Sybil - Benjamin Disraeli (books to read as a couple TXT) 📗

in England. He was a good man: with feelings and sympathies; deficient in culture rather than ability; with a sense of duty; and with something of the conception of what should be the character of an English monarch. Peace to his manes! We are summoned to a different scene.

In a palace in a garden⁠—not in a haughty keep, proud with the fame, but dark with the violence of ages; not in a regal pile, bright with the splendour, but soiled with the intrigues, of courts and factions⁠—in a palace in a garden, meet scene for youth, and innocence, and beauty⁠—came the voice that told the maiden she must ascend her throne!

The council of England is summoned for the first time within her bowers. There are assembled the prelates and captains and chief men of her realm; the priests of the religion that consoles, the heroes of the sword that has conquered, the votaries of the craft that has decided the fate of empires; men grey with thought, and fame, and age; who are the stewards of divine mysteries, who have encountered in battle the hosts of Europe, who have toiled in secret cabinets, who have struggled in the less merciful strife of aspiring senates; men too, some of them, lords of a thousand vassals and chief proprietors of provinces, yet not one of them whose heart does not at this moment tremble as he awaits the first presence of the maiden who must now ascend her throne.

A hum of half-suppressed conversation which would attempt to conceal the excitement, which some of the greatest of them have since acknowledged, fills that brilliant assemblage; that sea of plumes, and glittering stars, and gorgeous dresses. Hush! the portals open; She comes! The silence is as deep as that of a noontide forest. Attended for a moment by her royal mother and the ladies of her court, who bow and then retire, Victoria ascends her throne; a girl, alone, and for the first time, amid an assemblage of men.

In a sweet and thrilling voice, and with a composed mien which indicates rather the absorbing sense of august duty than an absence of emotion, The Queen announces her accession to the throne of her ancestors, and her humble hope that divine providence will guard over the fulfilment of her lofty trust.

The prelates and captains and chief men of her realm then advance to the throne, and kneeling before her, pledge their troth, and take the sacred oaths of allegiance and supremacy.

Allegiance to one who rules over the land that the great Macedonian could not conquer; and over a continent of which even Columbus never dreamed: to the Queen of every sea, and of nations in every zone.

It is not of these that I would speak; but of a nation nearer her footstool, and which at this moment looks to her with anxiety, with affection, perhaps with hope. Fair and serene, she has the blood and beauty of the Saxon. Will it be her proud destiny at length to bear relief to suffering millions, and with that soft hand which might inspire troubadours and guerdon knights, break the last links in the chain of Saxon thraldom?

Book II I

The building which was still called Marney Abbey, though remote from the site of the ancient monastery, was an extensive structure raised at the latter end of the reign of James the First, and in the stately and picturesque style of that age. Placed on a noble elevation in the centre of an extensive and well wooded park, it presented a front with two projecting wings of equal dimensions with the centre, so that the form of the building was that of a quadrangle, less one of its sides. Its ancient lattices had been removed, and the present windows though convenient accorded little with the structure; the old entrance door in the centre of the building however still remained, a wondrous specimen of fantastic carving: Ionic columns of black oak, with a profusion of fruits and flowers, and heads of stags and sylvans. The whole of the building was crowned with a considerable pediment of what seemed at the first glance fanciful open work, but which examined more nearly offered in gigantic letters the motto of the house of Marney. The portal opened to a hall, such as is now rarely found; with the dais, the screen, the gallery, and the buttery-hatch all perfect, and all of carved black oak. Modern luxury, and the refined taste of the lady of the late lord, had made Marney Abbey as remarkable for its comfort and pleasantness of accommodation as for its ancient state and splendour. The apartments were in general furnished with all the cheerful ease and brilliancy of the modern mansion of a noble, but the grand gallery of the seventeenth century was still preserved, and was used on great occasions as the chief reception-room. You ascended the principal staircase to reach it through a long corridor. It occupied the whole length of one of the wings; was one hundred feet long, and forty-five feet broad, its walls hung with a collection of choice pictures rich in history; while the Axminster carpets, the cabinets, carved tables, and variety of easy chairs, ingeniously grouped, imparted even to this palatian chamber a lively and habitable air.

Lord Marney was several years the senior of Charles Egremont, yet still a young man. He was handsome; there was indeed a general resemblance between the brothers, though the expression of their countenances was entirely different; of the same height and air, and throughout the features a certain family cast; but here the likeness ceased. The countenance of Lord Marney bespoke the character of his mind; cynical, devoid of sentiment, arrogant, literal, hard. He had no imagination, had exhausted his slight native feeling, but he was acute, disputatious, and firm even to obstinacy. Though his early education had been very imperfect, he had subsequently read a good deal,