The Theory of the Leisure Class - Thorstein Veblen (english books to improve english txt) 📗
- Author: Thorstein Veblen
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The same pervading canon of vicarious leisure is also visibly present in the exterior details of devout observances and need only be pointed out in order to become obvious to all beholders. All ritual has a notable tendency to reduce itself to a rehearsal of formulas. This development of formula is most noticeable in the maturer cults, which have at the same time a more austere, ornate, and severe priestly life and garb; but it is perceptible also in the forms and methods of worship of the newer and fresher sects, whose tastes in respect of priests, vestments, and sanctuaries are less exacting. The rehearsal of the service (the term “service” carries a suggestion significant for the point in question) grows more perfunctory as the cult gains in age and consistency, and this perfunctoriness of the rehearsal is very pleasing to the correct devout taste. And with a good reason, for the fact of its being perfunctory goes to say pointedly that the master for whom it is performed is exalted above the vulgar need of actually proficuous service on the part of his servants. They are unprofitable servants, and there is an honorific implication for their master in their remaining unprofitable. It is needless to point out the close analogy at this point between the priestly office and the office of the footman. It is pleasing to our sense of what is fitting in these matters, in either case, to recognize in the obvious perfunctoriness of the service that it is a pro forma execution only. There should be no show of agility or of dexterous manipulation in the execution of the priestly office, such as might suggest a capacity for turning off the work.
In all this there is of course an obvious implication as to the temperament, tastes, propensities, and habits of life imputed to the divinity by worshippers who live under the tradition of these pecuniary canons of reputability. Through its pervading men’s habits of thought, the principle of conspicuous waste has colored the worshippers’ notions of the divinity and of the relation in which the human subject stands to him. It is of course in the more naive cults that this suffusion of pecuniary beauty is most patent, but it is visible throughout. All peoples, at whatever stage of culture or degree of enlightenment, are fain to eke out a sensibly scant degree of authentic formation regarding the personality and habitual surroundings of their divinities. In so calling in the aid of fancy to enrich and fill in their picture of the divinity’s presence and manner of life they habitually impute to him such traits as go to make up their ideal of a worthy man. And in seeking communion with the divinity the ways and means of approach are assimilated as nearly as may be to the divine ideal that is in men’s minds at the time. It is felt that the divine presence is entered with the best grace, and with the best effect, according to certain accepted methods and with the accompaniment of certain material circumstances which in popular apprehension are peculiarly consonant with the divine nature. This popularly accepted ideal of the bearing and paraphernalia adequate to such occasions of communion is, of course, to a good extent shaped by the popular apprehension of what is intrinsically worthy and beautiful in human carriage and surroundings on all occasions of dignified intercourse. It would on this account be misleading to attempt an analysis of devout demeanor by referring all evidences of the presence of a pecuniary standard of reputability back directly and baldly to the underlying norm of pecuniary emulation. So it would also be misleading to ascribe to the divinity, as popularly conceived, a jealous regard for his pecuniary standing and a habit of avoiding and condemning squalid situations and surroundings simply because they are under grade in the pecuniary respect.
And still, after all allowance has been made, it appears that the canons of pecuniary reputability do, directly or indirectly, materially affect our notions of the attributes of divinity, as well as our notions of what are the fit and adequate manner and circumstances of divine communion. It is felt that the divinity must be of a peculiarly serene and leisurely habit of life. And whenever his local habitation is pictured in poetic imagery, for edification or in appeal to the devout fancy, the devout word-painter, as a matter of course, brings out before his auditors’ imagination a throne with a profusion of the insignia of opulence and power, and surrounded by a great number of servitors. In the common run of such presentations of the celestial abodes, the office of this corps of servants is a vicarious leisure, their time and efforts being in great measure taken up with an industrially unproductive rehearsal of the meritorious characteristics and exploits of the divinity; while the background of the presentation is filled with the shimmer of the precious metals and of the more expensive varieties of precious stones. It is only in the crasser expressions of devout fancy that this intrusion of pecuniary canons into the devout ideals reaches such an extreme. An extreme case occurs in the devout imagery of the Negro population of the South. Their word-painters are unable to descend to anything cheaper than gold; so that in this case the insistence on pecuniary beauty gives a startling effect in yellow—such as would be unbearable to a
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