Gladiator - Philip Wylie (readnow .TXT) 📗

Hugo did not falter. “She’s a tart I’ve been living with. I never knew a better one⁠—girl, that is.”

“Have you gone crazy?”

“On the contrary, I’ve got wise.”

“Well, for Christ’s sake, don’t say anything about it on the campus.”

Hugo bit his lip. “Don’t worry. My business is⁠—my own.”

They joined the others, drinking at the table. Charlotte was telling a joke. It was not a nice joke. He had not thought of her jokes before⁠—because Iris and Chuck and Lefty had not been listening to them. Now, he was embarrassed. Iris asked him to dance with her. They went out on the floor.

“Lovely little thing, that Charlotte,” she said acidly.

“Isn’t she!” Hugo answered with such enthusiasm that she did not speak during the rest of the dance.

Finally the ordeal ended. Lefty and his guests embarked in an automobile for the city.

“You know such people,” Charlotte half-whispered. Hugo’s cheeks still flamed, but his heart bled for her.

“I guess they aren’t much,” he replied.

She answered hotly: “Don’t you be like that! They’re nice people. They’re fine people. That Iris even asked me to her house. Gave me a card to see her.” Charlotte could guess what Iris wanted. So could Hugo. But Charlotte pretended to be innocent.

He kissed Charlotte good night and walked in the streets until morning. Hugo could see no solution. Charlotte was so trusting, so good to him. He could not imagine how she would receive any suggestion that she go to New York and get a job, while he returned to college, that he see her during vacations, that he send money to her. But he knew that a hot fire dwelt within her and that her fury would rise, her grief, and that he would be made very miserable and ashamed. She chided him at breakfast for his walk in the dark. She laughed and kissed him and pushed him bodily to his work. He looked back as he walked down to the curb. She was leaning out of the window. She waved her hand. He rounded the corner with wretched, leaden steps. The morning, concerned with the petty business of receipts, refurbishings, cleaning, went slowly. When he returned for lunch it was with the decision to tell her the truth about his life and its requirements and to let her decide.

She did not come to the door to kiss him. (She had imagined that lonely return.) She did not answer his brave and cheerful hail. (She had let the sound of it ring upon her ear a thousand times.) She was gone. (She knew he would sit down and cry.) Then, stumbling, he found the two notes. But he already understood.

The message from Valentine Mitchel was reckless, impetuous. “Dear Hugo⁠—Charlotte and I have fallen in love with each other and I’ve run away with her. I almost wish you’d come after us and kill me. I hate myself for betraying you. But I love her, so I cannot help it. I’ve learned to see in her what you first saw in her. Goodbye, good luck.”

Hugo put it down. Charlotte would be good to him. In a way, he didn’t deserve her. And when he was famous, some day, perhaps she would leave him, too. He hesitated to read her note. “Goodbye, darling, I do not love you any more. C.”

It was ludicrous, transparent, pitiful, and heroic. Hugo saw all those qualities. “Goodbye, darling, I do not love you any more.” She had written it under Valentine’s eyes. But she was shrewd enough to placate her new lover while she told her sad little story to her old. She would want him to feel bad. Well, God knew, he did. Hugo looked at the room. He sobbed. He bolted into the street, tears streaming down his cheeks; he drew his savings from the bank⁠—seven hundred and eighty-four dollars and sixty-four cents; he rushed to the haunted house, flung his clothes into a bag; he sat drearily on a subway for an hour. He paced the smooth floor of a station. He swung aboard a train. He came to Webster, his head high, feeling a great pride in Charlotte and in his love for her, walking in glad strides over the familiar soil.

Hugo sat alone and marvelled at the exquisite torment of his Weltschmertz. Far away, across the campus, he heard singing. Against the square segment of sky visible from the bay window of his room he could see the light of the great fire they had built to celebrate victory⁠—his victory. The light leaped into the darkness above like a great golden ghost in some fantastic ascension, and beneath it, he knew, a thousand students were dancing. They were druid priests at a rite to the god of football. His fingers struggled through his black hair. The day was fresh in his mind⁠—the bellowing stands, the taut, almost frightened faces of the eleven men who faced him, the smack and flight of the brown oval, the lumbering sound of men running, the sucking of the breath of men and their sharp, painful fall to earth.

In his mind was a sharp picture of himself and the eyes that watched him as he broke away time and again, with infantile ease, to carry that precious ball. He let them make a touchdown that he could have averted. He made one himself. Then another. The bell on Webster Hall was booming its paean of victory. He stiffened under the steady monody. He remembered again. Lefty barking signals with a strange agony in his voice. Lefty pounding on his shoulder. “Go in there, Hugo, and give it to them. I can’t.” Lefty pleading. And the captain, Jerry Painter, cursing in open jealousy of Hugo, vying hopelessly with Hugo Danner, the man who was a god.

It was not fair. Not right. The old and early glory was ebbing from it. When he put down the ball, safely