Hadji Murád - Leo Tolstoy (books suggested by bill gates .TXT) 📗

hat from his curled wig. Looking at himself in the mirror, he arranged the hair on his temples and the tuft above his forehead with an accustomed movement of his old hands, and adjusted his cross, the shoulder-knots of his uniform, and his large-initialled epaulets; and then went up the gently-ascending carpeted stairs, his not very reliable old legs feebly mounting the shallow steps. Passing the Court lackeys in gala livery, who stood obsequiously bowing, Chernyshóv entered the waiting-room. A newly appointed aide-de-camp to the Emperor, in a shining new uniform, with epaulets and shoulder-knots and a still fresh rosy face, a small black mustache, and the hair on his temples brushed towards his eyes (Nicholas’s fashion) met him respectfully.

Prince Vasíly Dolgorúky, Assistant-Minister of War, with an expression of ennui on his dull face⁠—which was ornamented with similar whiskers, mustaches, and temple tufts brushed forward like Nicholas’s⁠—greeted him.

“L’empereur?” said Chernyshóv, addressing the aide-de-camp and looking inquiringly towards the door leading to the cabinet.

“Sa majesté vient de rentrer,”33 replied the aide-de-camp, evidently enjoying the sound of his own voice, and, stepping so softly and steadily that had a tumbler of water been placed on his head none of it would have been spilt, he approached the noislessly opening door and, his whole body evincing reverence for the spot he was about to visit, disappeared.

Dolgorúky meanwhile opened his portfolio to see that it contained the necessary papers, while Chernyshóv, frowning, paced up and down to restore the circulation in his numbed feet, and thought over what he was about to report to the Emperor. He was near the door of the cabinet when it opened again, and the aide-de-camp, even more radiant and respectful than before, came out and with a gesture invited the minister and his assistant to enter.

The Winter Palace had been rebuilt after a fire some considerable time before this, but Nicholas was still occupying rooms in the upper story. The cabinet in which he received the reports of his ministers and other high officials was a very lofty apartment with four large windows. A big portrait of the Emperor Alexander I hung on the front wall. Between the windows stood two bureaux. By the walls stood several chairs. In the middle of the room was an enormous writing table, with an armchair before it for Nicholas, and other chairs for those to whom he gave audience.

Nicholas sat at the table in a black coat with shoulder-straps but no epaulets, his enormous body⁠—with his overgrown stomach tightly laced in⁠—was thrown back, and he gazed at the newcomers with fixed, lifeless eyes. His long, pale face, with its enormous receding forehead between the tufts of hair which were brushed forward and skillfully joined to the wig that covered his bald patch, was specially cold and stony that day. His eyes, always dim, looked duller than usual; the compressed lips under his upturned mustaches, and his fat freshly shaven cheeks⁠—on which symmetrical sausage-shaped bits of whiskers had been left⁠—supported by the high collar, and his chin which also pressed upon it, gave his face a dissatisfied and even irate expression. The cause of the bad mood he was in was fatigue. The fatigue was due to the fact that he had been to a masquerade the night before, and while walking about as was his wont, in his Horse Guards’ uniform with a bird on the helmet, among the public which crowded round and timidly made way for his enormous, self-assured figure, he again met the mask who at the previous masquerade, by her whiteness, her beautiful figure, and her tender voice had aroused his senile sensuality. She had then disappeared, after promising to meet him at the next masquerade.

At yesterday’s masquerade she had come up to him, and he had not let her go again, but had led her to the box specially kept ready for that purpose, where he could be alone with her. Having arrived in silence at the door of the box, Nicholas looked round to find the attendant, but he was not there. Nicholas frowned, and pushed the door open himself, letting the lady enter first.

“Il y a quelqu’un!”34 said the mask, stopping short.

The box actually was occupied. On the small velvet-covered sofa, close together, sat an Uhlan officer and a pretty, curly-haired, fair young woman in a domino, who had removed her mask. On catching sight of the angry figure of Nicholas, drawn up to its full height, the fair-haired woman quickly covered her face with her mask, but the Uhlan officer, rigid with fear, without rising from the sofa, gazed at Nicholas with fixed eyes.

Used as he was to the terror he inspired in others, that terror always pleased Nicholas, and by way of contrast he sometimes liked to astound those plunged in terror by addressing kindly words to them. He did so on this occasion.

“Well, friend!” said he to the officer, “You are younger than I, and might give up your place to me.”

The officer jumped to his feet, and growing first pale and then red and bending almost double, he followed his partner silently out of the box, leaving Nicholas alone with his lady.

She proved to be a pretty, twenty-year-old virgin, the daughter of a Swedish governess. She told Nicholas how, when quite a child, she had fallen in love with him from his portraits; how she adored him, and made up her mind to attract his attention at any cost. Now she had succeeded, and wanted nothing more⁠—so she said.

The girl was taken to the place where Nicholas usually had rendezvous with women, and there he spent more than an hour with her.

When he returned to his room that night and lay on the hard narrow bed about which he prided himself, and covered himself with the cloak which he considered to be (and spoke of as being) as famous as Napoleon’s hat, it was a long time