The Forsyte Saga - John Galsworthy (best english novels for beginners .txt) 📗

hard! And stirred, tormented by that vision of Youth taking things hard, Jolyon got out of his chair, and went to the window. The boy was nowhere visible. And he passed out. If one could take any help to him now⁠—one must!

He traversed the shrubbery, glanced into the walled garden⁠—no Jon! Nor where the peaches and the apricots were beginning to swell and colour. He passed the Cupressus trees, dark and spiral, into the meadow. Where had the boy got to? Had he rushed down to the coppice⁠—his old hunting-ground? Jolyon crossed the rows of hay. They would cock it on Monday and be carrying the day after, if rain held off. Often they had crossed this field together⁠—hand in hand, when Jon was a little chap. Dash it! The golden age was over by the time one was ten! He came to the pond, where flies and gnats were dancing over a bright reedy surface; and on into the coppice. It was cool there, fragrant of larches. Still no Jon! He called. No answer! On the log seat he sat down, nervous, anxious, forgetting his own physical sensations. He had been wrong to let the boy get away with that letter; he ought to have kept him under his eye from the start! Greatly troubled, he got up to retrace his steps. At the farm-buildings he called again, and looked into the dark cow-house. There in the cool, and the scent of vanilla and ammonia, away from flies, the three Alderneys were chewing the quiet cud; just milked, waiting for evening, to be turned out again into the lower field. One turned a lazy head, a lustrous eye; Jolyon could see the slobber on its grey lower lip. He saw everything with passionate clearness, in the agitation of his nerves⁠—all that in his time he had adored and tried to paint⁠—wonder of light and shade and colour. No wonder the legend put Christ into a manger⁠—what more devotional than the eyes and moon-white horns of a chewing cow in the warm dusk! He called again. No answer! And he hurried away out of the coppice, past the pond, up the hill. Oddly ironical⁠—now he came to think of it⁠—if Jon had taken the gruel of his discovery down in the coppice where his mother and Bosinney in those old days had made the plunge of acknowledging their love. Where he himself, on the log seat the Sunday morning he came back from Paris, had realised to the full that Irene had become the world to him. That would have been the place for Irony to tear the veil from before the eyes of Irene’s boy! But he was not here! Where had he got to? One must find the poor chap!

A gleam of sun had come, sharpening to his hurrying senses all the beauty of the afternoon, of the tall trees and lengthening shadows, of the blue, and the white clouds, the scent of the hay, and the cooing of the pigeons; and the flower shapes standing tall. He came to the rosery, and the beauty of the roses in that sudden sunlight seemed to him unearthly. “Rose, you Spaniard!” Wonderful three words! There she had stood by that bush of dark red roses; had stood to read and decide that Jon must know it all! He knew all now! Had she chosen wrong? He bent and sniffed a rose, its petals brushed his nose and trembling lips; nothing so soft as a rose-leaf’s velvet, except her neck⁠—Irene! On across the lawn he went, up the slope, to the oak-tree. Its top alone was glistening, for the sudden sun was away over the house; the lower shade was thick, blessedly cool⁠—he was greatly overheated. He paused a minute with his hand on the rope of the swing⁠—Jolly, Holly⁠—Jon! The old swing! And suddenly, he felt horribly⁠—deadly ill. “I’ve over done it!” he thought: “by Jove! I’ve overdone it⁠—after all!” He staggered up toward the terrace, dragged himself up the steps, and fell against the wall of the house. He leaned there gasping, his face buried in the honeysuckle that he and she had taken such trouble with that it might sweeten the air which drifted in. Its fragrance mingled with awful pain. “My love!” he thought; “the boy!” And with a great effort he tottered in through the long window, and sank into old Jolyon’s chair. The book was there, a pencil in it; he caught it up, scribbled a word on the open page.⁠ ⁠… His hand dropped.⁠ ⁠… So it was like this⁠—was it?⁠ ⁠…

There was a great wrench; and darkness.⁠ ⁠…

III Irene

When Jon rushed away with the letter in his hand, he ran along the terrace and round the corner of the house, in fear and confusion. Leaning against the creepered wall he tore open the letter. It was long⁠—very long! This added to his fear, and he began reading. When he came to the words: “It was Fleur’s father that she married,” everything seemed to spin before him. He was close to a window, and entering by it, he passed, through music-room and hall, up to his bedroom. Dipping his face in cold water, he sat on his bed, and went on reading, dropping each finished page on the bed beside him. His father’s writing was easy to read⁠—he knew it so well, though he had never had a letter from him one quarter so long. He read with a dull feeling⁠—imagination only half at work. He best grasped, on that first reading, the pain his father must have had in writing such a letter. He let the last sheet fall, and in a sort of mental, moral helplessness began to read the first again. It all seemed to him disgusting⁠—dead and disgusting. Then, suddenly, a hot wave of horrified emotion tingled through him. He buried his face in his hands. His mother! Fleur’s father! He took up the letter again, and read on mechanically.