An American Tragedy - Theodore Dreiser (librera reader txt) 📗

surface of this beautiful lake on this beautiful day. Yet might there not be some lone, solitary hunter and trapper or guide or fisherman in these woods or along these banks? Might there not be? And supposing there were one here now somewhere? And watching!

Fate!

Destruction!

Death! Yet no sound and no smoke. Only⁠—only⁠—these tall, dark, green pines⁠—spear-shaped and still, with here and there a dead one⁠—ashen pale in the hard afternoon sun, its gaunt, sapless arms almost menacingly outstretched.

Death!

And the sharp metallic cry of a blue-jay speeding in the depths of these woods. Or the lone and ghostly tap-tap-tap of some solitary woodpecker, with now and then the red line of a flying tanager, the yellow and black of a yellow-shouldered blackbird.

“Oh, the sun shines bright in my old Kentucky home.”

It was Roberta singing cheerfully, one hand in the deep blue water.

And then a little later⁠—“I’ll be there Sunday if you will,” one of the popular dance pieces of the day.

And then at last, after fully an hour of rowing, brooding, singing, stopping to look at some charming point of land, reconnoitering some receding inlet which promised water-lilies, and with Roberta already saying that they must watch the time and not stay out too long⁠—the bay, south of the island itself⁠—a beautiful and yet most funereally pine-encircled and land delimited bit of water⁠—more like a smaller lake, connected by an inlet or passage to the larger one, and yet itself a respectable body of water of perhaps twenty acres of surface and almost circular in form. The manner in which to the east, the north, the south, the west, even, except for the passage by which the island to the north of it was separated from the mainland, this pool or tarn was encircled by trees! And cattails and water-lilies here and there⁠—a few along its shores. And somehow suggesting an especially arranged pool or tarn to which one who was weary of life and cares⁠—anxious to be away from the strife and contentions of the world, might most wisely and yet gloomily repair.

And as they glided into this, this still dark water seemed to grip Clyde as nothing here or anywhere before this ever had⁠—to change his mood. For once here he seemed to be fairly pulled or lured along into it, and having encircled its quiet banks, to be drifting, drifting⁠—in endless space where was no end of anything⁠—no plots⁠—no plans⁠—no practical problems to be solved⁠—nothing. The insidious beauty of this place! Truly, it seemed to mock him⁠—this strangeness⁠—this dark pool, surrounded on all sides by those wonderful, soft, fir trees. And the water itself looking like a huge, black pearl cast by some mighty hand, in anger possibly, in sport or fantasy maybe, into the bosom of this valley of dark, green plush⁠—and which seemed bottomless as he gazed into it.

And yet, what did it all suggest so strongly? Death! Death! More definitely than anything he had ever seen before. Death! But also a still, quiet, unprotesting type of death into which one, by reason of choice or hypnosis or unutterable weariness, might joyfully and gratefully sink. So quiet⁠—so shaded⁠—so serene. Even Roberta exclaimed over this. And he now felt for the first time the grip of some seemingly strong, and yet friendly sympathetic, hands laid firmly on his shoulders. The comfort of them! The warmth! The strength! For now they seemed to have a steadying effect on him and he liked them⁠—their reassurance⁠—their support. If only they would not be removed! If only they would remain always⁠—the hands of this friend! For where had he ever known this comforting and almost tender sensation before in all his life? Not anywhere⁠—and somehow this calmed him and he seemed to slip away from the reality of all things.

To be sure, there was Roberta over there, but by now she had faded to a shadow or thought really, a form of illusion more vaporous than real. And while there was something about her in color, form that suggested reality⁠—still she was very insubstantial⁠—so very⁠—and once more now he felt strangely alone. For the hands of the friend of firm grip had vanished also. And Clyde was alone, so very much alone and forlorn, in this somber, beautiful realm to which apparently he had been led, and then deserted. Also he felt strangely cold⁠—the spell of this strange beauty overwhelming him with a kind of chill.

He had come here for what?

And he must do what?

Kill Roberta? Oh, no!

And again he lowered his head and gazed into the fascinating and yet treacherous depths of that magnetic, bluish, purple pool, which, as he continued to gaze, seemed to change its form kaleidoscopically to a large, crystalline ball. But what was that moving about in this crystal? A form! It came nearer⁠—clearer⁠—and as it did so, he recognized Roberta struggling and waving her thin white arms out of the water and reaching toward him! God! How terrible! The expression on her face! What in God’s name was he thinking of anyway? Death! Murder!

And suddenly becoming conscious that his courage, on which he had counted so much this long while to sustain him here, was leaving him, and he instantly and consciously plumbing the depths of his being in a vain search to recapture it.

Kit, kit, kit, Ca-a-a-ah!

Kit, kit, kit, Ca-a-a-ah!

Kit, kit, kit, Ca-a-a-ah!

(The weird, haunting cry of that unearthly bird again. So cold, so harsh! Here it was once more to startle him out of his soul flight into a realization of the real or unreal immediate problem with all of its torturesome angles that lay before him.)

He must face this thing! He must!

Kit, kit, kit, Ca-a-a-ah!

Kit, kit, kit, Ca-a-a-ah!

What was it sounding⁠—a warning⁠—a protest⁠—condemnation? The same bird that had marked the very birth of this miserable plan. For there it was now upon that dead tree⁠—that wretched bird. And now it was flying to another one⁠—as dead⁠—a little farther inland and crying as it did so. God!

And then to the shore again in