Short Fiction - Herman Melville (top 100 novels of all time .txt) 📗

by daring. Through blackberry brakes that tried to pluck me back, though I but strained towards fruitless growths of mountain-laurel; up slippery steeps to barren heights, where stood none to welcome. Fairy land not yet, thought I, though the morning is here before me.

Footsore enough and weary, I gained not then my journey’s end, but came ere long to a craggy pass, dipping towards growing regions still beyond. A zigzag road, half overgrown with blueberry bushes, here turned among the cliffs. A rent was in their ragged sides; through it a little track branched off, which, upwards threading that short defile, came breezily out above, to where the mountain-top, part sheltered northward, by a taller brother, sloped gently off a space, ere darkly plunging; and here, among fantastic rocks, reposing in a herd, the foot-track wound, half beaten, up to a little, low-storied, grayish cottage, capped, nun-like, with a peaked roof.

On one slope, the roof was deeply weather-stained, and, nigh the turfy eaves-trough, all velvet-napped; no doubt the snail-monks founded mossy priories there. The other slope was newly shingled. On the north side, doorless and windowless, the clapboards, innocent of paint, were yet green as the north side of lichened pines or copperless hulls of Japanese junks, becalmed. The whole base, like those of the neighboring rocks, was rimmed about with shaded streaks of richest sod; for, with hearthstones in fairy land, the natural rock, though housed, preserves to the last, just as in open fields, its fertilizing charm; only, by necessity, working now at a remove, to the sward without. So, at least, says Oberon, grave authority in fairy lore. Though setting Oberon aside, certain it is, that, even in the common world, the soil, close up to farmhouses, as close up to pasture rocks, is, even though untended, ever richer than it is a few rods off⁠—such gentle, nurturing heat is radiated there.

But with this cottage, the shaded streaks were richest in its front and about its entrance, where the ground-sill, and especially the doorsill had, through long eld, quietly settled down.

No fence was seen, no inclosure. Near by⁠—ferns, ferns, ferns; further⁠—woods, woods, woods; beyond⁠—mountains, mountains, mountains; then⁠—sky, sky, sky. Turned out in aerial commons, pasture for the mountain moon. Nature, and but nature, house and, all; even a low cross-pile of silver birch, piled openly, to season; up among whose silvery sticks, as through the fencing of some sequestered grave, sprang vagrant raspberry bushes⁠—willful assertors of their right of way.

The foot-track, so dainty narrow, just like a sheep-track, led through long ferns that lodged. Fairy land at last, thought I; Una and her lamb dwell here. Truly, a small abode⁠—mere palanquin, set down on the summit, in a pass between two worlds, participant of neither.

A sultry hour, and I wore a light hat, of yellow sinnet, with white duck trousers⁠—both relics of my tropic seagoing. Clogged in the muffling ferns, I softly stumbled, staining the knees a sea-green.

Pausing at the threshold, or rather where threshold once had been, I saw, through the open doorway, a lonely girl, sewing at a lonely window. A pale-cheeked girl, and fly-specked window, with wasps about the mended upper panes. I spoke. She shyly started, like some Tahiti girl, secreted for a sacrifice, first catching sight, through palms, of Captain Cook. Recovering, she bade me enter; with her apron brushed off a stool; then silently resumed her own. With thanks I took the stool; but now, for a space, I, too, was mute. This, then, is the fairy-mountain house, and here, the fairy queen sitting at her fairy window.

I went up to it. Downwards, directed by the tunneled pass, as through a leveled telescope, I caught sight of a far-off, soft, azure world. I hardly knew it, though I came from it.

“You must find this view very pleasant,” said I, at last.

“Oh, sir,” tears starting in her eyes, “the first time I looked out of this window, I said ‘never, never shall I weary of this.’ ”

“And what wearies you of it now?”

“I don’t know,” while a tear fell; “but it is not the view, it is Marianna.”

Some months back, her brother, only seventeen, had come hither, a long way from the other side, to cut wood and burn coal, and she, elder sister, had accompanied, him. Long had they been orphans, and now, sole inhabitants of the sole house upon the mountain. No guest came, no traveler passed. The zigzag, perilous road was only used at seasons by the coal wagons. The brother was absent the entire day, sometimes the entire night. When at evening, fagged out, he did come home, he soon left his bench, poor fellow, for his bed; just as one, at last, wearily quits that, too, for still deeper rest. The bench, the bed, the grave.

Silent I stood by the fairy window, while these things were being told.

“Do you know,” said she at last, as stealing from her story, “do you know who lives yonder?⁠—I have never been down into that country⁠—away off there, I mean; that house, that marble one,” pointing far across the lower landscape; “have you not caught it? there, on the long hillside: the field before, the woods behind; the white shines out against their blue; don’t you mark it? the only house in sight.”

I looked; and after a time, to my surprise, recognized, more by its position than its aspect, or Marianna’s description, my own abode, glimmering much like this mountain one from the piazza. The mirage haze made it appear less a farmhouse than King Charming’s palace.

“I have often wondered who lives there; but it must be some happy one; again this morning was I thinking so.”

“Some happy one,” returned I, starting; “and why do you think that? You judge some rich one lives there?”

“Rich or not, I never thought; but it looks so happy, I can’t tell how; and it is so far away. Sometimes I think I do but dream it is there. You should see it in a sunset.”

“No