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her hot, throbbing cheek against the cheek of her daughter. “Call me ‘mother’ again!” she whispered. “Say it loud; and send her away from me forever!”

Rosamond mastered the terror that shook her in every limb, and pronounced the word.

Her mother leaned forward a little, still gasping heavily for breath, and looked with straining eyes into the quiet twilight dimness at the lower end of the room.

“Gone!!!” she cried suddenly, with a scream of exultation. “Oh, merciful, merciful God! gone at last!”

The next instant she sprang up on her knees in the bed. For one awful moment her eyes shone in the gray twilight with a radiant, unearthly beauty, as they fastened their last look of fondness on her daughter’s face. “Oh, my love! my angel!” she murmured, “how happy we shall be together now!” As she said the words, she twined her arms round Rosamond’s neck, and pressed her lips rapturously on the lips of her child.

The kiss lingered till her head sank forward gently on Rosamond’s bosom⁠—lingered, till the time of God’s mercy came, and the weary heart rested at last.

V Forty Thousand Pounds

No popular saying is more commonly accepted than the maxim which asserts that Time is the great consoler; and, probably, no popular saying more imperfectly expresses the truth. The work that we must do, the responsibilities that we must undertake, the example that we must set to others⁠—these are the great consolers, for these apply the first remedies to the malady of grief. Time possesses nothing but the negative virtue of helping it to wear itself out. Who that has observed at all, has not perceived that those among us who soonest recover from the shock of a great grief for the dead are those who have the most duties to perform toward the living? When the shadow of calamity rests on our houses, the question with us is not how much time will suffice to bring back the sunshine to us again, but how much occupation have we got to force us forward into the place where the sunshine is waiting for us to come? Time may claim many victories, but not the victory over grief. The great consolation for the loss of the dead who are gone is to be found in the great necessity of thinking of the living who remain.

The history of Rosamond’s daily life, now that the darkness of a heavy affliction had fallen on it, was in itself the sufficient illustration of this truth. It was not the slow lapse of time that helped to raise her up again, but the necessity which would not wait for time⁠—the necessity which made her remember what was due to the husband who sorrowed with her, to the child whose young life was linked to hers, and to the old man whose helpless grief found no support but in the comfort she could give, learned no lesson of resignation but from the example she could set.

From the first the responsibility of sustaining him had rested on her shoulders alone. Before the close of day had been counted out by the first hour of the night, she had been torn from the bedside by the necessity of meeting him at the door, and preparing him to know that he was entering the chamber of death. To guide the dreadful truth gradually and gently, till it stood face to face with him, to support him under the shock of recognizing it, to help his mind to recover after the inevitable blow had struck it at last⁠—these were the sacred duties which claimed all the devotion that Rosamond had to give, and which forbade her heart, for his sake, to dwell selfishly on its own grief.

He looked like a man whose faculties had been stunned past recovery. He would sit for hours with the musical box by his side, patting it absently from time to time, and whispering to himself as he looked at it, but never attempting to set it playing. It was the one memorial left that reminded him of all the joys and sorrows, the simple family interests and affections of his past life. When Rosamond first sat by his side and took his hand to comfort him, he looked backward and forward with forlorn eyes from her compassionate face to the musical box, and vacantly repeated to himself the same words over and over again: “They are all gone⁠—my brother Max, my wife, my little Joseph, my sister Agatha, and Sarah, my niece! I and my little bit of box are left alone together in the world. Mozart can sing no more. He has sung to the last of them now!”

The second day there was no change in him. On the third, Rosamond placed the book of Hymns reverently on her mother’s bosom, laid a lock of her own hair round it, and kissed the sad, peaceful face for the last time.

The old man was with her at that silent leave-taking, and followed her away when it was over. By the side of the coffin, and afterward, when she took him back with her to her husband, he was still sunk in the same apathy of grief which had overwhelmed him from the first. But when they began to speak of the removal of the remains the next day to Porthgenna churchyard, they noticed that his dim eyes brightened suddenly, and that his wandering attention followed every word they said. After a while he rose from his chair, approached Rosamond, and looked anxiously in her face. “I think I could bear it better if you would let me go with her,” he said. “We two should have gone back to Cornwall together, if she had lived. Will you let us still go back together now that she has died?”

Rosamond gently remonstrated, and tried to make him see that it was best to leave the remains to be removed under the charge of her husband’s servant, whose fidelity could

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