Essays - Henry David Thoreau (best e reader for android .TXT) 📗

beans; and while at evening he smoked his pipe, whose stemless bowl lies in the ashes, chatted with his only companion, if perchance he had any, about the depth of the snow on the morrow, already falling fast and thick without, or disputed whether the last sound was the screech of an owl, or the creak of a bough, or imagination only; and through this broad chimney throat, in the late winter evening, ere he stretched himself upon the straw, he looked up to learn the progress of the storm, and, seeing the bright stars of Cassiopeia’s chair shining brightly down upon him, fell contentedly asleep.

See how many traces from which we may learn the chopper’s history. From this stump we may guess the sharpness of his axe, and, from the slope of the stroke, on which side he stood, and whether he cut down the tree without going round it or changing hands; and, from the flexure of the splinters, we may know which way it fell. This one chip contains inscribed on it the whole history of the wood-chopper and of the world. On this scrap of paper, which held his sugar or salt, perchance, or was the wadding of his gun, sitting on a log in the forest, with what interest we read the tattle of cities, of those larger huts, empty and to let, like this, in High Streets and Broadways. The eaves are dripping on the south side of this simple roof, while the titmouse lisps in the pine, and the genial warmth of the sun around the door is somewhat kind and human.

After two seasons, this rude dwelling does not deform the scene. Already the birds resort to it, to build their nests, and you may track to its door the feet of many quadrupeds. Thus, for a long time, nature overlooks the encroachment and profanity of man. The wood still cheerfully and unsuspiciously echoes the strokes of the axe that fells it, and while they are few and seldom, they enhance its wildness, and all the elements strive to naturalize the sound.

Now our path begins to ascend gradually to the top of this high hill, from whose precipitous south side we can look over the broad country, of forest and field and river, to the distant snowy mountains. See yonder thin column of smoke curling up through the woods from some invisible farmhouse; the standard raised over some rural homestead. There must be a warmer and more genial spot there below, as where we detect the vapor from a spring forming a cloud above the trees. What fine relations are established between the traveller who discovers this airy column from some eminence in the forest, and him who sits below. Up goes the smoke as silently and naturally as the vapor exhales from the leaves, and as busy disposing itself in wreathes as the housewife on the hearth below. It is a hieroglyphic of man’s life, and suggests more intimate and important things than the boiling of a pot. Where its fine column rises above the forest, like an ensign, some human life has planted itself⁠—and such is the beginning of Rome, the establishment of the arts, and the foundation of empires, whether on the prairies of America, or the steppes of Asia.

And now we descend again to the brink of this woodland lake, which lies in a hollow of the hills, as if it were their expressed juice, and that of the leaves, which are annually steeped in it. Without outlet or inlet to the eye, it has still its history, in the lapse of its waves, in the rounded pebbles on its shore, and in the pines which grow down to its brink. It has not been idle, though sedentary, but, like Abu Musa, teaches that “sitting still at home is the heavenly way; the going out is the way of the world.” Yet in its evaporation it travels as far as any. In summer it is the earth’s liquid eye; a mirror in the breast of nature. The sins of the wood are washed out in it. See how the woods form an amphitheatre about it, and it is an arena for all the genialness of nature. All trees direct the traveller to its brink, all paths seek it out, birds fly to it, quadrupeds flee to it, and the very ground inclines toward it. It is nature’s saloon, where she has sat down to her toilet. Consider her silent economy and tidiness; how the sun comes with his evaporation to sweep the dust from its surface each morning, and a fresh surface is constantly welling up; and annually, after whatever impurities have accumulated herein, its liquid transparency appears again in the spring. In summer a hushed music seems to sweep across its surface. But now a plain sheet of snow conceals it from our eyes, except where the wind has swept the ice bare, and the sere leaves are gliding from side to side, tacking and veering on their tiny voyages. Here is one just keeled up against a pebble on shove, a dry beech-leaf, rocking still, as if it would start again. A skilful engineer, methinks, might project its course since it fell from the parent stem. Here are all the elements for such a calculation. Its present position, the direction of the wind, the level of the pond, and how much more is given. In its scarred edges and veins is its log rolled up.

We fancy ourselves in the interior of a larger house. The surface of the pond is our deal table or sanded floor, and the woods rise abruptly from its edge, like the walls of a cottage. The lines set to catch pickerel through the ice look like a larger culinary preparation, and the men stand about on the white ground like pieces of forest furniture. The actions of these men, at the distance of half a mile over the ice and snow, impress