Quo Vadis - Henryk Sienkiewicz (read after .TXT) 📗

had triumphed; and on tablets were inscribed the names of the masters whom he had vanquished. Nero himself was intoxicated with delight, and with emotion he asked the Augustians who stood around him, “What was the triumph of Julius compared with this?” The idea that any mortal should dare to raise a hand on such a demigod did not enter his head. He felt himself really Olympian, and therefore safe. The excitement and the madness of the crowd roused his own madness. In fact, it might seem in the day of that triumph that not merely Caesar and the city, but the world, had lost its senses.

Through the flowers and the piles of wreaths no one could see the precipice. Still that same evening columns and walls of temples were covered with inscriptions, describing Nero’s crimes, threatening him with coming vengeance, and ridiculing him as an artist. From mouth to mouth went the phrase, “He sang till he roused the Gauls.” Alarming news made the rounds of the city, and reached enormous measures. Alarm seized the Augustians. People, uncertain of the future, dazed not express hopes or wishes; they hardly dared to feel or think.

But he went on living only in the theater and music. Instruments newly invented occupied him, and a new water-organ, of which trials were made on the Palatine. With childish mind, incapable of plan or action, he imagined that he could ward off danger by promises of spectacles and theatrical exhibitions reaching far into the future. Persons nearest him, seeing that instead of providing means and an army, he was merely searching for expressions to depict the danger graphically, began to lose their heads. Others thought that he was simply deafening himself and others with quotations, while in his soul he was alarmed and terrified. In fact, his acts became feverish. Every day a thousand new plans flew through his head. At times he sprang up to rush out against danger; gave command to pack up his lutes and citharae, to arm the young slave women as Amazons, and lead the legions to the East. Again he thought to finish the rebellion of the Gallic legions, not with war, but with song; and his soul laughed at the spectacle which was to follow his conquest of the soldiers by song. The legionaries would surround him with tears in their eyes; he would sing to them an epinicium, after which the golden epoch would begin for him and for Rome. At one time he called for blood; at another he declared that he would be satisfied with governing in Egypt. He recalled the prediction which promised him lordship in Jerusalem, and he was moved by the thought that as a wandering minstrel he would earn his daily bread⁠—that cities and countries would honor in him, not Caesar, the lord of the earth, but a poet whose like the world had not produced before. And so he struggled, raged, played, sang, changed his plan, changed his quotations, changed his life and the world into a dream absurd, fantastic, dreadful, into an uproarious hunt composed of unnatural expressions, bad verses, groans, tears, and blood; but meanwhile the cloud in the west was increasing and thickening every day. The measure was exceeded; the insane comedy was nearing its end.

When news that Galba and Spain had joined the uprising came to his ears, he fell into rage and madness. He broke goblets, overturned the table at a feast, and issued orders which neither Helios nor Tigellinus himself dared to execute. To kill Gauls resident in Rome, fire the city a second time, let out the wild beasts, and transfer the capital to Alexandria seemed to him great, astonishing, and easy. But the days of his dominion had passed, and even those who shared in his former crimes began to look on him as a madman.

The death of Vindex, and disagreement in the revolting legions seemed, however, to turn the scale to his side. Again new feasts, new triumphs, and new sentences were issued in Rome, till a certain night when a messenger rushed up on a foaming horse, with the news that in the city itself the soldiers had raised the standard of revolt, and proclaimed Galba Caesar.

Nero was asleep when the messenger came; but when he woke he called in vain for the night-guard, which watched at the entrance to his chambers. The palace was empty. Slaves were plundering in the most distant corners that which could be taken most quickly. But the sight of Nero frightened them; he wandered alone through the palace, filling it with cries of despair and fear.

At last his freedmen, Phaon, Sporus, and Epaphroditus, came to his rescue. They wished him to flee, and said that there was no time to be lost; but he deceived himself still. If he should dress in mourning and speak to the Senate, would it resist his prayers and eloquence? If he should use all his eloquence, his rhetoric and skill of an actor, would anyone on earth have power to resist him? Would they not give him even the prefecture of Egypt?

The freedmen, accustomed to flatter, had not the boldness yet to refuse him directly; they only warned him that before he could reach the Forum the people would tear him to pieces, and declared that if he did not mount his horse immediately, they too would desert him.

Phaon offered refuge in his villa outside the Porta Nomentana. After a while they mounted horses, and, covering Nero’s head with a mantle, they galloped off toward the edge of the city. The night was growing pale. But on the streets there was a movement which showed the exceptional nature of the time. Soldiers, now singly and now in small groups, were scattered through the city. Not far from the camp Caesar’s horse sprang aside suddenly at sight of a corpse. The mantle slipped from his head; a soldier recognized Nero, and, confused by the unexpected