Something New - P. G. Wodehouse (books to read to get smarter txt) 📗

feeling that one is at the edge of the world with no friends near.

Ashe, as he stood beside Mr. Peters’ baggage and raked the unsympathetic darkness with a dreary eye, gave himself up to melancholy. Above him an oil lamp shed a meager light. Along the platform a small but sturdy porter was juggling with a milk can. The east wind explored Ashe’s system with chilly fingers.

Somewhere out in the darkness into which Mr. Peters and Aline had already vanished in a large automobile, lay the castle, with its butler and its fearful code of etiquette. Soon the cart that was to convey him and the trunks thither would be arriving. He shivered.

Out of the gloom and into the feeble rays of the oil lamp came Joan Valentine. She had been away, tucking Aline into the car. She looked warm and cheerful. She was smiling in the old friendly way.

If girls realized their responsibilities they would be so careful when they smiled that they would probably abandon the practice altogether. There are moments in a man’s life when a girl’s smile can have as important results as an explosion of dynamite.

In the course of their brief acquaintance Joan had smiled at Ashe many times, but the conditions governing those occasions had not been such as to permit him to be seriously affected. He had been pleased on such occasions; he had admired her smile in a detached and critical spirit; but he had not been overwhelmed by it. The frame of mind necessary for that result had been lacking.

Now, however, after five minutes of solitude on the depressing platform of Market Blandings Station, he was what the spiritualists call a sensitive subject. He had reached that depth of gloom and bodily discomfort when a sudden smile has all the effect of strong liquor and good news administered simultaneously, warming the blood and comforting the soul, and generally turning the world from a bleak desert into a land flowing with milk and honey.

It is not too much to say that he reeled before Joan’s smile. It was so entirely unexpected. He clutched Mr. Peters’ steamer trunk in his emotion. All his resolutions to be cold and distant were swept away. He had the feeling that in a friendless universe here was somebody who was fond of him and glad to see him.

A smile of such importance demands analysis, and in this case repays it; for many things lay behind this smile of Joan Valentine’s on the platform of Market Blandings Station.

In the first place, she had had another of her swift changes of mood, and had once again tucked away hostility into its corner. She had thought it over and had come to the conclusion that as she had no logical grievance against Ashe for anything he had done to be distant to him was the behavior of a cat. Consequently she resolved, when they should meet again, to resume her attitude of good-fellowship. That in itself would have been enough to make her smile.

There was another reason, however, which had nothing to do with Ashe. While she had been tucking Aline into the automobile she met the eye of the driver of that vehicle and had perceived a curious look in it⁠—a look of amazement and sheer terror. A moment, later, when Aline called the driver Freddie, she had understood. No wonder the Honorable Freddie had looked as though he had seen a ghost.

It would be a relief to the poor fellow when, as he undoubtedly would do in the course of the drive, he inquired of Aline the name of her maid and was told that it was Simpson. He would mutter something about “Reminds me of a girl I used to know,” and would brood on the remarkable way in which Nature produces doubles. But he had a bad moment, and it was partly at the recollection of his face that Joan smiled.

A third reason was because the sight of the Honorable Freddie had reminded her that R. Jones had said he had written her poetry. That thought, too, had contributed toward the smile which so dazzled Ashe.

Ashe, not being miraculously intuitive, accepted the easier explanation that she smiled because she was glad to be in his company; and this thought, coming on top of his mood of despair and general dissatisfaction with everything mundane, acted on him like some powerful chemical.

In every man’s life there is generally one moment to which in later years he can look back and say: “In this moment I fell in love!” Such a moment came to Ashe now.

Betwixt the stirrup and the ground,
Mercy I asked; mercy I found.

So sings the poet and so it was with Ashe.

In the almost incredibly brief time it took the small but sturdy porter to roll a milk can across the platform and hump it, with a clang, against other milk cans similarly treated a moment before, Ashe fell in love.

The word is so loosely used, to cover a thousand varying shades of emotion⁠—from the volcanic passion of an Antony for a Cleopatra to the tepid preference of a grocer’s assistant for the Irish maid at the second house on Main Street, as opposed to the Norwegian maid at the first house past the post office⁠—the mere statement that Ashe fell in love is not a sufficient description of his feelings as he stood grasping Mr. Peters’ steamer trunk. Analysis is required.

From his fourteenth year onward Ashe had been in love many times. His sensations in the case of Joan were neither the terrific upheaval that had caused him, in his fifteenth year, to collect twenty-eight photographs of the heroine of the road company of a musical comedy which had visited the Hayling Opera House, nor the milder flame that had caused him, when at college, to give up smoking for a week and try to read the complete works of Ella Wheeler Wilcox.

His love was something that lay between these two poles.

He did not wish the station