Wet Magic - E. Nesbit (read novels website TXT) 📗

I’ll lend you my new knife, with three blades and a corkscrew, if you’ll take care of it, to cut the canvas, and go by the back lane that comes out behind where the circus is, but if you took my advice you wouldn’t go at all. She’s not a nice Mermaid at all. I’d rather have had a seal, any day. Hullo, there’s Daddy and Mother. Come on.”

They came on.

The program sketched by Bernard was carried out without a hitch. Everything went well, only Francis and Mavis were both astonished to find themselves much more frightened than they had expected to be. Any really great adventure like the rescuing of a Mermaid does always look so very much more serious when you carry it out, at night, than it did when you were planning it in the daytime. Also, though they knew they were not doing anything wrong, they had an uncomfortable feeling that Mother and Daddy might not agree with them on that point. And of course they could not ask leave to go and rescue a Mermaid, with a chariot, at dead of night. It is not the sort of thing you can ask leave to do, somehow. And the more you explained your reasons the less grown-up people would think you fit to conduct such an expedition.

Francis lay down fully dressed, under his nightshirt. And Mavis under hers wore her short blue skirt and jersey. The alarm, true to its trust, went off into an earsplitting whizz and bang under the pillow of Francis, but no one else heard it. He crept cautiously into Mavis’s room and wakened her, and as they crept down in stockinged feet not a board creaked. The French window opened without noise, the wheelbarrow was where they had left it, and they had fortunately brought quite enough string to bind wads of towels and stockings to the tire of its wheel. Also they had not forgotten the knife.

The wheelbarrow was heavy and they rather shrank from imagining how much heavier it would be when the discontented Mermaid was curled up in it. However, they took it in turns, and got along all right by the back lane that comes out above the waste ground where Beachfield holds its fairs.

“I hope the night’s dead enough,” Mavis whispered as the circus came in sight, looking very white in the starlight, “it’s nearly two by now I should think.”

“Quite dead enough, if that’s all,” said Francis; “but suppose the gypsies are awake? They do sit up to study astronomy to tell fortunes with, don’t they? Suppose this is their astronomy night? I vote we leave the barrow here and go and reconnoiter.”

They did. Their sandshoes made no noise on the dewy grass, and treading very carefully, on tiptoe, they came to the tent. Francis nearly tumbled over a guy rope; he just saw it in time to avoid it.

“If I’d been Bernard I should have come a beastly noisy cropper over that,” he told himself. They crept around the tent till they came to the little square bulge that marked the place where the tank was and the seaweed and the Mermaid.

“They die in captivity, they die in captivity, they die in captivity,” Mavis kept repeating to herself, trying to keep up her courage by reminding herself of the desperately urgent nature of the adventure. “It’s a matter of life and death,” she told herself⁠—“life and death.”

And now they picked their way between the pegs and guy ropes and came quite close to the canvas. Doubts of the strength and silence of the knife possessed the trembling soul of Francis. Mavis’s heart was beating so thickly that, as she said afterward, she could hardly hear herself think. She scratched gently on the canvas, while Francis felt for the knife with the three blades and the corkscrew. An answering signal from the imprisoned Mermaid would, she felt, give her fresh confidence. There was no answering scratch. Instead, a dark line appeared to run up the canvas⁠—it was an opening made by the two hands of the Mermaid which held back the two halves of the tent side, cut neatly from top to bottom. Her white face peered out.

“Where is the chariot?” she asked in the softest of whispers, but not too soft to carry to the children the feeling that she was, if possible, crosser than ever.

Francis was afraid to answer. He knew that his voice could never be subdued to anything as soft as the voice that questioned him, a voice like the sound of tiny waves on a summer night, like the whisper of wheat when the wind passes through it on a summer morning. But he pointed toward the lane where they had left the wheelbarrow and he and Mavis crept away to fetch it.

As they wheeled it down the waste place both felt how much they owed to Bernard. But for his idea of muffling the wheel they could never have got the clumsy great thing down that bumpy uneven slope. But as it was they and the barrow stole toward the gypsy’s tent as silently as the Arabs in the poem stole away with theirs, and they wheeled it close to the riven tent side. Then Mavis scratched again, and again the tent opened.

“Have you any cords?” the soft voice whispered, and Francis pulled what was left of the string from his pocket.

She had made two holes in the tent side, and now passing the string through these she tied back the flaps of the tent.

“Now,” she said, raising herself in the tank and resting her hands on its side. “You must both help⁠—take hold of my tail and lift. Creep in⁠—one on each side.”

It was a wet, sloppy, slippery, heavy business, and Mavis thought her arms would break, but she kept saying: “Die in captivity,” and just as she was feeling that she could not bear it another minute the strain slackened and there was the Mermaid curled up