The Red House Mystery - A. A. Milne (best books to read for self development txt) 📗

truth about the keys, why should he not be hiding the truth about Mark’s entry into the office? Obviously all Cayley’s evidence went for nothing. Some of it no doubt was true; but he was giving it, both truth and falsehood, with a purpose. What the purpose was Antony did not know as yet⁠—to shield Mark, to shield himself⁠—even to betray Mark⁠—it might be any of these. But since his evidence was given for his own ends, it was impossible that it could be treated as the evidence of an impartial and trustworthy onlooker. Such, for instance, as Elsie appeared to be.

Elsie’s evidence, however, seemed to settle the point. Mark had gone into the office to see his brother; Elsie had heard them both talking; and then Antony and Cayley had found the body of Robert⁠ ⁠… and the Inspector was going to drag the pond.

But certainly Elsie’s evidence did not prove anything more than the mere presence of Mark in the room. “It’s my turn now; you wait.” That was not an immediate threat;⁠—it was a threat for the future. If Mark had shot his brother immediately afterwards it must have been an accident, the result of a struggle, say, provoked by that “nasty-like” tone of voice. Nobody would say “You wait” to a man who was just going to be shot. “You wait” meant “You wait, and see what’s going to happen to you later on.” The owner of the Red House had had enough of his brother’s sponging, his brother’s blackmail; now it was Mark’s turn to get a bit of his own back. Let Robert just wait a bit, and he would see. The conversation which Elsie had overheard might have meant something like this. It couldn’t have meant murder. Anyway not murder of Robert by Mark.

“It’s a funny business,” thought Antony. “The one obvious solution is so easy and yet so wrong. And I’ve got a hundred things in my head, and I can’t fit them together. And this afternoon will make a hundred and one. I mustn’t forget this afternoon.”

He found Bill in the hall and proposed a stroll. Bill was only too ready. “Where do you want to go?” he asked.

“I don’t mind much. Show me the park.”

“Righto.”

They walked out together.

“Watson, old man,” said Antony, as soon as they were away from the house, “you really mustn’t talk so loudly indoors. There was a gentleman outside, just behind you, all the time.”

“Oh, I say,” said Bill, going pink. “I’m awfully sorry. So that’s why you were talking such rot.”

“Partly, yes. And partly because I do feel rather bright this morning. We’re going to have a busy day.”

“Are we really? What are we going to do?”

“They’re going to drag the pond⁠—beg its pardon, the lake. Where is the lake?”

“We’re on the way to it now, if you’d like to see it.”

“We may as well look at it. Do you haunt the lake much in the ordinary way?”

“Oh, no, rather not. There’s nothing to do there.”

“You can’t bathe?”

“Well, I shouldn’t care to. Too dirty.”

“I see.⁠ ⁠… This is the way we came yesterday, isn’t it? The way to the village?”

“Yes. We go off a bit to the right directly. What are they dragging it for?”

“Mark.”

“Oh, rot,” said Bill uneasily. He was silent for a little, and then, forgetting his uncomfortable thoughts in his sudden remembrance of the exciting times they were having, said eagerly, “I say, when are we going to look for that passage?”

“We can’t do very much while Cayley’s in the house.”

“What about this afternoon when they’re dragging the pond? He’s sure to be there.”

Antony shook his head.

“There’s something I must do this afternoon,” he said. “Of course we might have time for both.”

“Has Cayley got to be out of the house for the other thing too?”

“Well, I think he ought to be.”

“I say, is it anything rather exciting?”

“I don’t know. It might be rather interesting. I daresay I could do it at some other time, but I rather fancy it at three o’clock, somehow. I’ve been specially keeping it back for then.”

“I say, what fun! You do want me, don’t you?”

“Of course I do. Only, Bill⁠—don’t talk about things inside the house, unless I begin. There’s a good Watson.”

“I won’t. I swear I won’t.”

They had come to the pond⁠—Mark’s lake⁠—and they walked silently round it. When they had made the circle, Antony sat down on the grass, and relit his pipe. Bill followed his example.

“Well, Mark isn’t there,” said Antony.

“No,” said Bill. “At least, I don’t quite see why you know he isn’t.”

“It isn’t ‘knowing,’ it’s ‘guessing,’ ” said Antony rapidly. “It’s much easier to shoot yourself than to drown yourself, and if Mark had wanted to shoot himself in the water, with some idea of not letting the body be found, he’d have put big stones in his pockets, and the only big stones are near the water’s edge, and they would have left marks, and they haven’t, and therefore he didn’t, and⁠—oh, bother the pond; that can wait till this afternoon. Bill, where does the secret passage begin?”

“Well, that’s what we’ve got to find out, isn’t it?”

“Yes. You see, my idea is this.”

He explained his reasons for thinking that the secret of the passage was concerned in some way with the secret of Robert’s death, and went on:

“My theory is that Mark discovered the passage about a year ago⁠—the time when he began to get keen on croquet. The passage came out into the floor of the shed, and probably it was Cayley’s idea to put a croquet-box over the trap-door, so as to hide it more completely. You know, when once you’ve discovered a secret yourself, it always seems as if it must be so obvious to everybody else. I can imagine that Mark loved having this little secret all to himself⁠—and to Cayley, of course, but Cayley wouldn’t count⁠—and they must have had great fun fixing it up, and making it more difficult for other people to find out. Well then,