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in that silly bird than in a scientific work of the very first importance. Indirectly I can lay claim to the magnum part of the discovery, as it was I who brought the Delegate and the Duck-neck together. We have already succeeded in despatching an abstract of the work, together with a letter addressed to the King, to the Prime Minister. But remember⁠—not a word of this to any one! One eminent scientist, on reading the abstract, exclaimed: ‘This is the loftiest manifestation we have yet had of Italian genius!’ Take my word for it, Costantino, my dear compatriot, the Delegate has reached a dizzy height. He has some powerful friends who are now in Rome for the express purpose of working for his pardon; but then, he has powerful enemies as well! However, he will be liberated before long on account of this book.”

Costantino found all this extremely tiresome, but he pretended to listen as he was hoping soon to get an answer to his letter to Giovanna, and wanted to keep in the other’s good graces. The answer did arrive, sure enough, in May, and gave him the most intense happiness. Giovanna wrote that the boy had been unwell, possibly because the anguish she had endured had affected her milk; now, however, he was entirely well again. Isidoro Pane had received the lauds to San Costantino written in blood, and had wept when he read them, and now he sang them in church, the whole congregation accompanying him. No one knew who had written the verses, but Isidoro said an old man with a long, snowy beard, all dressed in white, had appeared one day on the riverbank, and had handed them to him. People said it was San Costantino, or perhaps Jesus Christ himself! And Giacobbe Dejas had hired himself out to his rich relatives. And the Nuoro lawyer had taken possession of the title to their house, allowing the two women to live there for a small rent. The rich Dejases often had work for Aunt Bachissia, and for her, Giovanna, as well; so they managed to get along. Pietro Punia had been ill with carbuncles, and had died. Annicca “with the silver shoulders” was married. An old shepherd had been arrested for stealing beehives. Thus the letter went on, entirely filled with such simple chronicles, which, to Costantino, however, were fraught with the most intense interest. As he read he seemed to breathe again his native air; each item set before him a picture of the rocks and bushes, the people and objects, to which he was bound by the closest ties of habit and affection. Only, it disturbed him a little to learn that Giovanna sometimes worked at the Dejases’. He knew of Brontu’s passion for her, and that she had refused him, and as he read this part of the letter he experienced a first, vague sensation of alarm. Three francs were enclosed, and when he reflected that this money might probably have come from the Dejases, he hated to touch it. Two francs he offered to the King of Spades, rather expecting that his dear compatriot would refuse to take them. His dear compatriot, on the contrary, accepted them with alacrity, remarking that they would serve as part payment for the person who conducted the clandestine correspondence.

Under other circumstances this would have angered Costantino, but just then he was so anxious to write again to Giovanna, to maintain some sort of intercourse with his little, far-off world, that he would have sacrificed the half of his life to secure the good offices of the King of Spades.

He read and reread his letter till he knew every word by heart. During the day he hid it in the sole of his shoe, ripping this open again each night. And always, as he sat silently bending over his work, his mind dwelt continuously on the people and events in that little, distant village, and he identified himself so completely at times with the subjects of his thoughts that he lost sight of his real surroundings. He saw the old shepherd steal cautiously up to the hives, his face and hands wrapped in cloths. The spot is sunny, deserted; all about lie green fields dotted over with flowers, dog-roses, honeysuckle, sweet-peas, undulating lines of colour stretching away in all directions as far as the eye can reach. The warm air is heavy with the odour of pennyroyal and other aromatic herbs, and the brooding silence is broken only by the low hum of the bees.

Anxiously Costantino follows every movement of the old thief as he first detaches the little cork hives from the flat stones on which they stand; then, tying them all together with a stout cord, places them in a bag, and makes off. Just at this point Costantino could not quite make up his mind as to the next act in the drama, and as he was considering, a shrill voice broke in on his reflections: “Cos-tan-ti! Cos-tan-ti!” and arousing himself with an effort he saw the magpie, fat and sleek, hopping lazily about in the courtyard, and stretching its blue wings in the sun.

At night, with the precious letter safely deposited beneath his pillow, he would resume the thread of his thoughts. Now it was the sonorous voice of his friend the fisherman that he would hear, singing the lauds, and sometimes he almost wondered if Isidoro had not in truth seen⁠—on the riverbank, among the oleander bushes bending over with their weight of fragrant pink blossoms⁠—the figure of an old man dressed in white, with a long beard as snowy as the wool of a little newborn lamb! Ah, surely it was the Saint himself, good San Costantino, come to tell Isidoro that he had not forgotten the prisoners unjustly condemned!

Costantino readily accepted this picture of the Saint, although the statue of him in the village church represented a robust and swarthy warrior.

“Good old

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