Sybil - Benjamin Disraeli (books to read as a couple TXT) 📗

satisfied tone; “and now I am going to the Temple. I’ll tell you what, Julia has been pricked today with a shuttle, ’tis not much, but she can’t go out; I’ll stand treat, and take you and your friend to the Temple.”

“Well, that’s delight,” said Caroline. “There’s no one does the handsome thing like you, Dandy Mick, and I always say so. Oh! I love the Temple! ’Tis so genteel! I was speaking of it to Harriet last night; she never was there. I proposed to go with her⁠—but two girls alone⁠—you understand me. One does not like to be seen in these places, as if one kept no company.”

“Very true,” said Mick; “and now we’ll be off. Good night, widow.”

“You’ll remember us tomorrow evening,” said Caroline.

“Tomorrow evening! The Temple!” murmured Mrs. Carey to herself. “I think the world is turned upside downwards in these parts. A brat like Mick Radley to live in a two pair, with a wife and family, or as good as he says; and this girl asks me to take a dish of tea with her and keeps house! Fathers and mothers goes for nothing,” continued Mrs. Carey, as she took a very long pinch of snuff and deeply mused. “ ’tis the children gets the wages,” she added after a profound pause, “and there it is.”

X

In the meantime Gerard and Stephen stopped before a tall, thin, stuccoed house, ballustraded and friezed, very much lighted both within and without, and, from the sounds that issued from it, and the persons who retired and entered, evidently a locality of great resort and bustle. A sign, bearing the title of the Cat and Fiddle, indicated that it was a place of public entertainment, and kept by one who owned the legal name of John Trottman, though that was but a vulgar appellation, lost in his well-earned and far-famed title of Chaffing Jack.

The companions entered the spacious premises; and making their way to the crowded bar, Stephen, with a glance serious but which indicated intimacy, caught the eye of a comely lady, who presided over the mysteries, and said in a low voice, “Is he here?”

“In the Temple, Mr. Morley, asking for you and your friend more than once. I think you had better go up. I know he wishes to see you.”

Stephen whispered to Gerard and after a moment’s pause, he asked the fair president for a couple of tickets for each of which he paid threepence; a sum however, according to the printed declaration of the voucher, convertible into potential liquid refreshments, no great compensation to a very strict member of the Temperance Society of Mowbray.

A handsome staircase with bright brass bannisters led them to an ample landing-place, on which opened a door, now closed and by which sat a boy who collected the tickets of those who would enter it. The portal was of considerable dimensions and of architectural pretension; it was painted of a bright green colour, the panels gilt. Within the pediment, described in letters of flaming gas, you read, The Temple of the Muses.

Gerard and Morley entered an apartment very long and sufficiently lofty, though rather narrow for such proportions. The ceiling was even richly decorated; the walls were painted, and by a brush of considerable power. Each panel represented some well-known scene from Shakespeare, Byron, or Scott: King Richard, Mazeppa, the Lady of the Lake were easily recognized: in one panel, Hubert menaced Arthur; here Haidee rescued Juan; and there Jeanie Deans curtsied before the Queen. The room was very full; some three or four hundred persons were seated in different groups at different tables, eating, drinking, talking, laughing, and even smoking, for notwithstanding the pictures and the gilding it was found impossible to forbid, though there were efforts to discourage, this practice, in the Temple of the Muses. Nothing however could be more decorous than the general conduct of the company, though they consisted principally of factory people. The waiters flew about with as much agility as if they were serving nobles. In general the noise was great, though not disagreeable; sometimes a bell rang and there was comparative silence, while a curtain drew up at the further end of the room, opposite to the entrance, and where there was a theatre, the stage raised at a due elevation, and adorned with side scenes from which issued a lady in a fancy dress who sang a favourite ballad; or a gentleman elaborately habited in a farmer’s costume of the old comedy, a bob-wig, silver buttons and buckles, and blue stockings, and who favoured the company with that melancholy effusion called a comic song. Some nights there was music on the stage; a young lady in a white robe with a golden harp, and attended by a gentleman in black mustachios. This was when the principal harpiste of the King of Saxony and his first fiddler happened to be passing through Mowbray, merely by accident, or on a tour of pleasure and instruction, to witness the famous scenes of British industry. Otherwise the audience of the Cat and Fiddle, we mean the Temple of the Muses, were fain to be content with four Bohemian brothers, or an equal number of Swiss sisters. The most popular amusements however were the “Thespian recitations:” by amateurs, or novices who wished to become professional. They tried their metal on an audience which could be critical.

A sharp waiter, with a keen eye on the entering guests, immediately saluted Gerard and his friend, with profuse offers of hospitality: insisting that they wanted much refreshment; that they were both very hungry and very thirsty: that, if not hungry, they should order something to drink that would give them an appetite: if not inclined to quaff, something to eat that would make them athirst. In the midst of these embarrassing attentions, he was pushed aside by his master with, “There, go; hands wanted at the upper end; two American gentlemen from Lowell singing out for Sherry Cobler; don’t know