Those Barren Leaves - Aldous Huxley (e reader pdf best .TXT) 📗

in not thinking very seriously of that. But he could hardly be expected to know much about the simple and dewy loves that she had in mind. Nor Mrs. Aldwinkle, for that matter. She herself understood them perfectly. On second thoughts, however, Miss Thriplow decided that they were too tenuous and delicate⁠—these gossamer passions of hers⁠—to be talked of here, in the midst of unsympathetic listeners.

Casually, as she passed, she plucked a leaf from one of the overhanging trees. Absentmindedly she crushed it between her fingers. From the bruised leaf a fragrance mounted to her nostrils. She lifted her hand towards her face, she sniffed, once, again. And suddenly she was back in the barber’s shop at Weltringham, waiting there while her cousin Jim had his hair cut. Mr. Chigwell, the barber, had just finished with the revolving brush. The shaft of the machine was still turning, the elastic driving band went round and round over the wheel, writhing from side to side as it went round, like a dying snake suspended, dangerously, above Jim’s cropped head.

“A little brilliantine, Mr. Thriplow? Hair’s rather dry, you know, rather dry, I’m afraid. Or the usual bay rum?”

“Bay rum,” said Jim in the gruffest, most grownup voice he could get out of his chest.

And Mr. Chigwell would pick up a vaporizer and squirt Jim’s hair with clouds made out of a clear brown liquid. And the air in the shop was filled with a fragrance which was the fragrance of this leaf, this leaf from Apollo’s tree, that she held in her hand. It all happened years ago and Jim was dead. They had loved one another childishly, with that profound and delicate passion of which she could not speak⁠—not here, not now.

The others went on talking. Miss Thriplow sniffed at her crushed bay leaf and thought of her girlhood, of the cousin who had died. Darling, darling Jim, she said to herself; darling Jim! Again and again. How much she had loved him, how terribly unhappy she had been when he died. And she still suffered; still, after all these years. Miss Thriplow sighed. She was proud of being able to suffer so much; she encouraged her suffering. This sudden recollection of Jim, when he was a little boy, in the barber’s shop, this vivid remembrance conjured up by the smell of a crushed leaf, was a sign of her exquisite sensibility. Mingled with her grief there was a certain sense of satisfaction. After all, this had happened quite by itself, of its own accord, and spontaneously. She had always told people that she was sensitive, had a deep and quivering heart. This was a proof. Nobody knew how much she suffered, underneath. How could people guess what lay behind her gaiety? “The more sensitive one is,” she used to tell herself, “the more timid and spiritually chaste, the more necessary it is for one to wear a mask.” Her laughter, her little railleries were the mask that hid from the outside world what was in her soul; they were her armour against a probing and wounding curiosity. How could they guess, for example, what Jim had meant to her, what he still meant⁠—after all these years? How could they imagine that there was a little holy of holies in her heart where she still held communion with him? Darling Jim, she said to herself, darling, darling Jim. The tears came into her eyes. With a finger that still smelt of crushed bay leaves she brushed them away.

It suddenly occurred to her that this would make a splendid short story. There would be a young man and a young girl walking like this under the stars⁠—the huge Italian stars, tremoloing away like tenors (she would remember to bring that into the description) overhead in the velvet sky. Their conversation edges nearer and nearer to the theme of love. He’s rather a timid young man. (His name, Miss Thriplow decided, would be Belamy.) One of those charming young men who adore at long range, feel that the girl’s too good for them, daren’t hope that she might stoop from her divinity, and all that. He’s afraid of saying definitely that he loves her for fear of being ignominiously rejected. She, of course, likes him most awfully and her name is Edna. Such a delicate, sensitive creature; his gentleness and diffidence are the qualities in him that particularly charm her.

The conversation gets nearer and nearer to love; the stars palpitate more and more ecstatically. Edna picks a leaf from the fragrant laurel as she passes. “What must be so wonderful about love,” the young man is just saying (it’s a set speech and he’s been screwing up his courage to get it out for the last half-hour), “about real love, I mean, is the complete understanding, the fusion of spirits, the ceasing to be oneself and the becoming someone else, the⁠ ⁠…” But sniffing at the crushed leaf, she suddenly cries out, uncontrollably (impulsiveness is one of Edna’s charms), “Why, it’s the barber’s shop at Weltringham! Funny little Mr. Chigwell with the squint! And the rubber band still going round and round over the wheel, wriggling like a snake.” But the poor young man, poor Belamy, is most dreadfully upset. If that’s the way she’s going to respond when he talks about love, he may as well be silent.

There’s a long pause; then he begins talking about Karl Marx. And of course she somehow can’t explain⁠—it’s a psychological impossibility⁠—that the barber’s shop at Weltringham is a symbol of her childhood and that the smell of the crushed laurel leaf brought back her dead brother⁠—in the story it would be a brother⁠—to her. She simply can’t explain that her apparently heartless interruption was prompted by a sudden anguish of recollection. She longs to, but somehow she can’t bring herself to begin. It’s too difficult and too elusive to be talked about, and when one’s heart is so sensitive, how can one uncover it, how can one probe the wound? And besides,