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away. He stood in the doorway, staring at his brotherā€™s lifeless body, angry with Derek, furious with himself for not seeing until it was too late what should have been obvious.

He was still screaming when the cops came to the door and led him away.

EPILOGUE

ā€œYou couldnā€™t have saved him, you know,ā€ Brenna said. The statement sounded almost foreign to Greg as he sipped his drink. He understood the words but couldnā€™t quite wrap his head around their meaning.

ā€œI should have seen it sooner. The way his whole manner changed almost instantly, the way he morphed from nervous and desperate and stressed fugitive junkie to calm and accepting human being. It should have been a tip-off.ā€

ā€œThey say people who are suicidal become calm and pleasant, cheerful almost, once theyā€™ve committed to the decision to take their own lives. It sounds like thatā€™s what happened with Derek.ā€

ā€œThatā€™s exactly what happened,ā€ Greg agreed. ā€œAnd I should have recognized it sooner.ā€

ā€œBut you still couldnā€™t have saved him,ā€ his wife insisted.

ā€œThatā€™s not true. I almost had him. If Iā€™d started out from behind that damned counter a half-second sooner, or if I hadnā€™t slipped on the blood, or ifā€”ā€

ā€œBut thatā€™s my point,ā€ Brenna insisted. ā€œEven if youā€™d managed to tackle him and keep him inside the diner, you would only have delayed the inevitable.ā€

ā€œHe admitted to me that he didnā€™t have the balls to do it himself,ā€ Greg said miserably. ā€œIf I had managed to keep him from bolting out the door, he wouldnā€™t have committed suicide.ā€

ā€œHe would have found a way to make it happen. Maybe not at that moment, but later in the day, or the next day, or next week or next month. Heā€™d made the decision, Greg.ā€

He nodded, not sure he agreed with his wife but not sure he didnā€™t, either. One thing he was sure about was that he loved the sound of her voice. Over time heā€™d forgotten how much he enjoyed just chatting with her. The circumstances were ghastly but the company was special, just the two of them, sitting in a dark corner of a dive bar, talking like they hadnā€™t taken the time to talk in months.

Years, maybe.

And while he didnā€™t think he would ever get over the horror of seeing his brother ripped to shreds by dozens of bullets right before his eyes, in some strange way he felt as complete as he had in a very long time. Seeing his wife held at knifepoint had crystallized his feelings about her, and about his marriage, in a way that probably nothing else could have.

Brenna was the one he wanted. Heā€™d been impetuous and stupid and hurtful with his affair, as sheā€™d been with hers. But between seeing her in danger, and then seeing the events unfold at the dinerā€”he still didnā€™t know the name of the damned place, even after all that had happened thereā€”Gregā€™s eyes had been opened.

He was grateful she had agreed to try to work things out, and while there was a lot of work to be done to repair the damage theyā€™d both caused, he was committed to doing so and he knew Brenna was as well.

He thought Derek would be happy to know heā€™d played a critical role in saving his brotherā€™s marriage, even if it had been unintentional on his part and accomplished in the most horrifying of ways.

He had to think so. Had to believe Derekā€™s pain-filled life and deathā€”and the damage his brother did, the people he hurt and the ones he killedā€”had resulted in something positive and good, even if it was something as minor in the grand scheme of things as refocusing his brother on what was important in his own life.

Because otherwise, what the hell did any of it mean?

Back to TOC

ACKNOWLEDGMENTS

In the spring of 2011 I read a novella by Tom Piccirilli titled Every Shallow Cut. It was dark and gritty, a noir/crime piece written by an author I already greatly admired for the consistently high quality of his work.

But this was different. This was something special. In a review on Amazon I called Every Shallow Cut ā€œa noir masterpieceā€¦a red and raw nerve that will punch you in the head and keep smacking you until you look straight into the eyes of your own fears and insecurities. Itā€™s the best thing Iā€™ve read this year.ā€

I really missed the mark with that review, because Picciriliiā€™s novella was more than the best thing I read in 2011. It was one of the best things Iā€™ve ever read, maybe THE best. For years itā€™s haunted me. When I finished reading it, I vowed I would eventually write something that might come close to matching the emotional impact Picciriliiā€™s work had on me.

Chasing China White is that story. I may not quite reach the razorā€™s edge Piccirilli walked in his novellaā€”itā€™s tough to equal perfectionā€”but if I didnā€™t get there itā€™s not for lack of trying. I tell myself he would have enjoyed the story and appreciated the effort, but thereā€™s no way to ever know, since Tom Piccirilli died much too young in the summer of 2015.

I donā€™t often encourage people to put down my work. Itā€™s damned hard to attract readers, and I look at each one as a precious gift, a valuable opportunity to entertain someone for a little while and maybe at the same time earn a loyal fan.

But let this be the exception. If youā€™ve never read Every Shallow Cut, or arenā€™t familiar with the work of the man who inspired Chasing China White, do yourself a favor. Go buy it and read it.

Then youā€™ll understand.

I started work on my first novel in the fall of 2006, with no idea what I was getting into and no clue whether I would even be able to finish it. In the thirteen years since, Iā€™ve written twenty novels and five novellas, as well as countless short stories, and through it all, one person has stood

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