The Letters of Charles Dickens - Charles Dickens (graded readers .TXT) 📗
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I am happy to say that my boy is quite well again. From being in perfect health he fell into alarming convulsions with the surprise and joy of our return.
I beg my regards to Mrs. Longman,
Faithfully yours.
Devonshire Terrace, York Gate, Regent's Park,
July 19th, 1842.
I beg to set you right on one point in reference to the American robbers, which perhaps you do not quite understand.
The existing law allows them to reprint any English book, without any communication whatever with the author or anybody else. My books have all been reprinted on these agreeable terms.
But sometimes, when expectation is awakened there about a book before its publication, one firm of pirates will pay a trifle to procure early proofs of it, and get so much the start of the rest as they can obtain by the time necessarily consumed in printing it. Directly it is printed it is common property, and may be reprinted a thousand times. My circular only referred to such bargains as these.
I should add that I have no hope of the States doing justice in this dishonest respect, and therefore do not expect to overtake these fellows, but we may cry "Stop thief!" nevertheless, especially as they wince and smart under it.
Devonshire Terrace, Thursday, July 14th, 1842.
The cheque safely received. As you say, it would be cheap at any money. My devotion to the fine arts renders it impossible for me to cash it. I have therefore ordered it to be framed and glazed.
I am really grateful to you for the interest you take in my proceedings. Next time I come into the City I will show you my introductory chapter to the American book. It may seem to prepare the reader for a much greater amount of slaughter than he will meet with; but it is honest and true. Therefore my hand does not shake.
Best love and regards. "Certainly" to the Richmondian intentions.
Broadstairs, Kent, September 14th, 1842.
The enclosed has been sent to me by a young gentleman in Devonshire (of whom I know no more than that I have occasionally, at his request, read and suggested amendments in some of his writings), with a special petition that I would recommend it to you for insertion in your magazine.
I think it very pretty, and I have no doubt you will also. But it is poetry, and may be too long.
He is a very modest young fellow, and has decided ability.
I hope when I come home at the end of the month, we shall foregather more frequently. Of course you are working, tooth and nail; and of course I am.
Kate joins me in best regards to yourself and all your house (not forgetting, but especially remembering, my old friend, Mrs. Touchet), and I am always,
Heartily yours.
Broadstairs, Sunday, September 25th, 1842.
I enclose you the Niagara letter, with many thanks for the loan of it.
Pray tell Mr. Chadwick that I am greatly obliged to him for his remembrance of me, and I heartily concur with him in the great importance and interest of the subject, though I do differ from him, to the death, on his crack topic—the New Poor-Law.
I have been turning my thoughts to this very item in the condition of American towns, and had put their present aspects strongly before the American people; therefore I shall read his report with the greater interest and attention.
We return next Saturday night.
If you will dine with us next day or any day in the week, we shall be truly glad and delighted to see you. Let me know, then, what day you will come.
I need scarcely say that I shall joyfully talk with you about the Metropolitan Improvement Society, then or at any time; and with love to Letitia, in which Kate and the babies join, I am always, my dear Henry,
P.S.—The children's present names are as follows:
Katey (from a lurking propensity to fieryness), Lucifer Box.
Mamey (as generally descriptive of her bearing), Mild Glo'ster.
Charley (as a corruption of Master Toby), Flaster Floby.
Walter (suggested by his high cheek-bones), Young Skull.
Each is pronounced with a peculiar howl, which I shall have great pleasure in illustrating.
Devonshire Terrace, November 8th, 1842.
Some time ago, you sent me a note from a friend of yours, a barrister, I think, begging me to forward to him any letters I might receive from a deranged nephew of his, at Newcastle. In the midst of a most bewildering correspondence with unknown people, on every possible and impossible subject, I have forgotten this gentleman's name, though I have a kind of hazy remembrance that he lived near Russell Square. As the Post Office would be rather puzzled, perhaps, to identify him by such an address, may I ask the favour of you to hand him the enclosed, and to say that it is the second I have received since I returned from America? The last, I think, was a defiance to mortal combat. With best remembrances to your sister, in which Mrs. Dickens joins, believe me, my dear Harness,
Devonshire Terrace, Saturday, Nov. 12th, 1842.
You pass this house every day on your way to or from the theatre. I wish you would call once as you go by, and soon, that you may have plenty of time to deliberate on what I wish to suggest to you. The more I think of Marston's play, the more sure I feel that a prologue to the purpose would help it materially, and almost decide the fate of any ticklish point on the first night. Now I have an idea (not easily explainable in writing but told in five words), that would take the prologue out of the conventional dress of prologues, quite. Get the curtain up with a dash, and begin the play with a sledge-hammer blow. If on consideration, you should think with me, I will write the prologue heartily.
