The Rainbow - D. H. Lawrence (e reader comics TXT) 📗

“It is the office, or the shop, or the business that gets the man, the woman gets the bit the shop can’t digest. What is he at home, a man? He is a meaningless lump⁠—a standing machine, a machine out of work.”

“They know they are sold,” said Tom Brangwen. “That’s where it is. They know they are sold to their job. If a woman talks her throat out, what difference can it make? The man’s sold to his job. So the women don’t bother. They take what they can catch⁠—and vogue la galère.”

“Aren’t they very strict here?” asked Miss Inger.

“Oh, no. Mrs. Smith has two sisters who have just changed husbands. They’re not very particular⁠—neither are they very interested. They go dragging along what is left from the pits. They’re not interested enough to be very immoral⁠—it all amounts to the same thing, moral or immoral⁠—just a question of pit-wages. The most moral duke in England makes two hundred thousand a year out of these pits. He keeps the morality end up.”

Ursula sat black-souled and very bitter, hearing the two of them talk. There seemed something ghoulish even in their very deploring of the state of things. They seemed to take a ghoulish satisfaction in it. The pit was the great mistress. Ursula looked out of the window and saw the proud, demonlike colliery with her wheels twinkling in the heavens, the formless, squalid mass of the town lying aside. It was the squalid heap of sideshows. The pit was the main show, the raison d’être of all.

How terrible it was! There was a horrible fascination in it⁠—human bodies and lives subjected in slavery to that symmetric monster of the colliery. There was a swooning, perverse satisfaction in it. For a moment she was dizzy.

Then she recovered, felt herself in a great loneliness, wherein she was sad but free. She had departed. No more would she subscribe to the great colliery, to the great machine which has taken us all captives. In her soul, she was against it, she disowned even its power. It had only to be forsaken to be inane, meaningless. And she knew it was meaningless. But it needed a great, passionate effort of will on her part, seeing the colliery, still to maintain her knowledge that it was meaningless.

But her Uncle Tom and her mistress remained there among the horde, cynically reviling the monstrous state and yet adhering to it, like a man who reviles his mistress, yet who is in love with her. She knew her Uncle Tom perceived what was going on. But she knew moreover that in spite of his criticism and condemnation, he still wanted the great machine. His only happy moments, his only moments of pure freedom were when he was serving the machine. Then, and then only, when the machine caught him up, was he free from the hatred of himself, could he act wholely, without cynicism and unreality.

His real mistress was the machine, and the real mistress of Winifred was the machine. She too, Winifred, worshipped the impure abstraction, the mechanisms of matter. There, there, in the machine, in service of the machine, was she free from the clog and degradation of human feeling. There, in the monstrous mechanism that held all matter, living or dead, in its service, did she achieve her consummation and her perfect unison, her immortality.

Hatred sprang up in Ursula’s heart. If she could she would smash the machine. Her soul’s action should be the smashing of the great machine. If she could destroy the colliery, and make all the men of Wiggiston out of work, she would do it. Let them starve and grub in the earth for roots, rather than serve such a Moloch as this.

She hated her Uncle Tom, she hated Winifred Inger. They went down to the summerhouse for tea. It was a pleasant place among a few trees, at the end of a tiny garden, on the edge of a field. Her Uncle Tom and Winifred seemed to jeer at her, to cheapen her. She was miserable and desolate. But she would never give way.

Her coldness for Winifred should never cease. She knew it was over between them. She saw gross, ugly movements in her mistress, she saw a clayey, inert, unquickened flesh, that reminded her of the great prehistoric lizards. One day her Uncle Tom came in out of the broiling sunshine heated from walking. Then the perspiration stood out upon his head and brow, his hand was wet and hot and suffocating in its clasp. He too had something marshy about him⁠—the succulent moistness and turgidity, and the same brackish, nauseating effect of a marsh, where life and decaying are one.

He was repellent to her, who was so dry and fine in her fire. Her very bones seemed to bid him keep his distance from her.

It was in these weeks that Ursula grew up. She stayed two weeks at Wiggiston, and she hated it. All was grey, dry ash, cold and dead and ugly. But she stayed. She stayed also to get rid of Winifred. The girl’s hatred and her sense of repulsiveness in her mistress and in her uncle seemed to throw the other two together. They drew together as if against her.

In hardness and bitterness of soul, Ursula knew that Winifred was become her uncle’s lover. She was glad. She had loved them both. Now she wanted to be rid of them both. Their marshy, bittersweet corruption came sick and unwholesome in her nostrils. Anything, to get out of the foetid air. She would leave them both forever, leave forever their strange, soft, half-corrupt element. Anything to get away.

One night Winifred came all burning into Ursula’s bed, and put her arms round the girl, holding her to herself in spite of unwillingness, and said,

“Dear, my dear⁠—shall I marry Mr. Brangwen⁠—shall I?”

The clinging, heavy, muddy question weighed on Ursula intolerably.

“Has he asked you?” she said, using all her might of hard resistance.

“He’s asked me,” said Winifred. “Do