The Turmoil - Booth Tarkington (good books to read for 12 year olds .txt) 📗

vanity. He was the picture of health, of good cheer, and of power on a holiday. He had thirty teeth, none bought, and showed most of them when he laughed; his grizzled hair was thick, and as unruly as a farm laborer’s; his chest was deep and big beneath its vast façade of starched white linen, where little diamonds twinkled, circling three large pearls; his hands were stubby and strong, and he used them freely in gestures of marked picturesqueness; and, though he had grown fat at chin and waist and wrist, he had not lost the look of readiness and activity.

He dominated the table, shouting jocular questions and railleries at everyone. His idea was that when people were having a good time they were noisy; and his own additions to the hubbub increased his pleasure, and, of course, met the warmest encouragement from his guests. Edith had discovered that he had very foggy notions of the difference between a band and an orchestra, and when it was made clear to him he had held out for a band until Edith threatened tears; but the size of the orchestra they hired consoled him, and he had now no regrets in the matter.

He kept time to the music continually⁠—with his feet, or pounding on the table with his fist, and sometimes with spoon or knife upon his plate or a glass, without permitting these side-products to interfere with the real business of eating and shouting.

“Tell ’em to play ‘Nancy Lee’!” he would bellow down the length of the table to his wife, while the musicians were in the midst of the “Toreador” song, perhaps. “Ask that fellow if they don’t know ‘Nancy Lee’!” And when the leader would shake his head apologetically in answer to an obedient shriek from Mrs. Sheridan, the “Toreador” continuing vehemently, Sheridan would roar half-remembered fragments of “Nancy Lee,” naturally mingling some Bizet with the air of that uxorious tribute.

“Oh, there she stands and waves her hands while I’m away! A sail-er’s wife a sail-er’s star should be! Yo ho, oh, oh! Oh, Nancy, Nancy, Nancy Lee! Oh, Na-hancy Lee!”

“Hay, there, old lady!” he would bellow. “Tell ’em to play ‘In the Gloaming.’ In the gloaming, oh, my darling, la-la-lum-tee⁠—Well, if they don’t know that, what’s the matter with ‘Larboard Watch, Ahoy’? That’s good music! That’s the kind o’ music I like! Come on, now! Mrs. Callin, get ’em singin’ down in your part o’ the table. What’s the matter you folks down there, anyway? Larboard watch, ahoy!

“What joy he feels, as⁠—ta-tum-dum-tee-dee-dum steals. La-a-r-board watch, ahoy!”

No external bubbling contributed to this effervescence; the Sheridans’ table had never borne wine, and, more because of timidity about it than conviction, it bore none now; though “mineral waters” were copiously poured from bottles wrapped, for some reason, in napkins, and proved wholly satisfactory to almost all of the guests. And certainly no wine could have inspired more turbulent good spirits in the host. Not even Bibbs was an alloy in this night’s happiness, for, as Mrs. Sheridan had said, he had “plans for Bibbs”⁠—plans which were going to straighten out some things that had gone wrong.

So he pounded the table and boomed his echoes of old songs, and then, forgetting these, would renew his friendly railleries, or perhaps, turning to Mary Vertrees, who sat near him, round the corner of the table at his right, he would become autobiographical. Gentlemen less naive than he had paid her that tribute, for she was a girl who inspired the autobiographical impulse in every man who met her⁠—it needed but the sight of her.

The dinner seemed, somehow, to center about Mary Vertrees and the jocund host as a play centers about its hero and heroine; they were the rubicund king and the starry princess of this spectacle⁠—they paid court to each other, and everybody paid court to them. Down near the sugar Pump Works, where Bibbs sat, there was audible speculation and admiration. “Wonder who that lady is⁠—makin’ such a hit with the old man.” “Must be some heiress.” “Heiress? Golly, I guess I could stand it to marry rich, then!”

Edith and Sibyl were radiant: at first they had watched Miss Vertrees with an almost haggard anxiety, wondering what disasterous effect Sheridan’s pastoral gaieties⁠—and other things⁠—would have upon her, but she seemed delighted with everything, and with him most of all. She treated him as if he were some delicious, foolish old joke that she understood perfectly, laughing at him almost violently when he bragged⁠—probably his first experience of that kind in his life. It enchanted him.

As he proclaimed to the table, she had “a way with her.” She had, indeed, as Roscoe Sheridan, upon her right, discovered just after the feast began. Since his marriage three years before, no lady had bestowed upon him so protracted a full view of brilliant eyes; and, with the look, his lovely neighbor said⁠—and it was her first speech to him⁠—

“I hope you’re very susceptible, Mr. Sheridan!”

Honest Roscoe was taken aback, and “Why?” was all he managed to say.

She repeated the look deliberately, which was noted, with a mystification equal to his own, by his sister across the table. No one, reflected Edith, could image Mary Vertrees the sort of girl who would “really flirt” with married men⁠—she was obviously the “opposite of all that.” Edith defined her as a “thoroughbred,” a “nice girl”; and the look given to Roscoe was astounding. Roscoe’s wife saw it, too, and she was another whom it puzzled⁠—though not because its recipient was married.

“Because!” said Mary Vertrees, replying to Roscoe’s monosyllable. “And also because we’re next-door neighbors at table, and it’s dull times ahead for both of us if we don’t get along.”

Roscoe was a literal young man, all stocks and bonds, and he had been brought up to believe that when a man married he “married and settled down.” It was “all right,” he felt, for a man as old as his father to pay florid compliments to as pretty a girl as