Writings in the United Amateur, 1915-1922 - H. P. Lovecraft (ebook reader 8 inch txt) 📗
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Criticism is well represented by Leo Fritter, Edna M. Haughton, Mrs. J. W. Renshaw, and Rheinhart Kleiner. The latter is no less gifted a critic than a poet, and gives out very acute judgments in his journal, The Piper.
In viewing the formal essays of the year, one is impressed with the profusion of mere schoolboy compositions. Masters of the Addisonian art are few but those few almost atone for the general lack of polish. Henry Clapham McGavack leads the list with a clarity of style and keenness of reasoning unsurpassed in the association. His "Dr. Burgess, Propagandist" is an amateur classic. Edgar Ralph Cheyney is an extreme radical, but is none the less a masterful essayist. His articles take a very high rank both for thoughtfulness and for diction. A third writer of unusual power and analytical depth is Arthur W. Ashby, whose essays on the varied aspects of Nature command our serious attention. The two Schillings, George and Samuel, deserve more than a passing mention, whilst Pres. Fritter's Laureateship well attests his merit. Rev. E. P. Parham has produced work of attractive quality. Joseph W. Renshaw's essays and editorials command notice whenever beheld; whilst Ira A. Cole, ever versatile, will shortly display his epistolary skill in the now unpublished series of "Churchill-Tutcombie Letters". William T. Harrington has progressed by leaps and bounds to a prominent place amongst our essay-writers, his able encomiums of Old England being a delightful feature of the year. It would be gratifying to speak of Maurice W. Moe's splendid style and terse English at this point, for he is one of our very foremost essayists; but his enforced inactivity in amateur journalism this year has deprived us of any current specimens save the brief editorial in the February Pippin.
The general quality of our prose is by no means satisfactory. Too many of our authors are contaminated with modern theories which cause them to abandon grace, dignity, and precision, and to cultivate the lowest forms of slang.
Papers and magazines have been neither ample nor numerous this year; in fact, the tendency of the times appears to be a centralization of effort in THE UNITED AMATEUR; something which is for many reasons to be applauded, and for a few reasons to be deplored. Those members who feel capable of issuing individual papers should be encouraged to do so; whilst those who are ordinarily silent, should be encouraged to join the contributing staff of THE UNITED AMATEUR as provided by the Campbell amendment.
The best individual journal of the year is Ole Miss'. For frequency and regularity, The Scot, The Woodbee, The Dixie Booster, and The Coyote are to be commended. THE UNITED AMATEUR has prospered as a monthly despite adverse conditions. The elaborate September, October and February numbers put us in deep debt to Mr. Edward F. Daas, while subsequent examples of good editorship must be accredited to Mr. George Schilling. It is gratifying to note the increasing literary character of the Official Organ; purely official numbers are invariably tedious, many of the long, detailed reports being quite superfluous. It is a strong and sincere hope of the undersigned, that Mr. Daas may rejoin us at and after the present convention. The resumption of The Lake Breeze would supply a pressing need. Mr. Moitoret's Cleveland Sun, which promises to be a frequently issued paper, made its first appearance lately, and will, after much of its "loudness" has been removed, be of substantial benefit to new members. The "sporting" features should be eliminated at once, as not only being in bad taste, but exerting a noxious influence over the literary development of the younger members.
While upon the subject of papers, the undersigned would like to enter a renewed protest against the persistent use of certain distorted forms of spelling commonly called "simplified". These wretched innovations, popular amongst the less educated element during the past decade, are now becoming offensively prominent in certain periodicals of supposedly better grade, and require concerted opposition on the part of all friends of our language. The advantages claimed for the changes are almost wholly unsubstantial, whilst the inevitable disadvantages are immense. Let us see fewer "thrus" and "thoros" in the amateur press!
What the association needs above all things is a return to earlier forms in prose and verse alike; to poetry that does not pain the ear, and paragraphs that do not affront the aesthetic sense of the reader. If our writers would pay more attention to the tasteful Georgian models, they would produce work of infinitely less cacophonous quality. Almost every one of our authors who is familiar with the literature of the past, is distinguished by exceptional grace and fluency of composition.
As this report draws toward its conclusion, a few minor aims of the Department of Public Criticism are to be noted. It is now the desire of the undersigned to aid authors in rectifying the injustices to which they are subjected by the wretched typography of most amateur journals. Writers are hereby encouraged to transmit to this Department corrected copies of all misprinted work, the corrections to be made public in THE UNITED AMATEUR. By this method it is hoped that no amateur journalist will again be forced to suffer for faults not his own, as so many have suffered in the past. Of course, the critical reports themselves are frequently misprinted, but the vast majority of mistakes may with care be eliminated.
Concerning the name of this association, which a number wish changed in a manner that will eliminate the word "amateur", the undersigned feels that the sentiment of the veteran element is too strongly against such a move to warrant its immediate adoption. The primary object is the training of young writers before they have attained the professional grade, wherefore the present title is by no means such a misnomer as might be inferred from the talents of the more cultivated members. However, the proposed alteration is certainly justified in many ways, hence the idea should be deferred rather than abandoned altogether.
