Shirley - Charlotte Brontë (primary phonics .txt) 📗

Painters and musicians he could tolerate, and even encourage, because he could relish the results of their art; he could see the charm of a fine picture, and feel the pleasure of good music; but a quiet poet⁠—whatever force struggled, whatever fire glowed, in his breast⁠—if he could not have played the man in the countinghouse, of the tradesman in the Piece Hall, might have lived despised, and died scorned, under the eyes of Hiram Yorke.

And as there are many Hiram Yorkes in the world, it is well that the true poet, quiet externally though he may be, has often a truculent spirit under his placidity, and is full of shrewdness in his meekness, and can measure the whole stature of those who look down on him, and correctly ascertain the weight and value of the pursuits they disdain him for not having followed. It is happy that he can have his own bliss, his own society with his great friend and goddess Nature, quite independent of those who find little pleasure in him, and in whom he finds no pleasure at all. It is just that while the world and circumstances often turn a dark, cold side to him⁠—and properly, too, because he first turns a dark, cold, careless side to them⁠—he should be able to maintain a festal brightness and cherishing glow in his bosom, which makes all bright and genial for him; while strangers, perhaps, deem his existence a Polar winter never gladdened by a sun. The true poet is not one whit to be pitied, and he is apt to laugh in his sleeve when any misguided sympathizer whines over his wrongs. Even when utilitarians sit in judgment on him, and pronounce him and his art useless, he hears the sentence with such a hard derision, such a broad, deep, comprehensive, and merciless contempt of the unhappy Pharisees who pronounce it, that he is rather to be chidden than condoled with. These, however, are not Mr. Yorke’s reflections, and it is with Mr. Yorke we have at present to do.

I have told you some of his faults, reader: as to his good points, he was one of the most honourable and capable men in Yorkshire; even those who disliked him were forced to respect him. He was much beloved by the poor, because he was thoroughly kind and very fatherly to them. To his workmen he was considerate and cordial. When he dismissed them from an occupation, he would try to set them on to something else, or, if that was impossible, help them to remove with their families to a district where work might possibly be had. It must also be remarked that if, as sometimes chanced, any individual amongst his “hands” showed signs of insubordination, Yorke⁠—who, like many who abhor being controlled, knew how to control with vigour⁠—had the secret of crushing rebellion in the germ, of eradicating it like a bad weed, so that it never spread or developed within the sphere of his authority. Such being the happy state of his own affairs, he felt himself at liberty to speak with the utmost severity of those who were differently situated, to ascribe whatever was unpleasant in their position entirely to their own fault, to sever himself from the masters, and advocate freely the cause of the operatives.

Mr. Yorke’s family was the first and oldest in the district; and he, though not the wealthiest, was one of the most influential men. His education had been good. In his youth, before the French Revolution, he had travelled on the Continent. He was an adept in the French and Italian languages. During a two years’ sojourn in Italy he had collected many good paintings and tasteful rarities, with which his residence was now adorned. His manners, when he liked, were those of a finished gentleman of the old school; his conversation, when he was disposed to please, was singularly interesting and original; and if he usually expressed himself in the Yorkshire dialect, it was because he chose to do so, preferring his native Doric to a more refined vocabulary, “A Yorkshire burr,” he affirmed, “was as much better than a cockney’s lisp as a bull’s bellow than a raton’s squeak.”

Mr. Yorke knew everyone, and was known by everyone, for miles round; yet his intimate acquaintances were very few. Himself thoroughly original, he had no taste for what was ordinary: a racy, rough character, high or low, ever found acceptance with him; a refined, insipid personage, however exalted in station, was his aversion. He would spend an hour any time in talking freely with a shrewd workman of his own, or with some queer, sagacious old woman amongst his cottagers, when he would have grudged a moment to a commonplace fine gentleman or to the most fashionable and elegant, if frivolous, lady. His preferences on these points he carried to an extreme, forgetting that there may be amiable and even admirable characters amongst those who cannot be original. Yet he made exceptions to his own rule. There was a certain order of mind, plain, ingenuous, neglecting refinement, almost devoid of intellectuality, and quite incapable of appreciating what was intellectual in him, but which, at the same time, never felt disgust at his rudeness, was not easily wounded by his sarcasm, did not closely analyze his sayings, doings, or opinions, with which he was peculiarly at ease, and, consequently, which he peculiarly preferred. He was lord amongst such characters. They, while submitting implicitly to his influence, never acknowledged, because they never reflected on, his superiority; they were quite tractable, therefore, without running the smallest danger of being servile; and their unthinking, easy, artless insensibility was as acceptable, because as convenient, to Mr. Yorke as that of the chair he sat on, or of the floor he trod.

It will have been observed that he was not quite uncordial with Mr. Moore. He had two or three reasons for entertaining a faint partiality to that gentleman. It may sound odd, but the first of these