The Moon and Sixpence - W. Somerset Maugham (electronic book reader txt) 📗

state that Charles Strickland in a letter written from Paris had described her as “an excellent woman,” since Dr. Weitbrecht-Rotholz was able to print the letter in facsimile, and it appears that the passage referred to ran in fact as follows: God damn my wife. She is an excellent woman. I wish she was in hell. It is not thus that the Church in its great days dealt with evidence that was unwelcome.

Dr. Weitbrecht-Rotholz was an enthusiastic admirer of Charles Strickland, and there was no danger that he would whitewash him. He had an unerring eye for the despicable motive in actions that had all the appearance of innocence. He was a psychopathologist, as well as a student of art, and the subconscious had few secrets from him. No mystic ever saw deeper meaning in common things. The mystic sees the ineffable, and the psychopathologist the unspeakable. There is a singular fascination in watching the eagerness with which the learned author ferrets out every circumstance which may throw discredit on his hero. His heart warms to him when he can bring forward some example of cruelty or meanness, and he exults like an inquisitor at the auto da fé of an heretic when with some forgotten story he can confound the filial piety of the Rev. Robert Strickland. His industry has been amazing. Nothing has been too small to escape him, and you may be sure that if Charles Strickland left a laundry bill unpaid it will be given you in extenso, and if he forebore to return a borrowed half-crown no detail of the transaction will be omitted.

II

When so much has been written about Charles Strickland, it may seem unnecessary that I should write more. A painter’s monument is his work. It is true I knew him more intimately than most: I met him first before ever he became a painter, and I saw him not infrequently during the difficult years he spent in Paris; but I do not suppose I should ever have set down my recollections if the hazards of the war had not taken me to Tahiti. There, as is notorious, he spent the last years of his life; and there I came across persons who were familiar with him. I find myself in a position to throw light on just that part of his tragic career which has remained most obscure. If they who believe in Strickland’s greatness are right, the personal narratives of such as knew him in the flesh can hardly be superfluous. What would we not give for the reminiscences of someone who had been as intimately acquainted with El Greco as I was with Strickland?

But I seek refuge in no such excuses. I forget who it was that recommended men for their soul’s good to do each day two things they disliked: it was a wise man, and it is a precept that I have followed scrupulously; for every day I have got up and I have gone to bed. But there is in my nature a strain of asceticism, and I have subjected my flesh each week to a more severe mortification. I have never failed to read the Literary Supplement of The Times. It is a salutary discipline to consider the vast number of books that are written, the fair hopes with which their authors see them published, and the fate which awaits them. What chance is there that any book will make its way among that multitude? And the successful books are but the successes of a season. Heaven knows what pains the author has been at, what bitter experiences he has endured and what heartache suffered, to give some chance reader a few hours’ relaxation or to while away the tedium of a journey. And if I may judge from the reviews, many of these books are well and carefully written; much thought has gone to their composition; to some even has been given the anxious labour of a lifetime. The moral I draw is that the writer should seek his reward in the pleasure of his work and in release from the burden of his thought; and, indifferent to aught else, care nothing for praise or censure, failure or success.

Now the war has come, bringing with it a new attitude. Youth has turned to gods we of an earlier day knew not, and it is possible to see already the direction in which those who come after us will move. The younger generation, conscious of strength and tumultuous, have done with knocking at the door; they have burst in and seated themselves in our seats. The air is noisy with their shouts. Of their elders some, by imitating the antics of youth, strive to persuade themselves that their day is not yet over; they shout with the lustiest, but the war cry sounds hollow in their mouth; they are like poor wantons attempting with pencil, paint and powder, with shrill gaiety, to recover the illusion of their spring. The wiser go their way with a decent grace. In their chastened smile is an indulgent mockery. They remember that they too trod down a sated generation, with just such clamor and with just such scorn, and they foresee that these brave torchbearers will presently yield their place also. There is no last word. The new evangel was old when Nineveh reared her greatness to the sky. These gallant words which seem so novel to those that speak them were said in accents scarcely changed a hundred times before. The pendulum swings backwards and forwards. The circle is ever travelled anew.

Sometimes a man survives a considerable time from an era in which he had his place into one which is strange to him, and then the curious are offered one of the most singular spectacles in the human comedy. Who now, for example, thinks of George Crabbe? He was a famous poet in his day, and the world recognised his