A Passage to India - E. M. Forster (e reader for manga txt) 📗

“Oh yes, we are all jolly important, our salaries prove it.”

“Dr. Aziz took tea with our Principal last Thursday afternoon,” piped Rafi, the engineer’s nephew. “Professor Godbole, who also attended, has sickened too, which seems rather a curious thing, sir, does it not?”

Flames of suspicion leapt up in the breast of each man.

“Humbug!” exclaimed Hamidullah, in authoritative tones, quenching them.

“Humbug, most certainly,” echoed the others, ashamed of themselves. The wicked schoolboy, having failed to start a scandal, lost confidence and stood up with his back to the wall.

“Is Professor Godbole ill?” enquired Aziz, penetrated by the news. “I am sincerely sorry.” Intelligent and compassionate, his face peeped out of the bright crimson folds of the quilt. “How do you do, Mr. Syed Mohammed, Mr. Haq? How very kind of you to enquire after my health! How do you do, Hamidullah? But you bring me bad news. What is wrong with him, the excellent fellow?”

“Why don’t you answer, Rafi? You’re the great authority,” said his uncle.

“Yes, Rafi’s the great man,” said Hamidullah, rubbing it in. “Rafi is the Sherlock Holmes of Chandrapore. Speak up, Rafi.”

Less than the dust, the schoolboy murmured the word “Diarrhœa,” but took courage as soon as it had been uttered, for it improved his position. Flames of suspicion shot up again in the breasts of his elders, though in a different direction. Could what was called diarrhœa really be an early case of cholera?

“If this is so, this is a very serious thing: this is scarcely the end of March. Why have I not been informed?” cried Aziz.

“Dr. Panna Lal attends him, sir.”

“Oh yes, both Hindus; there we have it; they hang together like flies and keep everything dark. Rafi, come here. Sit down. Tell me all the details. Is there vomiting also?”

“Oh yes indeed, sir, and the serious pains.”

“That settles it. In twenty-four hours he will be dead.”

Everybody looked and felt shocked, but Professor Godbole had diminished his appeal by linking himself with a coreligionist. He moved them less than when he had appeared as a suffering individual. Before long they began to condemn him as a source of infection. “All illness proceeds from Hindus,” Mr. Haq said. Mr. Syed Mohammed had visited religious fairs, at Allahabad and at Ujjain, and described them with biting scorn. At Allahabad there was flowing water, which carried impurities away, but at Ujjain the little river Sipra was banked up, and thousands of bathers deposited their germs in the pool. He spoke with disgust of the hot sun, the cow-dung and marigold flowers, and the encampment of saddhus, some of whom strode stark naked through the streets. Asked what was the name of the chief idol at Ujjain, he replied that he did not know, he had disdained to enquire, he really could not waste his time over such trivialities. His outburst took some time, and in his excitement he fell into Punjabi (he came from that side) and was unintelligible.

Aziz liked to hear his religion praised. It soothed the surface of his mind, and allowed beautiful images to form beneath. When the engineer’s noisy tirade was finished, he said, “That is exactly my own view.” He held up his hand, palm outward, his eyes began to glow, his heart to fill with tenderness. Issuing still farther from his quilt, he recited a poem by Ghalib. It had no connection with anything that had gone before, but it came from his heart and spoke to theirs. They were overwhelmed by its pathos; pathos, they agreed, is the highest quality in art; a poem should touch the hearer with a sense of his own weakness, and should institute some comparison between mankind and flowers. The squalid bedroom grew quiet; the silly intrigues, the gossip, the shallow discontent were stilled, while words accepted as immortal filled the indifferent air. Not as a call to battle, but as a calm assurance came the feeling that India was one; Muslim; always had been; an assurance that lasted until they looked out of the door. Whatever Ghalib had felt, he had anyhow lived in India, and this consolidated it for them: he had gone with his own tulips and roses, but tulips and roses do not go. And the sister kingdoms of the north⁠—Arabia, Persia, Ferghana, Turkestan⁠—stretched out their hands as he sang, sadly, because all beauty is sad, and greeted ridiculous Chandrapore, where every street and house was divided against itself, and told her that she was a continent and a unity.

Of the company, only Hamidullah had any comprehension of poetry. The minds of the others were inferior and rough. Yet they listened with pleasure, because literature had not been divorced from their civilization. The police inspector, for instance, did not feel that Aziz had degraded himself by reciting, nor break into the cheery guffaw with which an Englishman averts the infection of beauty. He just sat with his mind empty, and when his thoughts, which were mainly ignoble, flowed back into it they had a pleasant freshness. The poem had done no “good” to anyone, but it was a passing reminder, a breath from the divine lips of beauty, a nightingale between two worlds of dust. Less explicit than the call to Krishna, it voiced our loneliness nevertheless, our isolation, our need for the Friend who never comes yet is not entirely disproved. Aziz it left thinking about women again, but in a different way: less definite, more intense. Sometimes poetry had this effect on him, sometimes it only increased his local desires, and he never knew beforehand which effect would ensue: he could discover no rule for this or for anything else in life.

Hamidullah had called in on his way to a worrying committee of notables, nationalist in tendency, where Hindus, Muslims, two Sikhs, two Parsis, a Jain, and a Native Christian tried to like one another more than came natural to them. As long as someone abused the English, all went well, but nothing constructive had been achieved, and if the English were to leave