they might correct in half an hour, are not so much as tolerable." It is recorded of Lady Blessington by Lord Lennox in his Drafts on My Memory that in youth she did not give any promise of the charms for which she was afterwards so conspicuous, and which, in the first half of the nineteenth century, made Gore House in London famous for its hospitality. A marriage at an early age to a man subject to hereditary insanity was terminated by her husband's sudden death, and in 1818 she married the Earl of Blessington. Everything goes to prove that, in those few years during her first husband's life, she set herself earnestly to cultivating charm of manner and the art of conversation.

Talking well is given so little serious consideration that the average person, when he probes even slightly into the art, is as surprized as was Molière's bourgeois gentilhomme upon discovering that he had spoken prose for forty years. Plato says: "Whosoever seeketh must know that which he seeketh for in a general notion, else how shall he know it when he hath found it?" And if what I write on this subject enables readers to know for what they seek in good conversation, even in abstract fashion, I shall be grateful. When all people cultivate the art of conversation as assiduously as the notably good talkers of the world have done, there will be a general feast of reason and flow of soul; each will then say to the other, in Milton's words,

"With thee conversing, I forget all time."