PROLOGUE
To Mr. Marston's Play of "The Patrician's Daughter."
Dwells on the poet's maiden harp to-night;
No trumpet's clamour and no battle's fire
Breathes in the trembling accents of his lyre;
Enough for him, if in his lowly strain
He wakes one household echo not in vain;
Enough for him, if in his boldest word
The beating heart of man be dimly heard.
Its solemn music which, like strains that sigh
Through charmèd gardens, all who hearing die;
Its solemn music he does not pursue
To distant ages out of human view;
Nor listen to its wild and mournful chime
In the dead caverns on the shore of Time;
But musing with a calm and steady gaze
Before the crackling flames of living days,
He hears it whisper through the busy roar
Of what shall be and what has been before.
Awake the Present! shall no scene display
The tragic passion of the passing day?
Is it with Man, as with some meaner things,
That out of death his single purpose springs?
Can his eventful life no moral teach
Until he be, for aye, beyond its reach?
Obscurely shall he suffer, act, and fade,
Dubb'd noble only by the sexton's spade?
Awake the Present! Though the steel-clad age
Find life alone within the storied page,
Iron is worn, at heart, by many still—
The tyrant Custom binds the serf-like will;
If the sharp rack, and screw, and chain be gone,
These later days have tortures of their own;
The guiltless writhe, while Guilt is stretched in sleep,
And Virtue lies, too often, dungeon deep.
Awake the Present! what the Past has sown
Be in its harvest garner'd, reap'd, and grown!
How pride breeds pride, and wrong engenders wrong,
Read in the volume Truth has held so long,
Assured that where life's flowers freshest blow,
The sharpest thorns and keenest briars grow,
How social usage has the pow'r to change
Good thoughts to evil; in its highest range
To cramp the noble soul, and turn to ruth
The kindling impulse of our glorious youth,
Crushing the spirit in its house of clay,
Learn from the lessons of the present day.
Not light its import and not poor its mien;
Yourselves the actors, and your homes the scene.
.
Saturday Morning.
One suggestion, though it be a late one. Do have upon the table, in the opening scene of the second act, something in a velvet case, or frame, that may look like a large miniature of Mabel, such as one of Ross's, and eschew that picture. It haunts me with a sense of danger. Even a titter at that critical time, with the whole of that act before you, would be a fatal thing. The picture is bad in itself, bad in its effect upon the beautiful room, bad in all its associations with the house. In case of your having nothing at hand, I send you by bearer what would be a million times better. Always, my dear Macready,
P.S.—I need not remind you how common it is to have such pictures in cases lying about elegant rooms.
1, Devonshire Terrace, York Gate, Regent's Park,
November 15th, 1842.
I shall be very glad if you will do me the favour to paint me two little companion pictures; one, a Dolly Varden (whom you have so exquisitely done already), the other, a Kate Nickleby.
P.S.—I take it for granted that the original picture of Dolly with the bracelet is sold?
Devonshire Terrace, November 17th, 1842.
Pray consult your own convenience in the matter of my little commission; whatever suits your engagements and prospects will best suit me.
I saw an unfinished proof of Dolly at Mitchell's some two or three months ago; I thought it was proceeding excellently well then. It will give me great pleasure to see her when completed.
Devonshire Terrace, November 30th, 1842.
In asking your and Mrs. Hood's leave to bring Mrs. D.'s sister (who stays with us) on Tuesday, let me add that I should very much like to bring at the same time a very unaffected and ardent admirer of your genius, who has no small portion of that commodity in his own right, and is a very dear friend of mine and a very famous fellow; to wit, Maclise, the painter, who would be glad (as he has often told me) to know you better, and would be much pleased, I know, if I could say to him, "Hood wants me to bring you."
I use so little ceremony with you, in the conviction that you will use as little with me, and say, "My dear D.—Convenient;" or, "My dear D.—Ill-convenient," (as the popular phrase is), just as the case may be. Of course, I have said nothing to him.
Boz.
1, Devonshire Terrace, York Gate, Regent's Park,
December 16th, 1842.
Let me thank you most cordially for your kind note, in reference to my Notes, which has given me true pleasure and gratification.
As I never scrupled to say in America, so I can have no delicacy in saying to you, that, allowing for the change you worked in many social features of American society, and for the time that has passed since you wrote of the country, I am convinced that there is no writer who has so well and accurately (I need not add so entertainingly) described it, in many of its aspects, as you have done; and this renders your praise the more valuable to me. I do not recollect
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