Vanity Fair - William Makepeace Thackeray (best summer books .txt) 📗

which were left equally between his beloved “sister Amelia, wife of, etc., and his friend and invaluable attendant during sickness, Rebecca, wife of Lieutenant-Colonel Rawdon Crawley, C.B.,” who was appointed administratrix.

The solicitor of the insurance company swore it was the blackest case that ever had come before him, talked of sending a commission to Aix to examine into the death, and the Company refused payment of the policy. But Mrs., or Lady Crawley, as she styled herself, came to town at once (attended with her solicitors, Messrs. Burke, Thurtell, and Hayes, of Thavies Inn) and dared the Company to refuse the payment. They invited examination, they declared that she was the object of an infamous conspiracy, which had been pursuing her all through life, and triumphed finally. The money was paid, and her character established, but Colonel Dobbin sent back his share of the legacy to the insurance office and rigidly declined to hold any communication with Rebecca.

She never was Lady Crawley, though she continued so to call herself. His Excellency Colonel Rawdon Crawley died of yellow fever at Coventry Island, most deeply beloved and deplored, and six weeks before the demise of his brother, Sir Pitt. The estate consequently devolved upon the present Sir Rawdon Crawley, Bart.

He, too, has declined to see his mother, to whom he makes a liberal allowance, and who, besides, appears to be very wealthy. The Baronet lives entirely at Queen’s Crawley, with Lady Jane and her daughter, whilst Rebecca, Lady Crawley, chiefly hangs about Bath and Cheltenham, where a very strong party of excellent people consider her to be a most injured woman. She has her enemies. Who has not? Her life is her answer to them. She busies herself in works of piety. She goes to church, and never without a footman. Her name is in all the Charity Lists. The destitute orange-girl, the neglected washerwoman, the distressed muffin-man find in her a fast and generous friend. She is always having stalls at Fancy Fairs for the benefit of these hapless beings. Emmy, her children, and the Colonel, coming to London some time back, found themselves suddenly before her at one of these fairs. She cast down her eyes demurely and smiled as they started away from her; Emmy scurrying off on the arm of George (now grown a dashing young gentleman) and the Colonel seizing up his little Janey, of whom he is fonder than of anything in the world⁠—fonder even than of his History of the Punjaub.

“Fonder than he is of me,” Emmy thinks with a sigh. But he never said a word to Amelia that was not kind and gentle, or thought of a want of hers that he did not try to gratify.

Ah! Vanitas Vanitatum! which of us is happy in this world? Which of us has his desire? or, having it, is satisfied?⁠—come, children, let us shut up the box and the puppets, for our play is played out.

Colophon

Vanity Fair
was published in 1848 by
William Makepeace Thackeray.

This ebook was produced for
Standard Ebooks
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Alex Cabal and Alina Pyzowski,
and is based on a transcription produced in 1996 by
Juli Rew
for
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and on digital scans available at
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Internet Archive.

The cover page is adapted from
A Woman of Ambition,
a painting completed in 1885 by
James Tissot.
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