The Blood of Belshazzar - Robert E. Howard (top reads .TXT) 📗

stairs, and along a winding corridor to a heavy, metal-braced door before which stood, like an image carven of black basalt, a huge naked Nubian who held a two-handed scimitar whose five-foot blade was a foot wide at the tip.

Jacob made a sign to the Nubian, but Cormac saw that the Jew was trembling and apprehensive.

“In God’s name,” Jacob whispered to the Norman, “speak him softly; Skol is in a devilish temper tonight. Only a little while ago he tore out the eyeball of a slave with his hands.”

“That was that scream I heard then,” grunted Cormac. “Well, don’t stand there chattering; tell that black beast to open the door before I knock it down.”

Jacob blenched; but it was no idle threat. It was not the Norman-Gael’s nature to wait meekly at the door of any man—he who had been cup-companion to King Richard. The majordomo spoke swiftly to the mute, who swung the door open. Cormac pushed past his guide and strode across the threshold.

And for the first time he looked on Skol Abdhur the Butcher, whose deeds of blood had already made him a semi-mythical figure. The Norman saw a bizarre giant reclining on a silken divan, in the midst of a room hung and furnished like a king’s. Erect, Skol would have towered half a head taller than Cormac, and though a huge belly marred the symmetry of his figure, he was still an image of physical prowess. His short, naturally black beard had been stained to a bluish tint; his wide black eyes blazed with a curious wayward look not altogether sane at times.

He was clad in cloth-of-gold slippers whose toes turned up extravagantly, in voluminous Persian trousers of rare silk, and a wide green silken sash, heavy with golden scales, was wrapt about his waist. Above this he wore a sleeveless jacket, richly brocaded, open in front, but beneath this his huge torso was naked. His blue-black hair, held by a gemmed circlet of gold, fell to his shoulders, and his fingers were gleaming with jewels, while his bare arms were weighted with heavy gem-crusted armlets. Women’s earrings adorned his ears.

Altogether his appearance was of such fantastic barbarism as to inspire in Cormac an amazement which in an ordinary man would have been a feeling of utmost horror. The apparent savagery of the giant, together with his fantastic finery which heightened rather than lessened the terror of his appearance, lent Skol Abdhur an aspect which set him outside the pale of ordinary humanity. The effect of an ordinary man, so garbed, would have been merely ludicrous; in the robber chieftain it was one of horror.

Yet as Jacob salaamed to the floor in a very frenzy of obeisance, he was not sure that Skol looked any more formidable than the mail-clad Frank with his aspect of dynamic and terrible strength directed by a tigerish nature.

“The lord Cormac FitzGeoffrey, oh mighty prince,” proclaimed Jacob, while Cormac stood like an iron image not deigning even to incline his lion-like head.

“Yes, fool, I can see that,” Skol’s voice was deep and resonant. “Take yourself hence before I crop your ears. And see that those fools downstairs have plenty of wine.”

From the stumbling haste with which Jacob obeyed, Cormac knew the threat of cropping ears was no empty one. Now his eyes wandered to a shocking and pitiful figure—the slave standing behind Skol’s divan ready to pour wine for his grim master. The wretch was trembling in every limb as a wounded horse quivers, and the reason was apparent—a ghastly gaping socket from which the eye had been ruthlessly ripped. Blood still oozed from the rim to join the stains which blotched the twisted face and spotted the silken garments. Pitiful finery! Skol dressed his miserable slaves in apparel rich merchants might envy. And the wretch stood shivering in agony, yet not daring to move from his tracks, though with the pain-misted half-sight remaining him, he could scarcely see to fill the gem-crusted goblet Skol lifted.

“Come and sit on the divan with me, Cormac,” hailed Skol. “I would speak to you. Dog! Fill the lord Frank’s goblet, and haste, lest I take your other eye.”

“I drink no more this night,” growled Cormac, thrusting aside the goblet Skol held out to him. “And send that slave away. He’ll spill wine on you in his blindness.”

Skol stared at Cormac a moment and then with a sudden laugh waved the pain-sick slave toward the door. The man went hastily, whimpering in agony.

“See,” said Skol, “I humor your whim. But it was not necessary. I would have wrung his neck after we had talked, so he could not repeat our words.”

Cormac shrugged his shoulders. Little use to try to explain to Skol that it was pity for the slave and not desire for secrecy that prompted him to have the man dismissed.

“What think you of my kingdom, Bab-el-Shaitan?” asked Skol suddenly.

“It would be hard to take,” answered the Norman.

Skol laughed wildly and emptied his goblet.

“So the Seljuks have found,” he hiccupped. “I took it years ago by a trick from the Turk who held it. Before the Turks came the Arabs held it and before them—the devil knows. It is old—the foundations were built in the long ago by Iskander Akbar—Alexander the Great. Then centuries later came the Roumi—the Romans—who added to it. Parthians, Persians, Kurds, Arabs, Turks—all have shed blood on its walls. Now it is mine, and while I live, mine it shall remain! I know its secrets—and its secrets,” he cast the Frank a sly and wicked glance full of sinister meaning, “are more than most men reckon—even those fools Nadir Tous and di Strozza, who would cut my throat if they dared.”

