The Rainbow - D. H. Lawrence (e reader comics TXT) 📗

yellow like sunlight, the snowdrops in the twilight were like the first stars of night. And she, alone amongst them, was wildly happy to have found her way into such a glimmering dusk, to the intimate little flowers, and the splash of wood chips like sunshine over the twilight of the ground. She sat down on the felled tree and remained awhile remote.

Going home, she left the purplish dark of the trees for the open lane, where the puddles shone long and jewel-like in the ruts, the land about her was darkened, and the sky a jewel overhead. Oh, how amazing it was to her! It was almost too much. She wanted to run, and sing, and cry out for very wildness and poignancy, but she could not run and sing and cry out in such a way as to cry out the deep things in her heart, so she was still, and almost sad with loneliness.

At Easter she went again to Maggie’s home, for a few days. She was, however shy and fugitive. She saw Anthony, how suggestive he was to look on, and how his eyes had a sort of supplicating light, that was rather beautiful. She looked at him, and she looked again, for him to become real to her. But it was her own self that was occupied elsewhere. She seemed to have some other being.

And she turned to spring and the opening buds. There was a large pear tree by a wall, and it was full, thronged with tiny, grey-green buds, myriads. She stood before it arrested with delight, and a realization went deep into her heart. There was so great a host in array behind the cloud of pale, dim green, so much to come forth⁠—so much sunshine to pour down.

So the weeks passed on, trance-like and pregnant. The pear tree at Cossethay burst into bloom against the cottage-end, like a wave burst into foam. Then gradually the bluebells came, blue as water standing thin in the level places under the trees and bushes, flowing in more and more, till there was a flood of azure, and pale-green leaves burning, and tiny birds with fiery little song and flight. Then swiftly the flood sank and was gone, and it was summer.

There was to be no going to the seaside for a holiday. The holiday was the removal from Cossethay.

They were going to live near Willey Green, which place was most central for Brangwen. It was an old, quiet village on the edge of the thronged colliery-district. So that it served, in its quaintness of odd old cottages lingering in their sunny gardens, as a sort of bower or pleasaunce to the sprawling colliery-townlet of Beldover, a pleasant walk-round for the colliers on Sunday morning, before the public-houses opened.

In Willey Green stood the Grammar School where Brangwen was occupied for two days during the week, and where experiments in education were being carried on.

Ursula wanted to live in Willey Green on the remoter side, towards Southwell, and Sherwood Forest. There it was so lovely and romantic. But out into the world meant out into the world. Will Brangwen must become modern.

He bought, with his wife’s money, a fairly large house in the new, redbrick part of Beldover. It was a villa built by the widow of the late colliery manager, and stood in a quiet, new little side-street near the large church.

Ursula was rather sad. Instead of having arrived at distinction they had come to new redbrick suburbia in a grimy, small town.

Mrs. Brangwen was happy. The rooms were splendidly large⁠—a splendid dining-room, drawing-room and kitchen, besides a very pleasant study downstairs. Everything was admirably appointed. The widow had settled herself in lavishly. She was a native of Beldover, and had intended to reign almost queen. Her bathroom was white and silver, her stairs were of oak, her chimneypieces were massive and oaken, with bulging, columnar supports.

“Good and substantial,” was the keynote. But Ursula resented the stout, inflated prosperity implied everywhere. She made her father promise to chisel down the bulging oaken chimneypieces, chisel them flat. That sort of important paunch was very distasteful to her. Her father was himself long and loosely built. What had he to do with so much “good and substantial” importance?

They bought a fair amount also of the widow’s furniture. It was in common good taste⁠—the great Wilton carpet, the large round table, the Chesterfield covered with glossy chintz in roses and birds. It was all really very sunny and nice, with large windows, and a view right across the shallow valley.

After all, they would be, as one of their acquaintances said, among the elite of Beldover. They would represent culture. And as there was no one of higher social importance than the doctors, the colliery-managers, and the chemists, they would shine, with their Della Robbia beautiful Madonna, their lovely reliefs from Donatello, their reproductions from Botticelli. Nay, the large photographs of the Primavera and the Aphrodite and the Nativity in the dining-room, the ordinary reception-room, would make dumb the mouth of Beldover.

And after all, it is better to be princess in Beldover than a vulgar nobody in the country.

There was great preparation made for the removal of the whole Brangwen family, ten in all. The house in Beldover was prepared, the house in Cossethay was dismantled. Come the end of the school-term the removal would begin.

Ursula left school at the end of July, when the summer holiday commenced. The morning outside was bright and sunny, and the freedom got inside the schoolroom this last day. It was as if the walls of the school were going to melt away. Already they seemed shadowy and unreal. It was breaking-up morning. Soon scholars and teachers would be outside, each going his own way. The irons were struck off, the sentence was expired, the prison was a momentary shadow halting about them. The children were carrying away books and inkwell, and rolling up maps. All their faces were bright with gladness and goodwill.