Mansfield Park - Jane Austen (whitelam books TXT) 📗

she had to deal with, and no natural timidity to restrain any consequent wishes, she was soon welcome and useful to all; and after Fanny’s removal succeeded so naturally to her influence over the hourly comfort of her aunt, as gradually to become, perhaps, the most beloved of the two. In her usefulness, in Fanny’s excellence, in William’s continued good conduct and rising fame, and in the general well-doing and success of the other members of the family, all assisting to advance each other, and doing credit to his countenance and aid, Sir Thomas saw repeated, and forever repeated, reason to rejoice in what he had done for them all, and acknowledge the advantages of early hardship and discipline, and the consciousness of being born to struggle and endure.

With so much true merit and true love, and no want of fortune and friends, the happiness of the married cousins must appear as secure as earthly happiness can be. Equally formed for domestic life, and attached to country pleasures, their home was the home of affection and comfort; and to complete the picture of good, the acquisition of Mansfield living, by the death of Dr. Grant, occurred just after they had been married long enough to begin to want an increase of income, and feel their distance from the paternal abode an inconvenience.

On that event they removed to Mansfield; and the Parsonage there, which, under each of its two former owners, Fanny had never been able to approach but with some painful sensation of restraint or alarm, soon grew as dear to her heart, and as thoroughly perfect in her eyes, as everything else within the view and patronage of Mansfield Park had long been.

Colophon

Mansfield Park
was published in 1814 by
Jane Austen.

This ebook was produced for
Standard Ebooks
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Alex Cabal,
and is based on a transcription produced in 1994 by
An Anonymous Volunteer and David Widger
for
Project Gutenberg
and on digital scans available at
Google Books.

The cover page is adapted from
Comtesse de La Tour-Maubourg,
a painting completed in 1841 by
François Gérard.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
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The League of Moveable Type.

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