The Three Musketeers - Alexandre Dumas (phonics books .TXT) 📗

I am an officer in the English navy,” replied the young man.

“But is it the custom for the officers in the English navy to place themselves at the service of their female compatriots when they land in a port of Great Britain, and carry their gallantry so far as to conduct them ashore?”

“Yes, Madame, it is the custom, not from gallantry but prudence, that in time of war foreigners should be conducted to particular hotels, in order that they may remain under the eye of the government until full information can be obtained about them.”

These words were pronounced with the most exact politeness and the most perfect calmness. Nevertheless, they had not the power of convincing Milady.

“But I am not a foreigner, sir,” said she, with an accent as pure as ever was heard between Portsmouth and Manchester; “my name is Lady Clarik, and this measure⁠—”

“This measure is general, Madame; and you will seek in vain to evade it.”

“I will follow you, then, sir.”

Accepting the hand of the officer, she began the descent of the ladder, at the foot of which the boat waited. The officer followed her. A large cloak was spread at the stern; the officer requested her to sit down upon this cloak, and placed himself beside her.

“Row!” said he to the sailors.

The eight oars fell at once into the sea, making but a single sound, giving but a single stroke, and the boat seemed to fly over the surface of the water.

In five minutes they gained the land.

The officer leaped to the pier, and offered his hand to Milady. A carriage was in waiting.

“Is this carriage for us?” asked Milady.

“Yes, Madame,” replied the officer.

“The hotel, then, is far away?”

“At the other end of the town.”

“Very well,” said Milady; and she resolutely entered the carriage.

The officer saw that the baggage was fastened carefully behind the carriage; and this operation ended, he took his place beside Milady, and shut the door.

Immediately, without any order being given or his place of destination indicated, the coachman set off at a rapid pace, and plunged into the streets of the city.

So strange a reception naturally gave Milady ample matter for reflection; so seeing that the young officer did not seem at all disposed for conversation, she reclined in her corner of the carriage, and one after the other passed in review all the surmises which presented themselves to her mind.

At the end of a quarter of an hour, however, surprised at the length of the journey, she leaned forward toward the door to see whither she was being conducted. Houses were no longer to be seen; trees appeared in the darkness like great black phantoms chasing one another. Milady shuddered.

“But we are no longer in the city, sir,” said she.

The young officer preserved silence.

“I beg you to understand, sir, I will go no farther unless you tell me whither you are taking me.”

This threat brought no reply.

“Oh, this is too much,” cried Milady. “Help! help!”

No voice replied to hers; the carriage continued to roll on with rapidity; the officer seemed a statue.

Milady looked at the officer with one of those terrible expressions peculiar to her countenance, and which so rarely failed of their effect; anger made her eyes flash in the darkness.

The young man remained immovable.

Milady tried to open the door in order to throw herself out.

“Take care, Madame,” said the young man, coolly, “you will kill yourself in jumping.”

Milady reseated herself, foaming. The officer leaned forward, looked at her in his turn, and appeared surprised to see that face, just before so beautiful, distorted with passion and almost hideous. The artful creature at once comprehended that she was injuring herself by allowing him thus to read her soul; she collected her features, and in a complaining voice said: “In the name of heaven, sir, tell me if it is to you, if it is to your government, if it is to an enemy I am to attribute the violence that is done me?”

“No violence will be offered to you, Madame, and what happens to you is the result of a very simple measure which we are obliged to adopt with all who land in England.”

“Then you don’t know me, sir?”

“It is the first time I have had the honor of seeing you.”

“And on your honor, you have no cause of hatred against me?”

“None, I swear to you.”

There was so much serenity, coolness, mildness even, in the voice of the young man, that Milady felt reassured.

At length after a journey of nearly an hour, the carriage stopped before an iron gate, which closed an avenue leading to a castle severe in form, massive, and isolated. Then, as the wheels rolled over a fine gravel, Milady could hear a vast roaring, which she at once recognized as the noise of the sea dashing against some steep cliff.

The carriage passed under two arched gateways, and at length stopped in a court large, dark, and square. Almost immediately the door of the carriage was opened, the young man sprang lightly out and presented his hand to Milady, who leaned upon it, and in her turn alighted with tolerable calmness.

“Still, then, I am a prisoner,” said Milady, looking around her, and bringing back her eyes with a most gracious smile to the young officer; “but I feel assured it will not be for long,” added she. “My own conscience and your politeness, sir, are the guarantees of that.”

However flattering this compliment, the officer made no reply; but drawing from his belt a little silver whistle, such as boatswains use in ships of war, he whistled three times, with three different modulations. Immediately several men appeared, who unharnessed the smoking horses, and put the carriage into a coach house.

Then the officer, with the same calm politeness, invited his prisoner to enter the house. She, with a still-smiling countenance, took his arm, and passed with him under a low arched door, which by a vaulted passage, lighted only at the farther end, led to a stone staircase