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meant idiocy.

This Maréchal then, being young, free, rich, ready for any form of tenderness, went by chance into the shop one day, having perhaps observed its pretty mistress. He had bought something, had come again, had chatted, more intimately each time, paying by frequent purchases for the right of a seat in the family, of smiling at the young wife and shaking hands with the husband.

And what next⁠—what next⁠—good God⁠—what next?

He had loved and petted the first child, the jeweller’s child, till the second was born; then, till death, he had remained impenetrable; and when his grave was closed, his flesh dust, his name erased from the list of the living, when he himself was quiet and forever gone, having nothing to scheme for, to dread or to hide, he had given his whole fortune to the second child! Why?

The man had all his wits; he must have understood and foreseen that he might, that he almost infallibly must, give grounds for the supposition that the child was his. He was casting obloquy on a woman. How could he have done this if Jean were not his son?

And suddenly a clear and fearful recollection shot through his brain. Maréchal was fair⁠—fair like Jean. He now remembered a little miniature portrait he had seen formerly in Paris, on the drawing-room chimney-shelf, and which had since disappeared. Where was it? Lost, or hidden away? Oh, if he could but have it in his hand for one minute! His mother kept it perhaps in the unconfessed drawer where love-tokens were treasured.

His misery in this thought was so intense that he uttered a groan, one of those brief moans wrung from the breast by a too intolerable pang. And immediately, as if it had heard him, as if it had understood and answered him, the foghorn on the pier bellowed out close to him. Its voice, like that of a fiendish monster, more resonant than thunder⁠—a savage and appalling roar contrived to drown the clamour of the wind and waves⁠—spread through the darkness, across the sea, which was invisible under its shroud of fog. And again, through the mist, far and near, responsive cries went up to the night. They were terrifying, these calls given forth by the great blind steamships.

Then all was silent once more.

Pierre had opened his eyes and was looking about him, startled to find himself here, roused from his nightmare.

“I am mad,” thought he, “I suspect my mother.” And a surge of love and emotion, of repentance, and prayer, and grief, welled up in his heart. His mother! Knowing her as he knew her, how could he ever have suspected her? Was not the soul, was not the life of this simple-minded, chaste, and loyal woman clearer than water? Could anyone who had seen and known her ever think of her but as above suspicion? And he, her son, had doubted her! Oh, if he could but have taken her in his arms at that moment, how he would have kissed and caressed her, and gone on his knees to crave pardon.

Would she have deceived his father⁠—she?

His father!⁠—A very worthy man, no doubt, upright and honest in business, but with a mind which had never gone beyond the horizon of his shop. How was it that this woman, who must have been very pretty⁠—as he knew, and it could still be seen⁠—gifted, too, with a delicate, tender emotional soul, could have accepted a man so unlike herself as a suitor and a husband? Why inquire? She had married, as young French girls do marry, the youth with a little fortune proposed to her by their relations. They had settled at once in their shop in the Rue Montmartre; and the young wife, ruling over the desk, inspired by the feeling of a new home, and the subtle and sacred sense of interests in common which fills the place of love, and even of regard, by the domestic hearth of most of the commercial houses of Paris, had set to work, with all her superior and active intelligence, to make the fortune they hoped for. And so her life had flowed on, uniform, peaceful and respectable, but loveless.

Loveless?⁠—was it possible then that a woman should not love? That a young and pretty woman, living in Paris, reading books, applauding actresses for dying of passion on the stage, could live from youth to old age without once feeling her heart touched? He would not believe it of anyone else; why should she be different from all others, though she was his mother?

She had been young, with all the poetic weaknesses which agitate the heart of a young creature. Shut up, imprisoned in the shop, by the side of a vulgar husband who always talked of trade, she had dreamed of moonlight nights, of voyages, of kisses exchanged in the shades of evening. And then, one day a man had come in, as lovers do in books, and had talked as they talk.

She had loved him. Why not? She was his mother. What then? Must a man be blind and stupid to the point of rejecting evidence because it concerns his mother? But did she give herself to him? Why yes, since this man had had no other love, since he had remained faithful to her when she was far away and growing old. Why yes, since he had left all his fortune to his son⁠—their son!

And Pierre started to his feet, quivering with such rage that he longed to kill someone. With his arm outstretched, his hand wide open, he wanted to hit, to bruise, to smash, to strangle! Whom? Everyone; his father, his brother, the dead man, his mother!

He hurried off homeward. What was he going to do?

As he passed a turret close to the signal mast the strident howl of the foghorn went off in his very face. He was so startled that he nearly fell and shrank back as far as the granite parapet. He sat down half-stunned by

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