The wane of interest in amateur political affairs is to be commended as a recognition of the superior importance of literary matters. Amateur journalism is rapidly progressing nearer and nearer its ideal: a device for the instruction of the young and crude, and an aid for the obscure author of any sort, rather than a playground for the aimless and the frivolous.
Last of all, the undersigned wishes to thank the membership for its kind reception of the Department's reports. It is ever the Chairman's design to render impartial judgment, and if harshness or captiousness may at any time have been noticed in the reports, it has in each case been unintentional. An ideal of sound conservatism has been followed, but in no instance has the critic sought to enforce upon others that peculiarly archaic style of which he is personally fond, and which he is accustomed to employ in his own compositions. The Department of Public Criticism aspires to be of substantial assistance to the members of the United, and hopes next year to co-operate with Mr. Lockhart in presenting reviews of truly constructive quality.
Solicitous for the approval, and confident of the indulgence of the association, the Department herewith has the honor to conclude its first annual report; in the hope that such a summary of events and estimate of conditions may be of use to the incoming administration.
Chairman. THE UNITED AMATEUR SEPTEMBER 1916 Department Of Public Criticism
The Amateur Special for July is a voluminous magazine of credentials and other work of new members, edited by Mrs. E. L. Whitehead, retiring Eastern Manuscript Manager, with the assistance of the Recruiting Committee. Of all papers lately issued in the United, this is without doubt among the most valuable and most significant; since it is the pioneer of the new regime, whereby the talent of all our membership is to be brought out by better publishing facilities. Mrs. Whitehead, with notable generosity, has reserved for herself but one page, on which we find a clever and correct bit of verse, and a number of graceful acknowledgments and useful suggestions. The contents in general are well calculated to display the thorough literary excellence and supremacy of the United in its present condition; for in this collection of stories, poems, and articles, taken practically at random from the manuscript bureaus, there is scarce a line unworthy of commendation.
"Tatting", by Julian J. Crump, is a fluent and graceful colloquial sketch. "Mother and Child", by J. E. Hoag, is a sombre and thoughtful poem having a certain atmosphere of mysticism. The metre, which is well handled, consists of regular iambic pentameter quatrains with a couplet at the conclusion. An annoying misprint mars the first stanza, where "sigh" is erroneously rendered as "sight". "Homesick for the Spring", a poem by Bessie Estelle Harvey, displays real merit in thought and construction alike. "Mother Earth", by Rev. E. P. Parham, is a well adorned little essay in justification of the traditional saying that "the earth is mother of us all". George M. Whiteside, a new member of the United, makes his first appearance before us as a poet in "The Little Freckled Face Kid". Mr. Whiteside's general style is not unlike that of the late James Whitcomb Riley, and its prevailing air of homely yet pleasing simplicity is well maintained. "To Chloris", by Chester Pierce Munroe, is a smooth and melodious amatory poem of the Kleiner school. The imagery is refined, and the polish of the whole amply justifies the inevitable triteness of the theme. The word "adorns", in next the last line, should read "adorn". "A Dream", by Helen Harriet Salls, is a hauntingly mystical succession of poetic images cast in appropriate metre. The natural phenomena of the morning are vividly depicted in a fashion possible only to the true poet. The printer has done injustice to this exquisite phantasy in three places. In the first stanza "wonderous" should read "wondrous", while in the seventh stanza "arient" should be "orient". "Thou'st", in the eleventh stanza, should be "Thou'rt". "Prayers", a religious poem by Rev. Robert L. Selle, D. D., displays the classic touch of the eighteenth century in its regular octosyllabic couplets, having some resemblance to the work of the celebrated Dr. Watts. "Snow of the Northland", by M. Estella Shufelt, is a religious poem of different sort, whose tuneful dactylic quatrains contain much noble and appropriate metaphor. In the final line the word "re-cleaned" should read "re-cleansed". "In Passing By", by Sophie Lea Fox, is a meritorious poem of the thoughtful, introspective type, which has been previously honoured with professional publication. "A Time to Sing", by M. B. Andrews, introduces to the United another genuine poet of worth. The lines are happy in inspiration and finished in form, having only one possible defect, the use of "heralding" as a dissyllable. "The Stately Mountains", by Rev. Eugene B. Kuntz, D. D., is a notable contribution to amateur poetic literature. Dr. Kuntz chooses as his favourite metre the stately Alexandrine; and using it in a far more flexible and ingenious manner than that of Drayton, he manages to achieve a dignified and exalted atmosphere virtually impossible in any other measure. The even caesural break so common to Alexandrines, and so often urged by critics as an objection against them, is here avoided with great ingenuity and good taste. Dr. Kuntz's sentiments and phrases are as swelling and sublime as one might expect from his metre. His conception of Nature is a broad and noble one, and his appreciation of her beauties is that of the innate poet. "An April Memory" acquaints us with W. Frank Booker, a gifted lyrist whose lines possess all the warmth, witchery and grace of his native Southland. James J. Hennessey, in his essay on "The Army in Times of Peace", exhibits very forcibly the various indispensable services so quietly and efficiently performed by the United States
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