The Wrecker by Clive Cussler (read the beginning after the end novel TXT) 📗

stormed a six-foot-five lumberjack. He had an enormous walrus mustache that drooped below his grizzled chin, long greasy hair, and a bowie knife in his fist.

“Are you Don Albert?” asked Bell.

“Donny’s my cousin,” said the lumberjack. “You better run while you can, mister. This is family.”

Concerned that Don Albert was belting out the back door, Bell reached for his hat and brought his hand down filled with his .44 derringer. “I enjoy a knife fight as much as the next man, but right now I haven’t the time. Drop it!”

The lumberjack did not blink. Instead, he backed up four fast steps and pulled a second, shorter knife that had no handle. “Want to bet I can throw this more accurate than you can shoot that snub nose?” he asked.

“I’m not a gambler,” said Bell, whipped his new Browning from his coat, and shot the bowie knife out of the lumberjack’s hand. The lumberjack gave a howl of pain and stared in disbelief at his shiny knife spinning through the sunlight. Bell said, “I can always hit a bowie, but that short one you’re holding I’m not sure. So, just to be on the safe side, I’m going plug your hand instead.”

The lumberjack dropped his throwing knife.

“Where is Don Albert?” Bell asked.

“Don’t bother him, mister. He’s hurt bad.”

“If he’s hurt bad, he should be in the hospital.”

“Cain’t be in the hospital.”

“Why?”

“The cinder dicks’ll blame him for the runaway.”

“Why?”

“He was on it.”

“On it?” Bell echoed. “Do you expect me to believe he survived a mile-a-minute crash?”

“Yes, sir. ‘Cause he did.”

“Donny’s got a head like a cannonball,” said the old woman.

Bell pried the story, step-by-step, out of the lumberjack and the old woman, who turned out to be Don Albert’s mother. Albert had been sleeping off an innocent drunk on the gondola when he interrupted the man who set the gondola rolling. The man had bashed him in the head with a crowbar.

“Skull like pig iron,” the lumberjack assured Bell, and Don’s mother agreed. Tearfully, she explained that every time Don had opened his eyes in the hospital, a railroad dick would shout at him. “Donny was afraid to tell them about the man who bashed him.”

“Why?” Bell asked.

“He reckoned they wouldn’t believe him, so he pretended to be hurt worse than he was. I told Cousin John here. And he rounded up his friends to carry Donny off when the doctor was eating his supper.”

Bell assured her that he would make sure the railroad police didn’t bother her son. “I’m a Van Dorn investigator, ma‘am. They’re under my command. I’ll tell them to leave you be.” At last, he persuaded her to take him into the shack.

“Donny? There’s a man to see you.”

Bell sat on a crate beside the plank bed where the bandage-swathed Don Albert was sleeping on a straw mattress. He was a big man, bigger than his cousin, with a large moon of a face, a mustache like his cousin‘s, and enormous, work-splintered hands. His mother rubbed the back of his hand and he began to stir.

“Donny? There’s a man to see you.”

He regarded Bell through murky eyes, which cleared up as they came into focus. When he was fully awake, they were an intense stony blue, which spoke of fierce intelligence. Bell’s interest quickened. Not only was the man not in a state of coma, he seemed the sort who might have made a sharp observer. And he was the only man Bell knew of who had been within just a few feet of the Wrecker and was still alive.

“How are you feeling?” Bell asked.

“Head hurts.”

“I’m not surprised.”

Don Albert laughed, then winced at the pain it caused him.

“I understand a fellow bashed you one.”

Albert nodded slowly. “With a crowbar, I believe. Least, that’s what it felt like. Iron, not wood. Sure didn’t feel like an ax handle.”

Bell nodded. Don Albert spoke as a man who had been slugged by at least one ax handle in his life, which would not be that unusual for a lumberjack. “Did you happen to see his face?”

Albert glanced at his cousin and then his mother.

She said, “Mr. Bell says he’ll tell the cinder dicks to lay off.”

“He’s a straight shooter,” said John.

Don Albert nodded, wincing again as movement resonated through his head. “Yeah, I saw his face.”

“It was night,” said Bell.

“Stars on the hill are like searchlights. I had no campfire down there on the car, nothing to blind my eyes. Yeah, I could see him. Also, I was looking down at him—I was up on top of the ties—and he looked up into the starlight when I spoke, so I seen his face clear.”

“Do you remember what he looked like?”

“Surprised as hell. Plumb ready to jump out of his skin. He wasn’t expecting company.”

This was almost too good to be true, thought Bell, excitement rising. “Can you describe him?”

“Clean-shaven fellow, no beard, miner’s cap on his head. Hair was probably black. Big ears. Sharp nose. Eyes wide-set. Couldn’t see their color. It wasn’t that bright. Narrow cheeks—I mean, a little sunken. Wide mouth, sort of like yours, excepting the mustache.”

Bell was not accustomed to witnesses itemizing specifics so readily. Ordinarily, it took listening closely and asking many subtle questions to elicit such detail. But the lumberjack had the memory of a newspaper reporter. Or an artist. Which gave Bell an idea. “If I could bring you a sketch artist, could you tell him what you saw while he draws it on paper?”

“I’ll draw him for you.”

“Beg pardon?”

“Donny’s a good drawer,” said his mother.

Bell looked dubiously at Albert’s rough hands. His fingers were as thick as sausages and ribbed with calluses. But being an artist would explain the lumberjack’s recollection for detail. Again Bell thought, What an astonishing break. Too good to be true.

“Get me pencil and paper,” said Don Albert. “I know how to draw.”

Bell gave him his pocket notebook and a pencil. With astonishingly quick, deft strokes, the powerful hands sketched a handsome face with chiseled features. Bell studied