The Brothers Karamazov - Fyodor Dostoevsky (philippa perry book TXT) 📗

that for the last two months he has completely shared our conviction of his brother’s guilt and did not attempt to combat that idea. But of that later. The younger brother has admitted that he has not the slightest fact to support his notion of Smerdyakov’s guilt, and has only been led to that conclusion from the prisoner’s own words and the expression of his face. Yes, that astounding piece of evidence has been brought forward twice today by him. Madame Svyetlov was even more astounding. ‘What the prisoner tells you, you must believe; he is not a man to tell a lie.’ That is all the evidence against Smerdyakov produced by these three persons, who are all deeply concerned in the prisoner’s fate. And yet the theory of Smerdyakov’s guilt has been noised about, has been and is still maintained. Is it credible? Is it conceivable?”

Here Ippolit Kirillovitch thought it necessary to describe the personality of Smerdyakov, “who had cut short his life in a fit of insanity.” He depicted him as a man of weak intellect, with a smattering of education, who had been thrown off his balance by philosophical ideas above his level and certain modern theories of duty, which he learnt in practice from the reckless life of his master, who was also perhaps his father⁠—Fyodor Pavlovitch; and, theoretically, from various strange philosophical conversations with his master’s elder son, Ivan Fyodorovitch, who readily indulged in this diversion, probably feeling dull or wishing to amuse himself at the valet’s expense. “He spoke to me himself of his spiritual condition during the last few days at his father’s house,” Ippolit Kirillovitch explained; “but others too have borne witness to it⁠—the prisoner himself, his brother, and the servant Grigory⁠—that is, all who knew him well.

“Moreover, Smerdyakov, whose health was shaken by his attacks of epilepsy, had not the courage of a chicken. ‘He fell at my feet and kissed them,’ the prisoner himself has told us, before he realized how damaging such a statement was to himself. ‘He is an epileptic chicken,’ he declared about him in his characteristic language. And the prisoner chose him for his confidant (we have his own word for it) and he frightened him into consenting at last to act as a spy for him. In that capacity he deceived his master, revealing to the prisoner the existence of the envelope with the notes in it and the signals by means of which he could get into the house. How could he help telling him, indeed? ‘He would have killed me, I could see that he would have killed me,’ he said at the inquiry, trembling and shaking even before us, though his tormentor was by that time arrested and could do him no harm. ‘He suspected me at every instant. In fear and trembling I hastened to tell him every secret to pacify him, that he might see that I had not deceived him and let me off alive.’ Those are his own words. I wrote them down and I remember them. ‘When he began shouting at me, I would fall on my knees.’

“He was naturally very honest and enjoyed the complete confidence of his master, ever since he had restored him some money he had lost. So it may be supposed that the poor fellow suffered pangs of remorse at having deceived his master, whom he loved as his benefactor. Persons severely afflicted with epilepsy are, so the most skillful doctors tell us, always prone to continual and morbid self-reproach. They worry over their ‘wickedness,’ they are tormented by pangs of conscience, often entirely without cause; they exaggerate and often invent all sorts of faults and crimes. And here we have a man of that type who had really been driven to wrongdoing by terror and intimidation.

“He had, besides, a strong presentiment that something terrible would be the outcome of the situation that was developing before his eyes. When Ivan Fyodorovitch was leaving for Moscow, just before the catastrophe, Smerdyakov besought him to remain, though he was too timid to tell him plainly what he feared. He confined himself to hints, but his hints were not understood.

“It must be observed that he looked on Ivan Fyodorovitch as a protector, whose presence in the house was a guarantee that no harm would come to pass. Remember the phrase in Dmitri Karamazov’s drunken letter, ‘I shall kill the old man, if only Ivan goes away.’ So Ivan Fyodorovitch’s presence seemed to everyone a guarantee of peace and order in the house.

“But he went away, and within an hour of his young master’s departure Smerdyakov was taken with an epileptic fit. But that’s perfectly intelligible. Here I must mention that Smerdyakov, oppressed by terror and despair of a sort, had felt during those last few days that one of the fits from which he had suffered before at moments of strain, might be coming upon him again. The day and hour of such an attack cannot, of course, be foreseen, but every epileptic can feel beforehand that he is likely to have one. So the doctors tell us. And so, as soon as Ivan Fyodorovitch had driven out of the yard, Smerdyakov, depressed by his lonely and unprotected position, went to the cellar. He went down the stairs wondering if he would have a fit or not, and what if it were to come upon him at once. And that very apprehension, that very wonder, brought on the spasm in his throat that always precedes such attacks, and he fell unconscious into the cellar. And in this perfectly natural occurrence people try to detect a suspicion, a hint that he was shamming an attack on purpose. But, if it were on purpose, the question arises at once, what was his motive? What was he reckoning on? What was he aiming at? I say nothing about medicine: science, I am told, may go astray: the doctors were not able to discriminate between the counterfeit and the