Quo Vadis - Henryk Sienkiewicz (read after .TXT) 📗

raised his fingers, begging mercy by that sign; but in the beginning of a spectacle the audience demanded death usually for the wounded, especially in the case of men who had their faces covered and were unknown. Gradually the number of combatants decreased; and when at last only two remained, these were pushed together; both fell on the sand, and stabbed each other mutually. Then, amid cries of “Peractum est!” servants carried out the bodies, youths raked away the bloody traces on the sand and sprinkled it with leaves of saffron.

Now a more important contest was to come⁠—rousing interest not only in the herd, but in exquisites; during this contest young patricians made enormous bets at times, often losing all they owned. Straightway from hand to hand went tablets on which were written names of favorites, and also the number of sestertia which each man wagered on his favorite. Spectati⁠—that is, champions who had appeared already on the arena and gained victories⁠—found most partisans; but among betters were also those who risked considerably on gladiators who were new and quite unknown, hoping to win immense sums should these conquer. Caesar himself bet; priests, vestals, senators, knights bet; the populace bet. People of the crowd, when money failed them, bet their own freedom frequently. They waited with heart-beating and even with fear for the combatants, and more than one made audible vows to the gods to gain their protection for a favorite.

In fact, when the shrill sound of trumpets was heard, there was a stillness of expectation in the amphitheater. Thousands of eyes were turned to the great bolts, which a man approached dressed like Charon, and amid the universal silence struck three times with a hammer, as if summoning to death those who were hidden behind them. Then both halves of the gate opened slowly, showing a black gully, out of which gladiators began to appear in the bright arena. They came in divisions of twenty-five, Thracians, Mirmillones, Samnites, Gauls, each nation separately, all heavily armed; and last the retiarii, holding in one hand a net, in the other a trident. At sight of them, here and there on the benches rose applause, which soon turned into one immense and unbroken storm. From above to below were seen excited faces, clapping hands, and open mouths, from which shouts burst forth. The gladiators encircled the whole arena with even and springy tread, gleaming with their weapons and rich outfit; they halted before Caesar’s podium, proud, calm, and brilliant. The shrill sound of a horn stopped the applause; the combatants stretched their right hands upward, raised their eyes and heads toward Caesar, and began to cry or rather to chant with drawling voice⁠—

“Ave, Caesar imperator!
Morituri te salutant!”

Then they pushed apart quickly, occupying their places on the arena. They were to attack one another in whole detachments; but first it was permitted the most famous fencers to have a series of single combats, in which the strength, dexterity, and courage of opponents were best exhibited. In fact, from among the Gauls appeared a champion, well known to lovers of the amphitheater under the name of Lanio, a victor in many games. With a great helmet on his head, and in mail which formed a ridge in front of his powerful breast and behind, he looked in the gleam of the golden arena like a giant beetle. The no less famous retiarius Calendio came out against him.

Among the spectators people began to bet.

“Five hundred sestertia on the Gaul!”

“Five hundred on Calendio!”

“By Hercules, one thousand!”

“Two thousand!”

Meanwhile the Gaul, reaching the center of the arena, began to withdraw with pointed sword, and, lowering his head, watched his opponent carefully through the opening of his visor; the light retiarius, stately, statuesque, wholly naked save a belt around his loins, circled quickly about his heavy antagonist, waving the net with graceful movement, lowering or raising his trident, and singing the usual song of the retiarius⁠—

“Non te peto, piscem peto;
Quid me fugis, Galle?”21

But the Gaul was not fleeing, for after a while he stopped, and standing in one place began to turn with barely a slight movement, so as to have his enemy always in front, in his form and monstrously large head there was now something terrible. The spectators understood perfectly that that heavy body encased in bronze was preparing for a sudden throw to decide the battle. The retiarius meanwhile sprang up to him, then sprang away, making with his three-toothed fork motions so quick that the eye hardly followed them. The sound of the teeth on the shield was heard repeatedly; but the Gaul did not quiver, giving proof by this of his gigantic strength. All his attention seemed fixed, not on the trident, but the net which was circling above his head, like a bird of ill omen. The spectators held the breath in their breasts, and followed the masterly play of the gladiators. The Gaul waited, chose the moment, and rushed at last on his enemy; the latter with equal quickness shot past under his sword, straightened himself with raised arm, and threw the net.

The Gaul, turning where he stood, caught it on his shield; then both sprang apart. In the amphitheater shouts of “Macte!” thundered; in the lower rows they began to make new bets. Caesar himself, who at first had been talking with Rubria, and so far had not paid much attention to the spectacle, turned his head toward the arena.

They began to struggle again, so regularly and with such precision in their movements, that sometimes it seemed that with them it was not a question of life or death, but of exhibiting skill. The Gaul escaping twice more from the net, pushed toward the edge of the arena; those who held bets against him, not wishing the champion to rest, began to cry, “Bear on!” The Gaul obeyed, and attacked. The arm of the retiarius was