Séance for a Vampire by Fred Saberhagen (top ebook reader TXT) 📗

see whether the mediums intended to use some elaborate wooden cabinet, or framework, as a so-called “spirit cabinet.” I had heard such devices described, and knew that they were favored by certain of the Kirkaldys’ rivals; other psychic practitioners adopted an alternate method and simply curtained off a corner of a room by a suspended sheet or blanket, thereby achieving the same end of concentrating the “spirit force.”

When I commented on the absence of any such device, Mrs. Altamont informed me that she had seen them used by others, but added–rather proudly, I thought–that the Kirkaldys could readily open the necessary pathways to the other world without such aid.

Nevertheless I remained alert to the possibility of physical trickery. The old oak wainscoting of the walls, and the extensive built-in bookshelves, formed ideal places, I thought, for concealing a secret door. I considered trying to make a careful examination–but surely Altamont himself would have been aware of any such contrivance had it existed in his own house.

The library was, as in most houses, on the ground floor. It communicated with the rest of the house by two interior doors. It was by one of these doors that we entered the room from the main hall, while the other, in the opposite wall of the library, opened into a narrow passage leading toward the kitchen and the servants’ quarters.

Thunder grumbled in the distance as we assembled near the massive round table of dark wood which occupied the center of the room. Meanwhile the servants, following the orders of their mistress, were closing all the room’s windows and drawing thick draperies over them. The electric chandelier had been switched on–Norberton House boasted a modified Swan System, dating from the 1880s, for the private generation of electricity–but even so the corners of the room were dark, and I began to find the atmosphere intensely oppressive.

Two large old mirrors, one framed in gilt and one in silver, both of which hung upon the east wall, were now starved for light. The room, being at the southwest corner of the house, would have been bright in ordinary daylight, for it was well supplied with windows. The three in the south wall were really French doors, extending almost from floor to ceiling and giving on a narrow terrace, beyond which I could glimpse the shrubbery forming part of the extensive garden, through which Altamont had conducted Holmes and myself.

Thunder sounded again, closer this time.

The room contained comparatively little furniture. In the center of the broad red carpet, as I have already mentioned, had been placed a round table of dark wood, large enough for all of the participants to take their seats around it–and, as I thought, heavy enough that any experiments in psychic table-tipping would be truly impressive if they succeeded. In the center of the table a single candle of red wax burned in an antique silver candlestick.

Holmes and I had already discussed in private, and later in the company of Altamont and Armstrong, the common varieties of tricks to be expected on such occasions. Our list, by no means complete, included the wind-up music box concealed in a spirit guitar, the musical instrument extended on a black folding pole from the spirit cabinet and seen to hang glowing in midair whilst being played supposedly by some spirit’s fingers. Other tools of the trade included luminous paint, loops of dark thread for moving objects, and entire white, gauzy costumes, capable of being folded into incredibly small spaces for concealment. There were also telescopic reaching rods, and specially built shoes, easy to slide off and on again, allowing use of the medium’s feet in various manipulations.

All of these preliminary arrangements having been completed to the Kirkaldys’ satisfaction, the servants were sent out of the room. I thought I observed Cooper, the butler, exchange a meaningful glance with the master of the house; I strongly suspected that one or more servants had secret instructions from Altamont, to keep guard, to be prepared to capture and hold any intruder.

The Altamont servants, as I had already begun to realize, were as sharply divided as their employers on the matter of spiritist phenomena, and some of them had no liking for the mediums and were eager to detect fraud.

At the request of Sarah Kirkaldy, Holmes and I made sure that both interior doors leading out of the room were bolted shut. We then moved on to examine all the windows, satisfying ourselves that they were tightly closed and locked.

The hour of trial was now at hand, for the eight of us who had gathered in the darkened library. besides Holmes and myself, our party included both parents and the sister of the recently interred girl, and the two Kirkaldys, as well as Martin Armstrong.

Holmes had already given me (and later Altamont and Armstrong) our final instructions, which in my case included orders not to try to seize any apparition–unless Holmes did so first.

The late twilight had been deepened, the fall of night hastened, by heavy clouds. Following our preparations, the time was a few minutes after ten.

The Kirkaldys cautioned us against trying to turn on a light during the séance, or trying to touch any figure that might appear. They said they had good spiritualist reasons for these cautions.

I had expected the mediums to specify the seating arrangements, but neither of the Kirkaldys had any specific plan to propose. They deferred the question to the lady of the house, and Madeline Altamont, as a gesture of goodwill, left the decision to her husband. He in turn followed a plan which Sherlock Holmes had earlier suggested we should try, if possible, to follow.

I found myself seated directly facing the south wall with its three French windows. Young Rebecca Altamont had the chair immediately at my right. beyond her was Martin Armstrong, and after him Mrs. Altamont. Proceeding counterclockwise around the circle, Ambrose Altamont sat next to his wife. Then the young woman who claimed psychic powers, Sarah Kirkaldy, took the place