The Souvenir Museum by Elizabeth McCracken (essential books to read .txt) 📗

No children, thought Leonora. She had intended to get herself upright and go looking for them. She should have eaten them when she could.

For a while she tried to distract herself with the radios. Each wore Poor Alan’s family name like a crest on the pellicle of the speaker. She went from room to room and turned them on, but then she thought she could hear—behind the sonorous daylong monologue of the news station, or the awful brightness of Vivaldi on the classical station, or jokes cracked by a disc jockey named after an ancient king—the voices of her children. She tried to tune them in. You had to use the volume and the tuning knob in mincing little oscillations. Then, there it was: the tootling rhythm of Dolly’s conversation. Rosa humming at the back of her throat as though ready to defiantly swallow the sound should someone walk into the room. Marco sighing before he explained something. She wondered whether they each had a station, Dolly, Marco, Rosa. Maybe they had different radios, even. No: they would be cuddled up together in one frequency, the way they liked.

But she could never tune them in clearly, and slowly the noise behind the newscast turned feral, howling, chirping, shrieking: a forest empty of children. Then she knew they were gone. The radios wouldn’t twist off tight enough. The voices of strangers leaked through, no matter how hard she turned the knob. She unplugged the radios, knocked the batteries from the backs. She could still hear that burble, someone muttering or the sound of an engine a block away.

She lay in bed. At her ear hummed the old clock radio, with the numbered decagons that showed their corners as they turned to indicate that a minute had ended, or an hour, the hum a little louder then. She felt her torso, where her children would have been, had she managed to eat them.

Not everyone who stops being human turns animal, but Leonora did.

It was time to leave the house. The top of her back grew humped with ursine fat, and she shambled like that, too, bearlike through the aisles of the grocery store at the end of the street. She shouldered the upright fridges full of beer; she sniffed the air of the checkout lanes. Panda-eyed and eagle-toed and lion-tailed, with a long braid down her back that snapped as though with muscles and vertebrae. Her insides, too. Animals of the dark and deep. Her kidneys dozing moles; her lungs, folded bats. The organs that had authored her children: jellyfish, jellyfish, eel, eel, manatee.

I am dead. I am operated by animals.

Her wandering took her to the bakery, where every Saturday morning of their early childhood, she’d taken her children, to let Poor Alan sleep in. In the angled case she saw the loaves of challah. She saw something familiar in the shape.

“Can I help you?” said the teenager behind the counter. His T-shirt had a picture of the galaxy on it, captioned YOU ARE HERE.

She tapped the glass in front of the challah. “Please,” she said, and he pulled a loaf out, and she said, “I don’t need a bag.”

He had already started angling the loaf into the bag’s brown mouth. Who didn’t need a bag for bread?

“I don’t need a bag,” she repeated. She counted out the money and set it down. “Just the paper.”

He handed it self-consciously across the counter. When it was in her hands she adjusted the paper around it, admired the sheen of the egg wash, its placid countenance. Then she carried it to a table in the window and spread out the wax paper and set the loaf upon it.

Marco. She saw his sleeping baby self in the shape of the bread. Knees and arms akimbo, head turned, as always, to the left. The girls had cast different shadows. She put her hand on the loaf to check for oven warmth. Not on the surface. Maybe at the heart. Later she wouldn’t care what people thought of her, she’d cradle the loaf in her arms before eating, but now she patted the bread, and then, with careful fingers, pulled it apart. That sense of invading a privacy that is then offered up to you. Yeast, warmth, sweetness: a child. Her mouth was full with it, and then her head, and throat, and stomach. She felt the feral parts of her grow sleepy and peaceable.

Thereafter, every morning she went to the bakery and bought a challah and pretended it was one of her children. She knew she could never say this aloud. Rosa slept with her bottom in the air. Dolly, alone of the children, needed to be swaddled. Marco, akimbo. She carried the day’s loaf in her arms to the table. She patted it. Then she ate it. Not like an animal. Knob by knob, slowly: one loaf could last her four hours, washed down with water from the waxy paper cups the bakery gave away for free.

That was her nourishment. She lived on bread and good manners and felt sick with her children.

The new mothers of the neighborhood wished the bakery would throw the bulky unkempt woman out. As they wished they felt guilty, because they were trying to teach their children tolerance. But then they looked at the angled case. The center bay was filled with glittering sugared shortbread cookies, decorated according to the season. Hearts, shamrocks, eggs, flags, leaves, pumpkins, turkeys, candy canes, hearts again. Evidence: bakeries were for children, and children were frightened of Leonora. (A trick of the radio again. The children were only tuned to their mothers’ fear.)

Sometimes a mother and child would walk by her table, and Leonora could see the rictus of judgment on the mother’s face.

“Say hello, Pearl,” the mother would tell her child, and Pearl, dutifully, would say hello, and Leonora would wave. She knew that the mother was thinking, Thank God she doesn’t know what I’m thinking.

Those children neither