The House of Mirth - Edith Wharton (phonics reader .txt) 📗

her unconsciousness of the resistance displayed in every angle of Mr. Gryce’s attitude. Lily herself knew that his mind was divided between the dread of catching cold if he remained out of doors too long at that hour, and the fear that, if he retreated to the house, Mrs. Fisher might follow him up with a paper to be signed. Mr. Gryce had a constitutional dislike to what he called “committing himself,” and tenderly as he cherished his health, he evidently concluded that it was safer to stay out of reach of pen and ink till chance released him from Mrs. Fisher’s toils. Meanwhile he cast agonized glances in the direction of Miss Bart, whose only response was to sink into an attitude of more graceful abstraction. She had learned the value of contrast in throwing her charms into relief, and was fully aware of the extent to which Mrs. Fisher’s volubility was enhancing her own repose.

She was roused from her musings by the approach of her cousin Jack Stepney who, at Gwen Van Osburgh’s side, was returning across the garden from the tennis court.

The couple in question were engaged in the same kind of romance in which Lily figured, and the latter felt a certain annoyance in contemplating what seemed to her a caricature of her own situation. Miss Van Osburgh was a large girl with flat surfaces and no high lights: Jack Stepney had once said of her that she was as reliable as roast mutton. His own taste was in the line of less solid and more highly-seasoned diet; but hunger makes any fare palatable, and there had been times when Mr. Stepney had been reduced to a crust.

Lily considered with interest the expression of their faces: the girl’s turned toward her companion’s like an empty plate held up to be filled, while the man lounging at her side already betrayed the encroaching boredom which would presently crack the thin veneer of his smile.

“How impatient men are!” Lily reflected. “All Jack has to do to get everything he wants is to keep quiet and let that girl marry him; whereas I have to calculate and contrive, and retreat and advance, as if I were going through an intricate dance, where one misstep would throw me hopelessly out of time.”

As they drew nearer she was whimsically struck by a kind of family likeness between Miss Van Osburgh and Percy Gryce. There was no resemblance of feature. Gryce was handsome in a didactic way⁠—he looked like a clever pupil’s drawing from a plaster-cast⁠—while Gwen’s countenance had no more modelling than a face painted on a toy balloon. But the deeper affinity was unmistakable: the two had the same prejudices and ideals, and the same quality of making other standards nonexistent by ignoring them. This attribute was common to most of Lily’s set: they had a force of negation which eliminated everything beyond their own range of perception. Gryce and Miss Van Osburgh were, in short, made for each other by every law of moral and physical correspondence⁠—“Yet they wouldn’t look at each other,” Lily mused, “they never do. Each of them wants a creature of a different race, of Jack’s race and mine, with all sorts of intuitions, sensations and perceptions that they don’t even guess the existence of. And they always get what they want.”

She stood talking with her cousin and Miss Van Osburgh, till a slight cloud on the latter’s brow advised her that even cousinly amenities were subject to suspicion, and Miss Bart, mindful of the necessity of not exciting enmities at this crucial point of her career, dropped aside while the happy couple proceeded toward the tea-table.

Seating herself on the upper step of the terrace, Lily leaned her head against the honeysuckles wreathing the balustrade. The fragrance of the late blossoms seemed an emanation of the tranquil scene, a landscape tutored to the last degree of rural elegance. In the foreground glowed the warm tints of the gardens. Beyond the lawn, with its pyramidal pale-gold maples and velvety firs, sloped pastures dotted with cattle; and through a long glade the river widened like a lake under the silver light of September. Lily did not want to join the circle about the tea-table. They represented the future she had chosen, and she was content with it, but in no haste to anticipate its joys. The certainty that she could marry Percy Gryce when she pleased had lifted a heavy load from her mind, and her money troubles were too recent for their removal not to leave a sense of relief which a less discerning intelligence might have taken for happiness. Her vulgar cares were at an end. She would be able to arrange her life as she pleased, to soar into that empyrean of security where creditors cannot penetrate. She would have smarter gowns than Judy Trenor, and far, far more jewels than Bertha Dorset. She would be free forever from the shifts, the expedients, the humiliations of the relatively poor. Instead of having to flatter, she would be flattered; instead of being grateful, she would receive thanks. There were old scores she could pay off as well as old benefits she could return. And she had no doubts as to the extent of her power. She knew that Mr. Gryce was of the small chary type most inaccessible to impulses and emotions. He had the kind of character in which prudence is a vice, and good advice the most dangerous nourishment. But Lily had known the species before: she was aware that such a guarded nature must find one huge outlet of egoism, and she determined to be to him what his Americana had hitherto been: the one possession in which he took sufficient pride to spend money on it. She knew that this generosity to self is one of the forms of meanness, and she resolved so to identify herself with her husband’s vanity that to gratify her wishes would be to him the most exquisite form of self-indulgence. The system