The Eleventh Virgin - Dorothy Day (top business books of all time txt) 📗

“That’s the trouble. Can we get ahold of her?”4

“Well, there’s four of us. We’ll work together and if one gets the story first, he’s to call up the others when he gets back to the office.”

One reporter chose the Twenty-third Street ferry house where the Department of Correction landed their prisoners from the island. Another took the Fifty-ninth Street ferry. Another heard Mrs. Burns was to be brought to the Central Hospital and took the train uptown.

“And I’ve got a hunch on sticking around her home,” decided June, and proceeded to the artistic little apartment on the west side.

Mrs. Burns had several rooms in an old house which had lately been redecorated and fitted with modern improvements and rented out as studios to artists. She had furnished them very tastefully. Pongee curtains, a shade darker than the ivory tinted walls hung at the windows. The huge couch at one side of the room, covered with brown corduroy, served also as a bed. Between the couch and the wall was a bookcase stacked with modern poets, sets of Wells, Conrad and Hardy, books on nursing and several sociological works. There was a grate fire opposite the couch, several easy chairs, a low phonograph and cabinet of records. There were no pictures on the walls.

June, as a radical and reporter for the socialist press, was treated with more familiarity than other reporters and when she lifted the brass knocker that night, she was ushered into that more intimate room of Mrs. Burns. Mr. Waldor, the long-haired young poet whom she had met at Joel’s, was there alone, dismally trying to arrange huge bunches of yellow daffodils in green vases. Having failed in trying to establish a magazine of new verse he was at present acting as secretary to the Birth Control League.

“I wish I were a madrigal,” he murmured wistfully as he accepted June’s offer of help.

“I wish I were a madrigal
Upon a crimson stem.
I’d ask the yellow daffodils
The how and why and when.”

“Or do you like this⁠—

“Oh, if I were a madrigal
Upon a crimson stem
I’d lean down o’er the daffodils
And yerl around at them.”

“Don’t think much of either,” June decided. “You’ve been drinking.”

“Miss Henreddy, if you knew how my heart bleeds for that noble woman who has sacrificed her life for the cause⁠—”

“Good Lord, you don’t mean to say that she’s dead,” June burst out, more overcome at the idea of a big exclusive story for the paper than with pity for the fate of Edith Burns.

“No, but she’s dying.”

“Rot! That’s newspaper talk. You know she isn’t dying. You don’t really think she’s seriously ill, do you?”

“According to the reports of her doctors, she is in a very serious condition,” said the young poet with dignity.

“Yes, and both of her doctors are radicals and will give out misleading reports for the benefit of the League. The newspapers are making a big story of it just because there isn’t a murder on hand to serve up in headlines every night. I don’t think five days of hunger-striking could hurt anybody. The only way she’s suffered is from forcible feeding and that must be uncomfortable to say the least. Use your common sense, Waldor, if you have any. And you know she’s going to be brought here tonight rather than to any hospital. Otherwise why would you be here making a fire and putting daffodils around?”

“Where are the other reporters?” he asked with a gleam of sense that June had asked for.

June told him. “And don’t try any of your sob tactics on me, because you know I quote you and the doctors with the understanding that you’re faking. Save that for the capitalist press.”

Impatiently, June turned to the phonograph and the bookcase. She hoped to goodness Mrs. Burns would arrive on time so that she could telephone the story to the paper before twelve. She had no patience with poets or with long hair. And she had no patience with the League when they overreached themselves in providing sensational stories for the press. She thought of the other three reporters tramping around in the cold, waiting for a first interview with Mrs. Burns.

Two hours passed and she was beginning to philosophize on the idiocy of modern newspaper work, to wonder whether it were not rather debasing work, when she heard a taxi hooting downstairs. Immediately she was as full of glee as a child playing a game. She raced with Waldor down the stairs, raced across the curb to the taxi where the two doctors who were on the case were helping Mrs. Burns, somewhat pale and languid, out of the car. She got her interview in three sentences (the most interesting one of which was that Mrs. Burns’ teeth had been knocked out while being forcibly fed) and raced to the telephone across the street. It was ten minutes to twelve and she had been just in time.

And then June was hit by a police club. That was the next exciting event in her life as a reporter. The surprising thing, she discovered, was that you could enter into the spirit of the mob even when the club5 descended against her ribs with a hollow sound did not call up any resentment in her breast. She felt it, but it did not hurt. She felt it, but it did not disturb in any way the curious, detached, mad feeling that flowed through her veins as the crowd seethed and shouted and fought. June looked at the policeman who had used the club and perceived that he could see but dimly through a veil of blood that clouded his eyes. He had a cut across his forehead. At the moment of the blow, as she looked up at him, he smeared the blood from one eye and glared forth like one of the giants that Jack killed.

“Excuse me,” he said politely, “I can’t see.” And went on clubbing at the crowd to keep them from obstructing the patrol wagons which were