Villette - Charlotte Brontë (best fiction books of all time TXT) 📗

a large, well-furnished apartment; as was discernible through the aperture.

My devotions that night were all thanksgiving. Strangely had I been led since morning⁠—unexpectedly had I been provided for. Scarcely could I believe that not forty-eight hours had elapsed since I left London, under no other guardianship than that which protects the passenger-bird⁠—with no prospect but the dubious cloud-tracery of hope.

I was a light sleeper; in the dead of night I suddenly awoke. All was hushed, but a white figure stood in the room⁠—Madame in her nightdress. Moving without perceptible sound, she visited the three children in the three beds; she approached me; I feigned sleep, and she studied me long. A small pantomime ensued, curious enough. I daresay she sat a quarter of an hour on the edge of my bed, gazing at my face. She then drew nearer, bent close over me; slightly raised my cap, and turned back the border so as to expose my hair; she looked at my hand lying on the bedclothes. This done, she turned to the chair where my clothes lay: it was at the foot of the bed. Hearing her touch and lift them, I opened my eyes with precaution, for I own I felt curious to see how far her taste for research would lead her. It led her a good way: every article did she inspect. I divined her motive for this proceeding, viz. the wish to form from the garments a judgment respecting the wearer, her station, means, neatness, etc. The end was not bad, but the means were hardly fair or justifiable. In my dress was a pocket; she fairly turned it inside out: she counted the money in my purse; she opened a little memorandum-book, coolly perused its contents, and took from between the leaves a small plaited lock of Miss Marchmont’s grey hair. To a bunch of three keys, being those of my trunk, desk, and work-box, she accorded special attention: with these, indeed, she withdrew a moment to her own room. I softly rose in my bed and followed her with my eye: these keys, reader, were not brought back till they had left on the toilet of the adjoining room the impress of their wards in wax. All being thus done decently and in order, my property was returned to its place, my clothes were carefully refolded. Of what nature were the conclusions deduced from this scrutiny? Were they favourable or otherwise? Vain question. Madame’s face of stone (for of stone in its present night-aspect it looked: it had been human, and, as I said before, motherly, in the salon) betrayed no response.

Her duty done⁠—I felt that in her eyes this business was a duty⁠—she rose, noiseless as a shadow: she moved towards her own chamber; at the door, she turned, fixing her eye on the heroine of the bottle, who still slept and loudly snored. Mrs. Svini (I presume this was Mrs. Svini, Anglicé or Hibernicé, Sweeny)⁠—Mrs. Sweeny’s doom was in Madame Beck’s eye⁠—an immutable purpose that eye spoke: Madame’s visitations for shortcomings might be slow, but they were sure. All this was very un-English: truly I was in a foreign land.

The morrow made me further acquainted with Mrs. Sweeny. It seems she had introduced herself to her present employer as an English lady in reduced circumstances: a native, indeed, of Middlesex, professing to speak the English tongue with the purest metropolitan accent. Madame⁠—reliant on her own infallible expedients for finding out the truth in time⁠—had a singular intrepidity in hiring service offhand (as indeed seemed abundantly proved in my own case). She received Mrs. Sweeny as nursery-governess to her three children. I need hardly explain to the reader that this lady was in effect a native of Ireland; her station I do not pretend to fix: she boldly declared that she had “had the bringing-up of the son and daughter of a marquis.” I think myself, she might possibly have been a hanger-on, nurse, fosterer, or washerwoman, in some Irish family: she spoke a smothered tongue, curiously overlaid with mincing cockney inflections. By some means or other she had acquired, and now held in possession, a wardrobe of rather suspicious splendour⁠—gowns of stiff and costly silk, fitting her indifferently, and apparently made for other proportions than those they now adorned; caps with real lace borders, and⁠—the chief item in the inventory, the spell by which she struck a certain awe through the household, quelling the otherwise scornfully disposed teachers and servants, and, so long as her broad shoulders wore the folds of that majestic drapery, even influencing Madame herself⁠—a real Indian shawl⁠—“un véritable cachemire,” as Madame Beck said, with unmixed reverence and amaze. I feel quite sure that without this “cachemire” she would not have kept her footing in the pensionnat for two days: by virtue of it, and it only, she maintained the same a month.

But when Mrs. Sweeny knew that I was come to fill her shoes, then it was that she declared herself⁠—then did she rise on Madame Beck in her full power⁠—then come down on me with her concentrated weight. Madame bore this revelation and visitation so well, so stoically, that I for very shame could not support it otherwise than with composure. For one little moment Madame Beck absented herself from the room; ten minutes after, an agent of the police stood in the midst of us. Mrs. Sweeny and her effects were removed. Madame’s brow had not been ruffled during the scene⁠—her lips had not dropped one sharply-accented word.

This brisk little affair of the dismissal was all settled before breakfast: order to march given, policeman called, mutineer expelled; chambre d’enfans fumigated and cleansed, windows thrown open, and every trace of the accomplished Mrs. Sweeny⁠—even to the fine essence and spiritual fragrance which gave token so subtle and so fatal of the head and front of her offending⁠—was annihilated from the Rue Fossette: all this, I say, was done between the moment of Madame Beck’s issuing like Aurora