Villette - Charlotte Brontë (best fiction books of all time TXT) 📗

is loose, and will avoid it. The oak staircase creaks somewhat as I descend, but not much:⁠—I am in the carré.

The great classe-doors are close shut; they are bolted. On the other hand, the entrance to the corridor stands open. The classes seem to my thought, great dreary jails, buried far back beyond thoroughfares, and for me, filled with spectral and intolerable Memories, laid miserable amongst their straw and their manacles. The corridor offers a cheerful vista, leading to the high vestibule which opens direct upon the street.

Hush!⁠—the clock strikes. Ghostly deep as is the stillness of this convent, it is only eleven. While my ear follows to silence the hum of the last stroke, I catch faintly from the built-out capital, a sound like bells or like a band⁠—a sound where sweetness, where victory, where mourning blend. Oh, to approach this music nearer, to listen to it alone by the rushy basin! Let me go⁠—oh, let me go! What hinders, what does not aid freedom?

There, in the corridor, hangs my garden-costume, my large hat, my shawl. There is no lock on the huge, heavy, porte-cochère; there is no key to seek: it fastens with a sort of spring-bolt, not to be opened from the outside, but which, from within, may be noiselessly withdrawn. Can I manage it? It yields to my hand, yields with propitious facility. I wonder as that portal seems almost spontaneously to unclose⁠—I wonder as I cross the threshold and step on the paved street, wonder at the strange ease with which this prison has been forced. It seems as if I had been pioneered invisibly, as if some dissolving force had gone before me: for myself, I have scarce made an effort.

Quiet Rue Fossette! I find on this pavement that wanderer-wooing summer night of which I mused; I see its moon over me; I feel its dew in the air. But here I cannot stay; I am still too near old haunts: so close under the dungeon, I can hear the prisoners moan. This solemn peace is not what I seek, it is not what I can bear: to me the face of that sky bears the aspect of a world’s death. The park also will be calm⁠—I know, a mortal serenity prevails everywhere⁠—yet let me seek the park.

I took a route well known, and went up towards the palatial and royal Haute-Ville; thence the music I had heard certainly floated; it was hushed now, but it might re-waken. I went on: neither band nor bell music came to meet me; another sound replaced it, a sound like a strong tide, a great flow, deepening as I proceeded. Light broke, movement gathered, chimes pealed⁠—to what was I coming? Entering on the level of a Grande Place, I found myself, with the suddenness of magic, plunged amidst a gay, living, joyous crowd.

Villette is one blaze, one broad illumination; the whole world seems abroad; moonlight and heaven are banished: the town, by her own flambeaux, beholds her own splendour⁠—gay dresses, grand equipages, fine horses and gallant riders throng the bright streets. I see even scores of masks. It is a strange scene, stranger than dreams. But where is the park?⁠—I ought to be near it. In the midst of this glare the park must be shadowy and calm⁠—there, at least, are neither torches, lamps, nor crowd?

I was asking this question when an open carriage passed me filled with known faces. Through the deep throng it could pass but slowly; the spirited horses fretted in their curbed ardour. I saw the occupants of that carriage well; me they could not see, or, at least, not know, folded close in my large shawl, screened with my straw hat (in that motley crowd no dress was noticeably strange). I saw the Count de Bassompierre; I saw my godmother, handsomely apparelled, comely and cheerful; I saw, too, Paulina Mary, compassed with the triple halo of her beauty, her youth, and her happiness. In looking on her countenance of joy, and eyes of festal light, one scarce remembered to note the gala elegance of what she wore; I know only that the drapery floating about her was all white and light and bridal; seated opposite to her I saw Graham Bretton; it was in looking up at him her aspect had caught its lustre⁠—the light repeated in her eyes beamed first out of his.

It gave me strange pleasure to follow these friends viewlessly, and I did follow them, as I thought, to the park. I watched them alight (carriages were inadmissible) amidst new and unanticipated splendours. Lo! the iron gateway, between the stone columns, was spanned by a flaming arch built of massed stars; and, following them cautiously beneath that arch, where were they, and where was I?

In a land of enchantment, a garden most gorgeous, a plain sprinkled with coloured meteors, a forest with sparks of purple and ruby and golden fire gemming the foliage; a region, not of trees and shadow, but of strangest architectural wealth⁠—of altar and of temple, of pyramid, obelisk, and sphinx: incredible to say, the wonders and the symbols of Egypt teemed throughout the park of Villette.

No matter that in five minutes the secret was mine⁠—the key of the mystery picked up, and its illusion unveiled⁠—no matter that I quickly recognised the material of these solemn fragments⁠—the timber, the paint, and the pasteboard⁠—these inevitable discoveries failed to quite destroy the charm, or undermine the marvel of that night. No matter that I now seized the explanation of the whole great fête⁠—a fête of which the conventual Rue Fossette had not tasted, though it had opened at dawn that morning, and was still in full vigour near midnight.

In past days there had been, said history, an awful crisis in the fate of Labassecour, involving I know not what peril to the rights and liberties of her gallant citizens. Rumours of wars there had been, if not wars themselves; a kind of struggling in the streets⁠—a bustle⁠—a running