“How do you hold supremacy over these wolves?” asked Cormac bluntly.

Skol laughed and drank once more.

“I have something each wishes. They hate each other; I play them against one another. I hold the key to the plot. They do not trust each other enough to move against me. I am Skol Abdhur! Men are puppets to dance on my strings. And women”—a vagrant and curious glint stole into his eyes—“women are food for the gods,” he said strangely.

“Many men serve me,” said Skol Abdhur, “emirs and generals and chiefs, as you saw. How came they here to Bab-el-Shaitan where the world ends? Ambition—intrigues—women—jealousy—hatred—now they serve the Butcher. And what brought you here, my brother? That you are an outlaw I know—that your life is forfeit to your people because you slew a certain emir of the Franks, one Count Conrad von Gonler. But only when hope is dead do men ride to Bab-el-Shaitan. There are cycles within cycles, outlaws beyond the pale of outlawry, and Bab-el-Shaitan is the end of the world.”

“Well,” growled Cormac, “one man can not raid the caravans. My friend Sir Rupert de Vaile, Seneschal of Antioch, is captive to the Turkish chief Ali Bahadur, and the Turk refuses to ransom him for the gold that has been offered. You ride far, and fall on the caravans that bring the treasures of Hind and Cathay. With you I may find some treasure so rare that the Turk will accept it as a ransom. If not, with my share of the loot I will hire enough bold rogues to rescue Sir Rupert.”

Skol shrugged his shoulders. “Franks are mad,” said he, “but whatever the reason, I am glad you rode hither. I have heard you are faithful to the lord you follow, and I need such a man. Just now I trust no one but Abdullah, the black mute that guards my chamber.”

It was evident to Cormac that Skol was fast becoming drunk. Suddenly he laughed wildly.

“You asked me how I hold my wolves in leash? Not one but would slit my throat. But look—so far I trust you I will show you why they do not!”

He reached into his girdle and drew forth a huge jewel which sparkled like a tiny lake of blood in his great palm. Even Cormac’s eyes narrowed at the sight.

“Satan!” he muttered. “That can be naught but the ruby called—”

“!” exclaimed Skol Abdhur. “Aye, the gem Cyrus the Persian ripped from the sword-gashed bosom of the great king on that red night when Babylon fell! It is the most ancient and costly gem in the world. Ten thousand pieces of heavy gold could not buy it.

“Hark, Frank,” again Skol drained a goblet, “I will tell you the tale of the Blood of Belshazzar. See you how strangely it is carved?”

He held it up and the light flashed redly from its many facets. Cormac shook his head, puzzled.

The carving was strange indeed, corresponding to nothing he had ever seen, east or west. It seemed that the ancient carver had followed some plan entirely unknown and apart from that of modern lapidary art. It was basically different with a difference Cormac could not define.

“No mortal cut that stone!” said Skol, “but the djinn of the sea! For once in the long, long ago, in the very dawn of happenings, the great king, even Belshazzar, went from his palace on pleasure bent and coming to the Green Sea—the Persian Gulf—went thereon in a royal galley, golden-prowed and rowed by a hundred slaves. Now there was one Naka, a diver of pearls, who desiring greatly to honor his king, begged the royal permission to seek the ocean bottom for rare pearls for the king, and Belshazzar granting his wish, Naka dived. Inspired by the glory of the king, he went far beyond the depth of divers, and after a time floated to the surface, grasping in his hand a ruby of rare beauty—aye, this very gem.

“Then the king and his lords, gazing on its strange carvings, were amazed, and Naka, nigh to death because of the great depth to which he had gone, gasped out a strange tale of a silent, seaweed-festooned city of marble and lapis lazuli far below the surface of the sea, and of a monstrous mummied king on a jade throne from whose dead taloned hand Naka had wrested the ruby. And then the blood burst from the diver’s mouth and ears and he died.

“Then Belshazzar’s lords entreated him to throw the gem back into the sea, for it was evident that it was the treasure of the djinn of the sea, but the king was as one mad, gazing into the crimson deeps of the ruby, and he shook his head.

“And lo, soon evil came upon him, for the Persians broke his kingdom, and Cyrus, looting the dying monarch, wrested from his bosom the great ruby which seemed so gory in the light of the burning palace that the soldiers shouted: ‘Lo, it is the heart’s blood of Belshazzar!’ And so men came to call the gem the Blood of Belshazzar.

“Blood followed its course. When Cyrus fell on the Jaxartes, Queen Tomyris seized the jewel and for a time it gleamed on the naked bosom of the Scythian queen. But she was despoiled of it by a rebel general; in a battle against the Persians he fell and it went into the hands of Cambyses, who carried it with him into Egypt, where a priest of Bast stole it. A Numidian mercenary murdered him for it, and by devious ways it came back to Persia once more. It gleamed on Xerxes’ crown when he watched his army destroyed at Salamis.

“Alexander took it from the corpse of Darius and on the Macedonian’s corselet its gleams lighted the road to India. A chance sword blow struck it from his breastplate in a battle on the Indus and for centuries the Blood of Belshazzar was lost to sight. Somewhere far to the east, we know, its gleams shone on a road of blood and