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light and graceful⁠—her step was airy⁠—her mien animated, and her smile enchanting. Her eyes were dark, and full of fire, but tempered with modest sweetness. Her features were finely turned⁠—every laughing grace played round her mouth, and her countenance quickly discovered all the various emotions of her soul. The dark auburn hair, which curled in beautiful profusion in her neck, gave a finishing charm to her appearance.

Thus lovely, and thus veiled in obscurity, were the daughters of the noble Mazzini. But they were happy, for they knew not enough of the world seriously to regret the want of its enjoyments, though Julia would sometimes sigh for the airy image which her fancies painted, and a painful curiosity would arise concerning the busy scenes from which she was excluded. A return to her customary amusements, however, would chase the ideal image from her mind, and restore her usual happy complacency. Books, music, and painting, divided the hours of her leisure, and many beautiful summer-evenings were spent in the pavilion, where the refined conversation of madame, the poetry of Tasso, the lute of Julia, and the friendship of Emilia, combined to form a species of happiness, such as elevated and highly susceptible minds are alone capable of receiving or communicating. Madame understood and practised all the graces of conversation, and her young pupils perceived its value, and caught the spirit of its character.

Conversation may be divided into two classes⁠—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease⁠—to open the heart of man to man, and to beam a temperate sunshine upon the mind.⁠—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes⁠—the sensibilities expand⁠—and wit, guided by delicacy and embellished by taste⁠—points to the heart.

Such was the conversation of Madame de Menon; and the pleasant gaiety of the pavilion seemed peculiarly to adapt it for the scene of social delights. On the evening of a very sultry day, having supped in their favorite spot, the coolness of the hour, and the beauty of the night, tempted this happy party to remain there later than usual. Returning home, they were surprised by the appearance of a light through the broken window-shutters of an apartment, belonging to a division of the castle which had for many years been shut up. They stopped to observe it, when it suddenly disappeared, and was seen no more. Madame de Menon, disturbed at this phaenomenon, hastened into the castle, with a view of enquiring into the cause of it, when she was met in the north hall by Vincent. She related to him what she had seen, and ordered an immediate search to be made for the keys of those apartments. She apprehended that some person had penetrated that part of the edifice with an intention of plunder; and, disdaining a paltry fear where her duty was concerned, she summoned the servants of the castle, with an intention of accompanying them thither. Vincent smiled at her apprehensions, and imputed what she had seen to an illusion, which the solemnity of the hour had impressed upon her fancy. Madame, however, persevered in her purpose; and, after along and repeated search, a massey key, covered with rust, was produced. She then proceeded to the southern side of the edifice, accompanied by Vincent, and followed by the servants, who were agitated with impatient wonder. The key was applied to an iron gate, which opened into a court that separated this division from the other parts of the castle. They entered this court, which was overgrown with grass and weeds, and ascended some steps that led to a large door, which they vainly endeavoured to open. All the different keys of the castle were applied to the lock, without effect, and they were at length compelled to quit the place, without having either satisfied their curiosity, or quieted their fears. Everything, however, was still, and the light did not reappear. Madame concealed her apprehensions, and the family retired to rest.

This circumstance dwelt on the mind of Madame de Menon, and it was some time before she ventured again to spend an evening in the pavilion. After several months passed, without further disturbance or discovery, another occurrence renewed the alarm. Julia had one night remained in her closet later than usual. A favorite book had engaged her attention beyond the hour of customary repose, and every inhabitant of the castle, except herself, had long been lost in sleep. She was roused from her forgetfulness, by the sound of the castle clock, which struck one. Surprised at the lateness of the hour, she rose in haste, and was moving to her chamber, when the beauty of the night attracted her to the window. She opened it; and observing a fine effect of moonlight upon the dark woods, leaned forwards. In that situation she had not long remained, when she perceived a light faintly flash through a casement in the uninhabited part of the castle. A sudden tremor seized her, and she with difficulty supported herself. In a few moments it disappeared, and soon after a figure, bearing a lamp, proceeded from an obscure door belonging to the south tower; and stealing along the outside of

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