The Enchanted Castle - E. Nesbit (best novels to read for students TXT) 📗

“Here, Mabel, catch hold,” Gerald appealed from under the weight of a towel-horse, the tea-urn, the tea-tray, and the green baize apron of the boot boy, which together with four red geraniums from the landing, the pampas-grass from the drawing-room fireplace, and the india-rubber plants from the drawing-room window were to represent the fountains and garden of the last act. The applause had died away.

“I wish,” said Mabel, taking on herself the weight of the tea-urn, “I wish those creatures we made were alive. We should get something like applause then.”

“I’m jolly glad they aren’t,” said Gerald, arranging the baize and the towel-horse. “Brutes! It makes me feel quite silly when I catch their paper eyes.”

The curtains were drawn back. There lay the hearthrug-coated beast, in flat abandonment among the tropic beauties of the garden, the pampas-grass shrubbery, the india-rubber plant bushes, the geranium-trees and the urn fountain. Beauty was ready to make her great entry in all the thrilling splendour of despair. And then suddenly it all happened.

Mademoiselle began it: she applauded the garden scene⁠—with hurried little clappings of her quick French hands. Eliza’s fat red palms followed heavily, and then⁠—someone else was clapping, six or seven people, and their clapping made a dull padded sound. Nine faces instead of two were turned towards the stage, and seven out of the nine were painted, pointed paper faces. And every hand and every face was alive. The applause grew louder as Mabel glided forward, and as she paused and looked at the audience her unstudied pose of horror and amazement drew forth applause louder still; but it was not loud enough to drown the shrieks of Mademoiselle and Eliza as they rushed from the room, knocking chairs over and crushing each other in the doorway. Two distant doors banged, Mademoiselle’s door and Eliza’s door.

“Curtain! curtain! quick!” cried Beauty-Mabel, in a voice that wasn’t Mabel’s or the Beauty’s. “Jerry⁠—those things have come alive. Oh, whatever shall we do?”

Gerald in his hearthrugs leaped to his feet. Again that flat padded applause marked the swish of cloths on clothesline as Jimmy and Kathleen drew the curtains.

“What’s up?” they asked as they drew.

“You’ve done it this time!” said Gerald to the pink, perspiring Mabel. “Oh, bother these strings!”

“Can’t you burst them? I’ve done it?” retorted Mabel. “I like that!”

“More than I do,” said Gerald.

“Oh, it’s all right,” said Mabel. “Come on. We must go and pull the things to pieces⁠—then they can’t go on being alive.”

“It’s your fault, anyhow,” said Gerald with every possible absence of gallantry. “Don’t you see? It’s turned into a wishing ring. I knew something different was going to happen. Get my knife out of my pocket⁠—this string’s in a knot. Jimmy, Cathy, those Ugly-Wuglies have come alive⁠—because Mabel wished it. Cut out and pull them to pieces.”

Jimmy and Cathy peeped through the curtain and recoiled with white faces and staring eyes. “Not me!” was the brief rejoinder of Jimmy. Cathy said, “Not much!” And she meant it, anyone could see that.

And now, as Gerald, almost free of the hearthrugs, broke his thumbnail on the stiffest blade of his knife, a thick rustling and a sharp, heavy stumping sounded beyond the curtain.

“They’re going out!” screamed Kathleen, “walking out on their umbrella and broomstick legs. You can’t stop them, Jerry, they’re too awful!”

“Everybody in the town’ll be insane by tomorrow night if we don’t stop them,” cried Gerald. “Here, give me the ring⁠—I’ll unwish them.”

He caught the ring from the unresisting Mabel, cried, “I wish the Uglies weren’t alive,” and tore through the door. He saw, in fancy, Mabel’s wish undone, and the empty hall strewed with limp bolsters, hats, umbrellas, coats and gloves, prone abject properties from which the brief life had gone out forever. But the hall was crowded with live things, strange things⁠—all horribly short as broom sticks and umbrellas are short. A limp hand gesticulated. A pointed white face with red cheeks looked up at him, and wide red lips said something, he could not tell what. The voice reminded him of the old beggar down by the bridge who had no roof to his mouth. These creatures had no roofs to their mouths, of course⁠—they had no⁠—

“Aa oo ré o me me oo a oo ho el?” said the voice again. And it had said it four times before Gerald could collect himself sufficiently to understand that this horror⁠—alive, and most likely quite uncontrollable⁠—was saying, with a dreadful calm, polite persistence:

“Can you recommend me to a good hotel?”

“Can you recommend me to a good hotel?” The speaker had no inside to his head. Gerald had the best of reasons for knowing it. The speaker’s coat had no shoulders inside it⁠—only the crossbar that a jacket is slung on by careful ladies. The hand raised in interrogation was not a hand at all; it was a glove lumpily stuffed with pocket-handkerchiefs; and the arm attached to it was only Kathleen’s school umbrella. Yet the whole thing was alive, and was asking a definite, and for anybody else, anybody who really was a body, a reasonable question.

With a sensation of inward sinking, Gerald realized that now or never was the time for him to rise to the occasion. And at the thought he inwardly sank more deeply than before. It seemed impossible to rise in the very smallest degree.

“I beg your pardon” was absolutely the best he could do; and the painted, pointed paper face turned to him once more, and once more said: “Aa oo ré o me me oo a oo ho el?”

“You want a hotel?” Gerald repeated stupidly, “a good hotel?”

“A oo ho el,” reiterated the painted lips.

“I’m awfully sorry,” Gerald went on⁠—one can always be polite, of course, whatever happens, and politeness came natural to him⁠—“but all our hotels shut so early⁠—about eight, I think.”

“Och em er,” said the Ugly-Wugly. Gerald even now does not understand how that practical joke⁠—hastily wrought of hat, overcoat, paper face