Lilith - George MacDonald (read my book .txt) 📗

“One of the cellars I am placed to watch!” remarked Mr. Raven⁠—in a low voice, as if fearing to disturb his silent guests. “Much wine is set here to ripen!⁠—But it is dark for a stranger!” he added.

“The moon is rising; she will soon be here,” said his wife, and her clear voice, low and sweet, sounded of ancient sorrow long bidden adieu.

Even as she spoke the moon looked in at an opening in the wall, and a thousand gleams of white responded to her shine. But not yet could I descry beginning or end of the couches. They stretched away and away, as if for all the disparted world to sleep upon. For along the far receding narrow ways, every couch stood by itself, and on each slept a lonely sleeper. I thought at first their sleep was death, but I soon saw it was something deeper still⁠—a something I did not know.

The moon rose higher, and shone through other openings, but I could never see enough of the place at once to know its shape or character; now it would resemble a long cathedral nave, now a huge barn made into a dwelling of tombs. She looked colder than any moon in the frostiest night of the world, and where she shone direct upon them, cast a bluish, icy gleam on the white sheets and the pallid countenances⁠—but it might be the faces that made the moon so cold!

Of such as I could see, all were alike in the brotherhood of death, all unlike in the character and history recorded upon them. Here lay a man who had died⁠—for although this was not death, I have no other name to give it⁠—in the prime of manly strength; his dark beard seemed to flow like a liberated stream from the glacier of his frozen countenance; his forehead was smooth as polished marble; a shadow of pain lingered about his lips, but only a shadow. On the next couch lay the form of a girl, passing lovely to behold. The sadness left on her face by parting was not yet absorbed in perfect peace, but absolute submission possessed the placid features, which bore no sign of wasting disease, of “killing care or grief of heart”: if pain had been there, it was long charmed asleep, never again to wake. Many were the beautiful that there lay very still⁠—some of them mere children; but I did not see one infant. The most beautiful of all was a lady whose white hair, and that alone, suggested her old when first she fell asleep. On her stately countenance rested⁠—not submission, but a right noble acquiescence, an assurance, firm as the foundations of the universe, that all was as it should be. On some faces lingered the almost obliterated scars of strife, the marrings of hopeless loss, the fading shadows of sorrows that had seemed inconsolable: the aurora of the great morning had not yet quite melted them away; but those faces were few, and everyone that bore such brand of pain seemed to plead, “Pardon me: I died only yesterday!” or, “Pardon me: I died but a century ago!” That some had been dead for ages I knew, not merely by their unutterable repose, but by something for which I have neither word nor symbol.

We came at last to three empty couches, immediately beyond which lay the form of a beautiful woman, a little past the prime of life. One of her arms was outside the sheet, and her hand lay with the palm upward, in its centre a dark spot. Next to her was the stalwart figure of a man of middle age. His arm too was outside the sheet, the strong hand almost closed, as if clenched on the grip of a sword. I thought he must be a king who had died fighting for the truth.

“Will you hold the candle nearer, wife?” whispered the sexton, bending down to examine the woman’s hand.

“It heals well,” he murmured to himself: “the nail found in her nothing to hurt!”

At last I ventured to speak.

“Are they not dead?” I asked softly.

“I cannot answer you,” he replied in a subdued voice. “I almost forget what they mean by dead in the old world. If I said a person was dead, my wife would understand one thing, and you would imagine another.⁠—This is but one of my treasure vaults,” he went on, “and all my guests are not laid in vaults: out there on the moor they lie thick as the leaves of a forest after the first blast of your winter⁠—thick, let me say rather, as if the great white rose of heaven had shed its petals over it. All night the moon reads their faces, and smiles.”

“But why leave them in the corrupting moonlight?” I asked.

“Our moon,” he answered, “is not like yours⁠—the old cinder of a burnt-out world; her beams embalm the dead, not corrupt them. You observe that here the sexton lays his dead on the earth; he buries very few under it! In your world he lays huge stones on them, as if to keep them down; I watch for the hour to ring the resurrection-bell, and wake those that are still asleep. Your sexton looks at the clock to know when to ring the dead-alive to church; I hearken for the cock on the spire to crow; ‘Awake, thou that sleepest, and arise from the dead!’ ”

I began to conclude that the self-styled sexton was in truth an insane parson: the whole thing was too mad! But how was I to get away from it? I was helpless! In this world of the dead, the raven and his wife were the only living I had yet seen: whither should I turn for help? I was lost in a space larger than imagination; for if here two things, or any parts of them, could occupy the same space, why not twenty or ten thousand?⁠—But I dared not think further in that direction.

“You seem